One of the most popular and beloved animated movies of all time gets a holiday makeover at Moline's TaxSlayer Center from November 29 through December 2, with an Oscar-winning Disney masterpiece turned into an ice-skating spectacle in Disney on Ice: Frozen, a delightful touring adventure featuring Frozen's Anna, Elsa, Olaf, and more singing and skating alongside numerous additional Disney favorites.

An eagerly awaited holiday tradition, the Butterworth Center's and Deere-Wiman House's 19th Century Christmas returns on December 2 with familiar treats and a couple of brand-new ones, as Spanish translation for the event will now take place at both venues, and free shuttle service will be available in Moline’s Floreciente and Overlook neighborhoods every 20 minutes.

Seasonal activities, song and dance performances, Christmas displays, and much more can be found at the Family Museum on December 2 when the venue hosts its annual celebration WinterFest, with this year's event-filled afternoon treating guests to displays, photos, and even visits from Santa, Mrs. Claus, and a real live reindeer.

Works by a trio of exceptional area artists will be on display December 1 through January 31 at MidCoast Gallery West / The ARTery, with the Rock Island venue housing watercolors and drawings by Jeanne O'Melia, figurative drawings and paintings by Erica Parrott, and large-format photography by David Turner.

A former Black Hawk College student who studied under famed area artist Jean Tamesia, Kathleen “Casey” Washington will showcase her artworks at Davenport's MidCoast Gallery at Bucktown, with the painter and multi-media artist having prepared three different approaches for the December 1 through January 31 exhibition: “The Essence of Picasso,” “Specialized Portraits,” and “Art Designed Furniture.”

In addition to serving as the education coordinator for Bettendorf's Family Museum, a job that he says “allows me to be creative in the design of art, science, and play activities,” Glenn Boyles is a gifted artist working primarily in painting and drawing, and works by this gifted Marycrest University alumnus will be on display at the Moline Centre Station Gallery from December 1 through February 28.

In presenting the third of its six Masterworks concerts during the 2018-19 season, the Quad City Symphony Orchestra celebrates not only the ensemble's 104th year of performance, but the 100th birthday of a composing and conducting in the December 1 and 2 concert event Celebrating Bernstein's Centennial, with the program of Leonard Bernstein works featuring special solos for Concertmaster Naha Greenholtz on violin and Daniel Won on clarinet.

In addition to his rock, blues, and gospel smashes, Elvis Presley recorded numerous renditions of popular seasonal tunes, and many of those hits will be heard when the Circa '21 Dinner Playhouse hosts two November 29 performances of Blue Christmas: A Rock 'n' Roll Holiday Extravaganza starring touring musician and noted impersonator Robert Shaw.

There's a little something for everyone in the adventure fantasy Fantastic Beasts: The Crimes of Grindelwald – and that's kind of the problem. Serving as both prequel and appendage to her Harry Potter series, screenwriter J.K. Rowling's continuation of her latest wizard saga boasts plenty of random pleasures, including some nifty visuals, a couple of cheerful comic turns, and a scarily resonant sequence suggesting a Rowling-ized Nuremberg rally. Yet this second installment in a planned five-part franchise – one that began with 2016's Fantastic Beasts & Where to Find Them – is still so wildly overstuffed with incident and exposition, and so distractingly focused on The Bigger Picture, that it barely gives us a chance to admire its many lovely fringe touches. There may be a little for everyone here, but taken overall, there's not a lot for anyone.

Before my screening of the new heist thriller Widows, the film's director Steve McQueen popped up in one of those “Thanks for coming to the movies!” PSAs, and after some charming flubbing of his lines, he called the film we were about to see “a dream project.” In retrospect, it was an unexpectedly lighthearted – and therefore, perhaps necessary – introduction to a decidedly somber movie. But still, coming from the director of Hunger, Shame, and 12 Years a Slave, I have to ask: Really? This was McQueen's dream project? A feature-film version of a 1983 British mini-series about a team of former thieves' wives who ridiculously, even ludicrously pick up where their hubbies left off? The minor miracle of McQueen's latest, though, is that it might just satisfy both fans of the director's grave, unsparing, almost completely humorless works (I'm one of those fans), and those who just want to enjoy a tougher-minded Ocean's 8 with Viola Davis in the Sandra Bullock role. (I'm one of them, too.)

I had the pleasure of meeting several Democratic women candidates from Lake County during the Illinois State Fair last summer. Senator Melinda Bush (D-Grayslake) was showing them around town and brought them to a reception I was attending. We chatted for a while before they went on their merry way.

“Merry” is actually an understatement. Those candidates were positively joyful. They seemed genuinely thrilled to be running for office. Only one had ever run for something before. The rest felt compelled to get involved after the 2016 election.

An elderly woodcarver, a magical blue fairy, a singing and dancing fox and cat, and a wooden puppet who longs to be a real boy will all grace the stage from November 23 through December 29, as Rock Island's Circa '21 Dinner Playhouse presents show-only and brunch performances of Pinocchio, the holiday family musical based on the classic fairytale.

Described by the New York Post as “sweet, funny, and sassy” and by CBS's Dennis Cunningham as “a comic miracle of non-stop laughter,” the romantic-comedy-with-a-twist It Had to Be You enjoys a November 23 through December 2 staging at Moline's Black Box Theatre, the holiday-themed show ideally timed for those seeking, according to the Post, “a cartoon comedy of great dexterity and loving warmth.”

With the Chicago Tribune calling their performances “politically incorrect and funny” and the Charleston City Paper adding that the cast “has funny going on before they even open their mouths,” the Chicago-based comedians of Pimprov bring their sketch-comedy skills, acting talent, and significant bling to the Circa '21 Speakeasy on November 24, demonstrating why the Los Angeles Times calls their set “not your traditional improv.”

Presented in partnership with the Figge Art Museum's current exhibition French Moderns: Monet to Matisse, 1850-1950, the Augustana College Teaching Museum of Art showcases artistic creations from the same 100-year period in Världen är Liten: The World is Small – Modern Swedish and Swedish American Works, a November 16 through February 9 exhibit highlighting works in the museum's collection made by Swedish and Swedish-American artists.

Fans of Louisa May Alcott, Elizabeth Taylor, Claire Danes, and/or the comforts of tea can enjoy a trip back in time on November 24, when Davenport's Putnam Museum & Science Center hosts an afternoon tea along with screenings of Little Women, the Alcott classic being shown in both its Oscar-winning 1949 version and its Oscar-nominated 1994 adaptation.

Its impending area engagement sure to be the next best thing to an actual No Doubt reunion, the California-based musicians of tribute band No Duh take over the Rhythm City Casino Resort Event Center on November 23, offering a salute to Gwen Stefani and company that led BeaconStreetOnline.net to call them “awesome” and rave, “We definitely recommend checking them out.”

Praised by PopMatters as musicians who “pull off the neat trick of straddling the line between small-scale touches and anthemic choruses,” and by Paste magazine as artists who “bring to mind the best of Tom Petty and the more fun aspects of Father John Misty and The War on Drugs,” the indie rockers of The Artisanals headline a Moeller Nights concert on November 24, performing in support of their self-titled debut album released a mere two months ago.

“Ever wonder what a traditional lounge singer would sound like backed up by a punk band?” asked the Los Angeles Times. “The Smoking Popes take that concept one step further: They've created a unique kind of music that some listeneres are describing as 'hyperkinetic tear-jerkers.'” That description is as accurate today as it was during the band's early-'90s beginnings, as The Smoking Popes will prove when the pop-punk and alt-rock musicians play Davenport's Redstone Room on November 29 in support of their October release Into the Agony.

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