A special one-act version of the hilarious fairytale musical that won Great Britain's 2000 Olivier Ward for Best Musical – and triumphed over such contenders as Mamma Mia! and The Lion King – the family entertainment Honk! Jr. will make its area debut at St. Ambrose University's Galvin Fine Arts Center on December 1 and 2, demonstrating why Broadway World praised the show's “lightness of touch” and adding that there's “plenty for kids, parents, and grandparents to enjoy.”

An elderly woodcarver, a magical blue fairy, a singing and dancing fox and cat, and a wooden puppet who longs to be a real boy will all grace the stage from November 23 through December 29, as Rock Island's Circa '21 Dinner Playhouse presents show-only and brunch performances of Pinocchio, the holiday family musical based on the classic fairytale.

Described by the New York Post as “sweet, funny, and sassy” and by CBS's Dennis Cunningham as “a comic miracle of non-stop laughter,” the romantic-comedy-with-a-twist It Had to Be You enjoys a November 23 through December 2 staging at Moline's Black Box Theatre, the holiday-themed show ideally timed for those seeking, according to the Post, “a cartoon comedy of great dexterity and loving warmth.”

Lincoln, Booth, and a gun. What could go wrong? As you will come to find out in the latest QC Theatre Workshop presentation Topdog/Underdog, pretty much everything. This production is dark and riveting, even if you can see the inevitable end from the get-go.

Thirty-five years ago, as her birthday present, I took my wife out for our first “classy” date to the Circa '21 Dinner Playhouse. I had arranged for a dear friend (shout-out to Bill Sensenbrenner) to be our Bootlegger, and wanted to treat my wife to the thrill of seeing Circa '21 produce the musical Annie for the very first time. It was an elegant evening boasting a topnotch performance that we both remember to this day. Fast forward 35 years, and we found ourselves doing the exact same thing on November 9 by enjoying an elegant evening of food, friends, and Circa '21’s latest extraordinary production of – what else? – Annie!

Before attending Friday's performance of the Playcrafters Barn Theatre's A Wrinkle in Time, I knew very little about Madeleine L'Engle's beloved science-fantasy novel, save for the recent movie trailer featuring Oprah Winfrey. And as I watched the near-capacity, all-ages audience file in, I could sense an air of joyful anticipation, not unlike the one you might find at the screening of a Harry Potter movie. But by the end of the performance, I felt confused and more than a little disappointed.

Life is full of many different highs and lows that make up the human experience. We may have trials and tribulations, unexpected loss, unforeseen disappointment, and sadness, but we also have happiness, joy, and love. Memories are stored in our brains that, over time, can fade or become distorted. Now what would it be like if we downloaded those memories into a computerized holograph? So goes this science-fiction play by Jordan Harrison, called Marjorie Prime.

Beards, beers, and bucks abounded Saturday night as the Richmond Hill Players presented Escanaba in 'da Moonlight, a comedy written by Emmy-award winning actor Jeff Daniels. The program notes that Daniels, of Dumb & Dumber fame, is primarily a dramatic actor, but make no mistake: This production was straight-up slapstick comedy.

With actor/playwright Jeff Daniels' comedy described by Variety magazine as “laugh-out-loud stuff” that “proceeds at a fast clip,” Geneseo's Richmond Barn Theatre closes its 2018 season of returning audience favorites with Escanaba in 'da Moonlight, a riotous and heartwarming tale of Midwestern male bonding that, according to the Chicago Tribune, “manages to be both politically incorrect and comedically accurate.”

Winner of the 2002 Pulitzer Prize for Drama, author Suzan-Lori Parks' Topdog/Underdog will make its area debut at Davenport's QC Theatre Workshop November 2 through 18, the show's riveting exploration of African-American experience called “an utterly mesmerizing evening of theatre” by Variety magazine, with the New York Times adding that the play “vibrates with the clamor of big ideas, audaciously and exuberantly expressed.”

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