Praised by the New York Times as "irresistibly exciting" as well as "sweet, sad, and enchantingly sincere," author Diana Son's critically acclaimed Stop Kiss serves as the latest presentation in the Playcrafters Barn Theatre's Barn Owl Series, its Moline run from June 9 through 18 sure to demonstrate why NY Newsday lauded Son's "unusually real, complicated female characters" and "her very smart and engaging new play."

A funny and witty exploration into themes of friendship and infidelity, the conflict between friendship and romance, and the foolish behavior of people in love, Two Gentlemen of Verona kicks off Genesius Guild's 2023 summer with a June 10 through 18 run, William Shakespeare's classic comedy in Rock Island's Lincoln Park continuing Guild's recent trend of season-openers boasting almost exclusively student talents.

On June 9 and 10, 30 talented and intelligent young women from across the state will compete for top honors in the preliminaries and finals for the Miss Iowa and Miss Iowa's Outstanding Teen Competitions, with guests at Davenport's Adler Theatre invited to share the excitement as this year's candidates compete in four separate phases: Talent/HERStory, Health & Fitness, Evening Gown, and On-Stage Interview.

Held in honor of LGBTQ+ Pride Month, the Davenport Public Library is hosting a special storytelling night at the library's Eastern Avenue Branch, with the June 14 event designed to bring together the queer folks and allies of the Quad Cities for an evening of community and understanding as four gifted Quad Cities talents share their thoughts on the theme of pride.

While most of the presentations in the Davenport Public Library's monthly 3rd Thursday at Hoover's Presidential Library & Museum program have focused on former president Herbert Hoover, the series will take an overdue look at the extraordinary contributions of his wife when speaker Annette Dunlap, on June 15, delivers her fascinating virtual event Lou Henry Hoover's White House Years, the first in a three-month "best of" series.

With the Mexican drama described by Letras Libres as "a movie about what makes us human [and the] hope of a better tomorrow, no matter how hard it seems," writer/director Sergio Tovar Velarde's Four Moons will be screened at Davenport's Figge Art Museum on June 11, this 2014 critical hit the second of four award-winning independent films to be shown throughout June in recognition and celebration of Gay Pride Month.

With the artist's most recent release Human: The Double Album praised by AllMusic.com for its “emotional facility” and “unfussy, unhurried execution,” country-rock singer/songwriter Cody Johnson brings his national tour to Moline's Vibrant Arena at the MARK on June 15, his most recent laurels including a 2023 CMT Music Award for his single “'Til You Can't,” a song that also earned three nominations from the Academy of Country Music Awards.

Touring in support of his 2022 hit Livin' My Best Life, CMT Music Award winner Dylan Scott headlines a June 16 concert at East Moline venue The Rust Belt, the U.K.'s Culture Fix insisting that the artist's latest "presents all the facets that make Dylan one of country’s strongest rising talents: soaring when tackling high-octane, feel-good country with a sense of charm and swagger; yet managing to deliver a sense of sincere emotional conviction in the album’s quieter more intimate moments."

Listed by NME as an "Essential Emerging Artist for 2023," the rockers of The Heavy Heavy headline a June 13 concert at Davenport's Raccoon Motel, the group's Life & Life Only, a debut EP lauded by Pop Matters as a work that "mashes up soul, psych, mod, and a tinge of eerie folk to create a blended sound that might be thrillingly at odds with today’s pop charts but would sound perfectly at home busting the rock conventions of half a century past."

Hailed by Americana UK for her "distinctive sound and her measured delivery of a lyric," rock, country, and Americana singer/songwriter Jolie Holland headlines a June 12 concert at Davenport's Raccoon Motel, the artist's album The Living & the Dead having been lauded by Pitchfork as a work that "packs a full and commanding wallop," as well as "a mini-manifesto on how to weld varied American sounds together and also f---ing rock at the same time."

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