One of the most influential – albeit mostly unknown – women in American art history will be the subject of a March 4 virtual program presented by the Figge Art Museum, with the Davenport venue hosting Dr. Ranelle Knight-Lueth's Who Was Leila Mechlin?, an exploration on the prominent member of the American Federation of arts who also served as an art critic for the Washington Evening Star and Sunday Star newspapers.

On March 7, Army Sustainment Command Historian Kevin Braafladt will host a special virtual program for the German American Heritage Center, with his presentation The Fall of Berlin detailing the strategic fighting that led to the last days of the World War II, and the surrender negotiations between the Allies and the German government that officially ended the war in Europe.

Deemed “extraordinary” by the London Times and “seriously funny” by the Charleston City Paper, David Lee Nelson's one-man-show Stages will be available for March 5 through 21 viewing in a virtual presentation by Iowa City's Riverside Theatre, the late writer/star's final offering a work that, the Charleston City Paper continues, “gives the audience a glimpse of a man wrestling with his fate, coming to grips with a death sentence, and yet accepting it with humbling joviality.”

Serving as the second cinematic presentation in Fathom Events' seventh-annual TCM Big Screen Classics series, the iconic coming-of-age saga Boyz N the Hood celebrates its 30th anniversary with February 28 and March 3 screenings at Rave Cinemas Davenport 53rd 18 + IMAX, the popular drama famed for making then-24-year-old John Singleton both the youngest person ever nominated for the Best Director Oscar and the first African American ever cited in that category.

Lauded by the New York Times as an “extraordinary accomplishment” that “becomes a virtuoso study in sensory overload,” the Tony Award-winning The Curious Incident of the Dog in the Night-Time will be produced by Augustana College in a virtual presentation available March 4 through 7, with playwright Simon Stephens' exhilarating stage piece described by Time magazine as “a demonstration of the power of theatre to transport us to exotic places.”

Two of the most prolific and notable composers of all time will be the focus of the Quad City Symphony Orchestra's fifth virtual presentation in the musicians' 2020-21 Masterworks series, with the March 7 presentation A Little Night Music showcasing Wolfgang Amadeus Mozart's spirit-lifting Serenade in G major, Eine kleine Nachtmusik (A Little Night Music) and Johannes Brahms' rich, enchanting Serenade No. 2, op. 16.

Based on the essential writings of perhaps the most iconic civil-rights champion in American history, the virtual performance piece The Norm of Greatness: A Tribute to Dr. Martin Luther King Jr. will be presented by the University of Dubuque's Heritage Center on March 8, with its playwright and star Darryl Van Leer described byVariety magazine as “an actor gifted not only with exceptional range and depth, but with clear-eyed passion and intelligence.”

The latest exhibition by a noted area sculptor and multi-media artist, Steve Banks: Construct/Destruct will be on display at the Beréskin Gallery & Art Academy through April 30, with Banks' fascinating artistic themes and subjects including ruined temples, Ionic columns, fragments of architecture, and more.

Making an eagerly anticipated stop at the Rhythm City Casino Resort Event Center in support of his chart-topping album Get Em Out, comedian and singer/songwriter Rodney Carrington shares his standup and vocal talents in two performances on March 5, demonstrating the country-themed gifts that have made him an internationally touring crowd favorite and platinum-selling recording artist.

Described by the Associated Press as “a madcap mashup of musical styles and lyrics blazing with one-liners,” the Broadway musical comedy First Date enjoys virtual City Circle Theatre Company performances February 26 through 28, this presentation hosted by the Coralville Center for the Performing Arts praised by the Hollywood Reporter for its “genuine wit and musical flair.”

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