Opening the company's second season with a Broadway hit that won seven Tony Awards and nine Drama Desk Awards, the Mississippi Bend Players bring life on the Mississippi to stage-musical life in the June 22 through July 1 presentation Big River, a Mark Twain adaptation praised by the Hollywood Reporter for its “tuneful score” and “episodic storyline that flows as smoothly as the Mississippi River.”

Performing a Moeller Nights concert on June 27, the Heligoats – what NPR called “a strange name for a guy strumming a guitar, but oddly befitting someone who stuffs his songs with so many sideways ideas and observations” – delivers acoustic indie rock courtesy of singer/songwriter Chris Otepka, whom NPR declared “writes songs that are brainy in the best way: clever without straining for cuteness, wry but never smug.”

Winner of the Grand Jury Prize for Documentaries at the 2011 Sundance Film Festival, and currently sitting with a “100-percent fresh” rating on Rotten Tomatoes, the informative, incisive, and moving How to Die in Oregon will be screened at the East Moline Public Library on June 23, a film the Hollywood Reporter called “an affecting profile of the patient aid-in-dying debate.”

Paintings and watercolors of richly beautiful nature images – and images found very close to home – will be on local display June 23 through July 26, as the Beréskin Gallery & Art Academy houses the recent works of a Fairfield, Iowa, artist in John Preston: Day by Day.

Presenting what 24OurMusic.net called “artistic synergy done right, combining all the best elements of rock, funk, and hip-hop into something that is cool and enchanting,” the Miami-based musicians of Magic City Hippies will bring their luaded genre blend to Davenport's Redstone Room on June 28 – the latest stop in a June tour that finds the band visiting nine states over 13 days.

Lauded by Rolling Stone as “the first musical to truly rock” and the winner of four Tony Awards, the theatrical sensation Hedwig & the Angry Inch will be staged in a special three-performance run at the Circa '21 Speakeasy June 23 through 30, its electrifying glam-rock atmosphere inspiring Entertainment Weekly to call the show “groundbreaking and undoubtedly ahead of its time.”

Comic books, video and board games, tournaments, cosplay competitions, and loads of special guests will be on hand when Moline's TaxSlayer Center hosts the June 22 and 23 convention Planet Funk Con: Comic Con 2018, a weekend event housing entertainment and shopping opportunities for connoisseurs and collectors of all ages.

Joseph, June 27

Praised by Whatsup Magazine for music that delivers “the lyrics as spells, the melodies as enchantment, the rhythms as the primal beatings of the heart,” the folk artists of Joseph play a Moeller Nights concert at Maquoketa's Codfish Hollow Barn on June 27, sharing what the magazine lauded as “a harmonic alchemical transmutation of word and music into shimmering epiphanies of transcendent meaning.”

The late, great author and humorist Nora Ephron famously shared this piece of advice for women: “Above all, be the heroine of your life, not the victim.” That message will also be shared in New Ground Theatre's June 22 through 24 presentation of Nora and Delia Ephron's Love, Loss, & What I Wore, a stage serio-comedy that Variety magazine called “a bittersweet meditation on the joys and tribulations of women's lives” and that the Hollywood Reporter deemed “tender and insightful without being sentimental.”

To download a PDF of the puzzle, click here.

What's the buzz? I'll tell you what's happening over at the Clinton Area Showboat Theatre – the rock opera Jesus Christ Superstar. And from the outstanding choreography by Katie Johannigman to the stellar vocals by Jesus portrayer Ben Cherington, I was thoroughly entertained.

Big-band music and huge dance numbers filled with sequin gowns and big-city lights are what I experienced at Quad City Music Guild's latest production Mame. With a multitude of cast members to fill the ensemble, Saturday's June 9 performance was packed with comedy, fantastic singing, and extravagant sets.

My kids grew up on Disney's Beauty & the Beast. I've seen the animated movies and TV specials. I've tripped over toys. I have faded photos of my daughter dressed in a brilliant ballroom gown. I've listened to Alan Menken’s soundtrack (with lyrics by Tim Rice and Howard Ashman) hundreds of times, seen the story performed on ice, and watched the live-action film earlier this year. But I’d never seen the Broadway-musical adaptation, and now that the Timber Lake Playhouse has opened its extravagant version of this classic tale, I can cross the live version off of my theatrical bucket list, too.

There's a kind of directorial smoothness, an almost tangible delight in the composition and pacing of the on-screen images, that keeps audiences alert and energized. Though the films themselves were of varying quality, Steven Soderbergh demonstrated this easy, breezy style in Ocean's Eleven, Twelve, and Thirteen – heist comedies that gleamed with their directors' signature polish. But there's also a kind of smoothness, a professional yet rather paint-by-numbers approach, that can lead to your mind wandering even while you're enjoying yourself.

If you ask anyone at the Statehouse about House Speaker Michael Madigan’s former chief of staff Tim Mapes, they'll all say he "made the trains run on time.”

Based on the beloved Caldecott Honor-winning picture book by six-time Emmy Award winner Mo Willems, Knuffle Bunny: A Cautionary Musical will delight family audiences at the Circa '21 Dinner Playhouse from June 12 through 30, its tuneful score, charming sentiment, hilarious comic adventures, and on-stage puppets resulting in a show that, according to ChicagoTheatreReview.com, “hits it out of the park.”

A movie masterpiece, an Iowa-based photographer, and specialty craft beers will all be on tap when the Figge Art Museum hosts its June 21 Cinema at the Figge presentation, an event sponsored by Ford Photography boasting guest artist Bary Phipps and a screening of Stanley Kubrick's legendary comedy Dr. Strangelove or: How I Learned to Stop Worrying & Love the Bomb.

Praised by JazzPolice.com for her “big, soulful voice,” and with 20-year David Sanborn collaborator Ricky Peterson insisting, “She will knock you out,” Minnesota-based jazz singer Pippi Ardennia performs as a June 17 guest in Polyrhythms' Third Sunday Jazz Workshop & Matinée Series, with her partner for the event Daniel Leahy, the noted jazz pianist who is currently writing and recording new compositions for the artist.

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