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"Rabbit-Proof Fence" the Best of a Sorry Crop: Also, "Bringing Down the House," "Tears of the Sun," "Willard," "Cradle 2 the Grave," and 2003 Oscar Predictions PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 18 March 2003 18:00

Steve Martin, Queen Latifah, and Eugene Levy in Bringing Down the HouseBRINGING DOWN THE HOUSE

Since she executive-produced the film, I shouldn’t feel too badly for Queen Latifah in Bringing Down the House; she obviously knew what she was getting into.

 
If I Picked the 2003 Oscars … PDF Print E-mail
Feature Stories
Written by Mike Schulz   
Sunday, 09 March 2003 18:00
Excepting a few quibbles – Where’s Richard Gere? Where’s Dennis Quaid? How did The Time Machine get nominated for anything?! – reactions to this year’s Oscar nominations have been remarkably subdued, with a minimum of bitching.

 
Newly Arrived Oscar Nominees Unmissable: "Far from Heaven," "The Pianist," "Dark Blue," and "Gods & Generals" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 04 March 2003 18:00

Julianne Moore and Dennis Haysbert in Far from HeavenFAR FROM HEAVEN and THE PIANIST

While huge movie markets such as New York and L.A. had to content themselves with only one major new release this past weekend – Cradle 2 the Grave, featuring the long-awaited pairing of Jet Li and Tom Arnold – we’re being treated to the area debuts of Far from Heaven and The Pianist, two of 2002’s greatest achievements and the recipients of 11 Oscar nominations between them. Both movies are so good that it’s almost churlish to recommend one over the over – by all means see both – but if pressed, I gotta give the edge to Todd Haynes’ Far from Heaven, which is unlike anything I’ve ever seen before.

 
"David Gale" Is Bad, but Not All That Bad: "The Life of David Gale," "Old School," and "Deliver Us from Eva" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 25 February 2003 18:00

Laura Linney and Kevin Spacey in The Life of David GaleTHE LIFE OF DAVID GALE

Reading the reviews for Alan Parker’s The Life of David Gale, you might assume that it’s the most staggeringly offensive cinematic release since Freddy Got Fingered. (Glenn Kenny of Premiere magazine and Roger Ebert gave the film a combined total of zero stars.) And upon realizing that the film in question boasts the considerable acting abilities of Kevin Spacey, Kate Winslet, and Laura Linney, not to mention direction by two-time Oscar nominee Alan Parker, you’d have every right to wonder: Can the movie be that god-awful? The short answer is: No, it’s not. Parker’s film is bad, yes, but it’s bad in typical Hollywood fashion, especially for a paranoid thriller; the plot twists are ludicrous, the dialogue, especially when dealing directly with the film’s polemic over the death penalty, is clunky, and it’s so high on its do-gooder mentality that it comes off as vaguely embarrassing. But despite what you might have read, it’s not the work of Lucifer, merely the work of talented individuals acting uncharacteristically like hacks.

 
Affleck Nearly Sinks "Daredevil": Also, "Shanghai Knights" and "How to Lose a Guy in 10 Days" PDF Print E-mail
Reviews
Written by Mike Schulz   
Tuesday, 18 February 2003 18:00

Jennifer Garner and Ben Affleck in DaredevilDAREDEVIL

Though he tries mighty hard, Ben Affleck isn’t quite able to ruin Daredevil, Mark Steven Johnson’s screen adaptation of the Marvel comic. Among comic-book fans, the news that Affleck would be portraying the tortured hero – an angry, despressed, and, oh yeah, blind lawyer who, when not losing cases in court, dons leather and kicks bad-guy ass – was met with a collective rolling of the eyes; a friend of mine, upon hearing about the casting, put it succinctly: “Oh great. It’s gonna suck."

 
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