With the Richmond Times-Dispatch insisting that while the title "might suggest another church lady play ... the charitable sisters are more like the women of Steel Magnolias, with a few unexpected twists," author Bo Wilson's The Charitable Sisterhood of the Second Trinity Victory Church opens the 2026 season at Geneseo's Richmond Hill Barn Theatre with an area-debut April 16 through 26 run.

With Riverside Theatre's producing artistic director Adam Knight raving that “Emily Bohannon’s writing is one of the real pleasures of theatre today,” the playwright's stage piece The Fiancé enjoys a world-premiere April 16 through May 3 run at the Iowa City venue, Knight adding that Bohannon’s work "sheds light on characters seldom seen onstage, driven by a search for meaning in a vastness beyond the confines of New York, or even America.”

Jeff Adamson, clearly delighted by the room’s laughter on its opening-night performance, leaned into the humor with visible enthusiasm, which only seemed to widen the gap between the show’s tone and my own reaction to it.

Described by DC Metro Theatre Arts as a mystery comedy with “a dizzy, stimulating joy that makes it a whole lot of fun,” the movie and board-game adaptation Clue: Live On Stage! brings its national tour to Davenport's Adler Theatre on (fitting) April Fool's Day, the show a farcical riot that, according to Broadway World, “creates one laugh after another – and a series of 'Ah-hah!'s – as the audience is led on a merry chase.”