What really goes on in a beauty salon? As someone follicly challenged, I have wondered what happens behind all the glamour posters, hair products, and Hollywood-scandal magazines: Certainly there's more than stereotypical gossip between the customers and their stylists – right? Well, the truth is out. The Playcrafters Barn Theatre production of Steel Magnolias lifts the veil and exposes the beauty-shop mystique, and at least in this particular shop, Southern ladies come to share their fears, secrets, joys, and love with their very best friends – all while getting the perfect shampoos, colorings, and styles.

If I had to choose a word to describe the Democrats’ nominating speeches for House Speaker Michael Madigan’s re-election last week, it would be either “defensive” or “joyless.”

The speeches seemed directly aimed at Madigan’s toughest critics – and there are plenty of those out there. The nominators at times angrily justified their own votes for Madigan and their continued willingness to support him while under siege by a hostile kabillionaire governor and much of the state’s media. They literally cannot go anywhere without being asked about why they continue to back Madigan.

Downtown Davenport was once bathed in the bright glow of neon signs. In a photo taken from the intersection of Main and Second streets in the 1940s, the Hansen’s Hardware neon sign in the foreground rises several stories over the street below. So does a nearby Kaybee sign. There are, seemingly, a dozen or more smaller neon signs in the block.

Today from the same vantage point, we see U.S. Bank, the Figge Art Museum plaza, and the Charles J. Wright Ground Transportation Center. The prominent Hansen neon sign? Long gone. So are all of the other large neon signs in the photo: Kaybee, The Hub, Three Sisters, Baker’s Shoes. Also gone are the even-more-impressive neon signs rising high above the downtown theatre marquees.

Neon signs from this past era, fortunately, can still be found elsewhere in the Quad Cities.

Governor Bruce Rauner was asked last month by a Chicago TV reporter if he planned to run for re-election. Rauner said he wasn’t focused on such things.

Three days later, Rauner contributed $50-million to his own campaign fund.

On the Friday before Christmas – the kind of time politicians pick to do things they hope you won’t notice – U.S. president Barack Obama signed the 2017 National Defense Authorization Act (NDAA).

Along with the usual terrible, horrible, no good, very bad NDAA stuff (all the little mandates involved in continuing to operate the most irresponsibly bloated and expensive military machine on the planet), this NDAA included an ugly little Christmas gift for incoming President Donald Trump: The Countering Foreign Disinformation & Propaganda Act.

The most-famous work by the Guerrilla Girls is simple and direct, asking: “Do women have to be naked to get into the Met. Museum?”

The pointed text of the 1989 poster continues: “Less than 5% of the artists in the Modern Art Sections are women, but 85% of the nudes are female.”

That work is more than a quarter-century old, but the Guerrilla Girls have updated it over the years – with the results just as discouraging. The 2011 version states that women represent 4 percent of the artists in the modern-art sections of the Metropolitan Museum of Art but 76 percent of the nudes.

The work gets more complex as one considers it.

In early 2003, U.S. Secretary of State Colin Powell took the stage at the United Nations “to share with you what the United States knows about Iraq’s weapons of mass destruction.” Powell justified the impending U.S. invasion of Iraq on the claim that Saddam Hussein’s regime continued to produce and stockpile chemical and biological weapons in violation of UN resolutions. He dazzled his audience with audio recordings and surveillance photographs that he claimed constituted evidence of Iraq’s perfidy.

Two years later, Powell called the presentation a “blot” on his record, admitting that he had deceived the UN. The “weapons of mass destruction” didn’t exist. All the Saddam-era chemical weapons recovered in Iraq since 2003 are of pre-1991 manufacture with no evidence linking them to the regime since the 1991 war.

How long can we expect to wait for the National Cybersecurity & Communications Integration Center to admit that its report “GRIZZLY STEPPE – Russian Malicious Cyber Activity” – pre- hyped as providing “evidence” of Russian government interference in the 2016 U.S. presidential election – is a reprise of Powell’s UN speech?