The recipient of four-star reviews from The Guardian, Metro, and Arts Desk magazine, playwright Adam Brace's one-woman drama Midnight Your Time will be available from November 13 through 22 in a virtual presentation hosted by Iowa City's Riverside Theatre, the entertaining and profound 30-minute monologue described by The Guardian as a work that “adapts so well for the screen that it could have been written for the medium.”

In these current times in which it's all too easy to feel grim, Davenport Junior Theatre, from November 7 through 15, will be treating kids of all ages to something delightfully Grimm – six live (and free) virtual presentations of Junior Theatre's mainstage-season opener Snow White 2.Zoom, an original online performance that celebrates its classic storybook characters in ways both familiar and new.

Although audiences for its live performances, due to current health and safety measures, are being restricted to the college's students, faculty, and staff, the general public will still be able to see the Augustana College theatre department's season-opening production of The Tragical History of Doctor Faustus, the thrilling and terrifying Christopher Marlowe classic that will be shown in virtual format on November 7.

The plot for Waiting for Godot, currently running at Moline’s Black Box Theatre, is rather simple: Two men wait near a tree for the infamous Godot. It’s unclear how many days they’ve already been waiting, or how much longer the wait will take. How the men pass time makes up the meat of this story, and Samuel Beckett’s absurdist classic ultimately grapples with the age-old question: What does it all mean?

An absurdist classic made newly relevant by the global pandemic, the legendary tragicomedy Waiting for Godot enjoys an October 22 through 31 run at Moline's Black Box Theatre, with Samuel Beckett's timeless story of hope amidst existential dread described by New York Stage Review as “the great play of the 20th century.”

Family. Love. Money. Major occupiers of our time; continual goals and sources of both stress and joy. We want them and work for them, or in spite of them. They facilitate our dreams, or get in their way. We race toward our desires until Death, who always wins, tells us we're done.

An 1882 stage classic that the New York Times, in 2018, called “suddenly as timely as a tweet,” Henrik Ibsen's An Enemy of the People (adapted by Tom Isbell) will be presented in radio-play format – and on radio station KALA 88.5 FM – by the St. Ambrose University theatre department October 2 through 11, its tale of a fight against injustice perhaps even more relevant now than it was in the 19th century.

If Halloween is approaching, it must be time for that annual theatrical command: “Let's do the 'Time Warp' again!” Consequently, the Circa '21 Speakeasy will stage its fifth-annual presentation of the cult-musical smash The Rocky Horror Show from October 3 through 31, treating audiences to live performances of classic songs in this nutty, interactive experience.

With its author praised by the New York Times for “his knack for telling stories that, at the very moment when they seem to be settling into predictable paths, throw in a zinger,” Jeffrey Hatcher's darkly hilarious Three Viewings enjoys a September 24 through October 3 run at Moline's Black Box Theatre, the playwright lauded by the Los Angeles Times for “his gifts [that] are distinctive, unmistakable, and quite a bit of fun to boot.”

It’s been a painfully long wait, but I finally got to crack open my new notebook and fresh pen for Wednesday night's performance of The Savannah Sipping Society at the Circa '21 Dinner Playhouse.

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