A legitimate musical prodigy who released two albums before becoming a teenager, the 14-year-old YouTube and concert sensation EmiSunshine makes her debut appearance at Rock Island's Circa '21 Speakeasy on September 6, the young artist cited by Rolling Stone as “a mind-bogglingly talented adolescent who writes intense Appalachian folk tunes in the Carter Family tradition and sings them with wisdom and ferocity.”

Playing past hits along with songs from the group's most recent release Give a Glimpse of What Yer Not – a work that, according to ConsequenceOfSound.net, “continues the band's decades-long path of great records” – the alternative rockers of Dinosaur Jr. play a Codfish Hollow Barn concert on September 10, their latest album described by The Quietus as “a perfect synthesis of all the incredients that have made them one of the most intriguing and long-lasting guitar bands in recent history.”

With DCMusicDownload.com calling the artist “engagingly soulful” and praising his “talent, unique songwriting ability, and ability to master the potency of silence,” the Los Angeles-based Naia Izumi appears locally as a Moeller Nights headliner on September 11, the folk-rock musician 2018's winner of NPR's esteemed Tiny Desk Contest that annually receives more than 4,000 video submissions.

Lauded by Sound Guardian as “a truly great and powerful band” and Icon Music Mag as “everything you could wish for in rock, jazz, fusion, blues, prog rock, and world music,” the Chicago-based quartet Marbin plays a Redstone Room concert on September 13, the band's most recent release Israeli Jazz praised by Festival Feak as an album that “tends to speed by at a frenetic pace, but never goes without some form of infectious melody that climbs and climbs, as if reaching for the next high.”

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Dead Man's Cell Phone

“When something rings, you have to answer it. Don't you?” pleads Jean (Jessica Taylor), the mousy, bespectacled protagonist of the QC Theatre Workshop's wildly imaginative production of Dead Man's Cell Phone. This Sarah Ruhl play serves as a commentary on how modern technology both isolates us and connects us. Or at least, that's what Wikipedia would like us to believe … .

The novelty of puppets – or, in the case of Team America: World Police, marionettes cursing and boinking and excreting was already mostly worn out by the mid-aughts, at which point Crank Yankers was midway through its five-season run and Broadway's Avenue Q a mainstream, Tony-winning hit. So The Happytime Murders was probably doomed from the start, given that its central joke, and only truly sustained joke, finds humans interacting with puppets in possession of brazenly filthy mouths, active libidos, and a wild excess of body fluids. As comic conceits go, that one's definitely a yawn. Astoundingly, though, and despite its considerable flaws, the movie itself isn't terrible – or at least, nowhere near as terrible as you may have heard.

If you were wondering whether the latest NBC/Marist poll showing Governor Bruce Rauner trailing JB Pritzker by 16 points was enough to take the wind out of the incumbent, you only had to look to an event last week for an answer.

During the First World War, construction began on St. Luke’s Hospital at 1227 East Rusholme Street in Davenport. The hospital has been renovated several times in the intervening century, but never as impressively as the $150 million renovation and construction project – the largest in Quad Cities history when it was announced in 2013 – that has been recently completed. The hospital, renamed Genesis Medical Center, is at the center of a beautiful campus that also includes the Genesis Heart Institute and medical office buildings.

The ultimate live-action comic book presented in arena-stage format, Marvel Universe! Live: Age of Heroes blasts its way into Moline's TaxSlayer Center August 31 through September 2, treating family audiences to an exhilarating, stunt-filled production boasting wondrous visual effects and many of the most heroic and villainous characters found in the Marvel canon.

An annual Labor Day-weekend tradition blasts into the District of Rock Island in this year's Xstream Rock Island Grand Prix, the September 1 and 2 event in which thousands will cheer as hundreds of racing kart drivers traverse the tree-lined streets at speeds close to 100 MPH.

Presented by the area nonprofit Living Proof Exhibit, an organization that celebrates the creative spirit of those impacted by cancer, the exhibition A Visualization of Hope will bring messages of strength and resilience to Davenport's Figge Art Museum September 6 through 9, with Living Proof's annual assemblage boasting more than 50 pieces of art created by cancer survivors in the tri-state area.

Called “hilarious and sharp-spoken” by The Huffington Post, and described by BookStr.com as a poet who “has taken no small steps toward proving her brilliance, strength, resilience, and power,” author, activist, and spoken-word artist Olivia Gatwood headlines a special engagement at Davenport's The Stardust on August 31, her recent release New American Best Friend lauded by Thought Catalogue as “the book I wish I had as a teenage girl.”

Praised by New York Music Daily for their “darkly inventive Americana” and by The Sound for their “infectious, foot-stomping Americana tunes,” the touring musicians of Muddy Ruckus – guitarist (and Rock Island native) Ryan Flaherty and “suitcase drummer” Erika Stahl – perform as Moelle Nights headliners on September 1, their 2018 album Bellows to Mend described by EvolvementRadio.com as “hands down their best work so far.”

Delivering what the New York Times called “elegant, often deadpan songs that tend toward manly understatement,” Gary Allan plays Davenport's Rhythm City Casino Resort on September 1, the chart-topping, multi-platinum-selling country superstar touring in support of his forthcoming release Hard Way, Allan's tenth studio album to date.

Performing in support of their most recent release The Far Field, an album that Rolling Stone said “nicely evokes a rainy Eighties afternoon awash in heartache and MTV,” the Baltimore-based Future Island performs an August 29 concert at Maquoketa's Codfish Hollow Barn, ConsequenceOfSound.net calling the pop-synth musicians “a band with passion and drive” and the artists' latest work “their tightest, strongest album yet.”

With Blurt magazine calling the band's 2018 album A Love Sleeps Deep “focused and well-considered” as well as “glorious, dense, and exhilarating,” the five-piece rock outfit The Moondoggies performs as the headliners for a September 6 Moeller Nights concert, treating fans to what Pitchfork described as “a manful, harmony-heavy brand of Americana rock modeled after fragile but forceful legends Neil Young, the Band, and the Grateful Dead.”

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“Welcome to the Hotel California,” crooned the Eagles as the lights dimmed on Thursday's opening-night performance of California Suite at the Richmond Hill Barn Theatre. It was the perfect – and, let’s be honest, most obvious – song choice for this straightforward production of Neil Simon’s comedy.

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