Described by the New York Post as “sweet, funny, and sassy” and by CBS's Dennis Cunningham as “a comic miracle of non-stop laughter,” the romantic-comedy-with-a-twist It Had to Be You enjoys a November 23 through December 2 staging at Moline's Black Box Theatre, the holiday-themed show ideally timed for those seeking, according to the Post, “a cartoon comedy of great dexterity and loving warmth.”

With the Chicago Tribune calling their performances “politically incorrect and funny” and the Charleston City Paper adding that the cast “has funny going on before they even open their mouths,” the Chicago-based comedians of Pimprov bring their sketch-comedy skills, acting talent, and significant bling to the Circa '21 Speakeasy on November 24, demonstrating why the Los Angeles Times calls their set “not your traditional improv.”

Presented in partnership with the Figge Art Museum's current exhibition French Moderns: Monet to Matisse, 1850-1950, the Augustana College Teaching Museum of Art showcases artistic creations from the same 100-year period in Världen är Liten: The World is Small – Modern Swedish and Swedish American Works, a November 16 through February 9 exhibit highlighting works in the museum's collection made by Swedish and Swedish-American artists.

Fans of Louisa May Alcott, Elizabeth Taylor, Claire Danes, and/or the comforts of tea can enjoy a trip back in time on November 24, when Davenport's Putnam Museum & Science Center hosts an afternoon tea along with screenings of Little Women, the Alcott classic being shown in both its Oscar-winning 1949 version and its Oscar-nominated 1994 adaptation.

Its impending area engagement sure to be the next best thing to an actual No Doubt reunion, the California-based musicians of tribute band No Duh take over the Rhythm City Casino Resort Event Center on November 23, offering a salute to Gwen Stefani and company that led BeaconStreetOnline.net to call them “awesome” and rave, “We definitely recommend checking them out.”

Praised by PopMatters as musicians who “pull off the neat trick of straddling the line between small-scale touches and anthemic choruses,” and by Paste magazine as artists who “bring to mind the best of Tom Petty and the more fun aspects of Father John Misty and The War on Drugs,” the indie rockers of The Artisanals headline a Moeller Nights concert on November 24, performing in support of their self-titled debut album released a mere two months ago.

“Ever wonder what a traditional lounge singer would sound like backed up by a punk band?” asked the Los Angeles Times. “The Smoking Popes take that concept one step further: They've created a unique kind of music that some listeneres are describing as 'hyperkinetic tear-jerkers.'” That description is as accurate today as it was during the band's early-'90s beginnings, as The Smoking Popes will prove when the pop-punk and alt-rock musicians play Davenport's Redstone Room on November 29 in support of their October release Into the Agony.

To download a PDF of the puzzle, click here.

Lincoln, Booth, and a gun. What could go wrong? As you will come to find out in the latest QC Theatre Workshop presentation Topdog/Underdog, pretty much everything. This production is dark and riveting, even if you can see the inevitable end from the get-go.

Beards, beers, and bucks abounded Saturday night as the Richmond Hill Players presented Escanaba in 'da Moonlight, a comedy written by Emmy-award winning actor Jeff Daniels. The program notes that Daniels, of Dumb & Dumber fame, is primarily a dramatic actor, but make no mistake: This production was straight-up slapstick comedy.

Life is full of many different highs and lows that make up the human experience. We may have trials and tribulations, unexpected loss, unforeseen disappointment, and sadness, but we also have happiness, joy, and love. Memories are stored in our brains that, over time, can fade or become distorted. Now what would it be like if we downloaded those memories into a computerized holograph? So goes this science-fiction play by Jordan Harrison, called Marjorie Prime.

Before attending Friday's performance of the Playcrafters Barn Theatre's A Wrinkle in Time, I knew very little about Madeleine L'Engle's beloved science-fantasy novel, save for the recent movie trailer featuring Oprah Winfrey. And as I watched the near-capacity, all-ages audience file in, I could sense an air of joyful anticipation, not unlike the one you might find at the screening of a Harry Potter movie. But by the end of the performance, I felt confused and more than a little disappointed.

Thirty-five years ago, as her birthday present, I took my wife out for our first “classy” date to the Circa '21 Dinner Playhouse. I had arranged for a dear friend (shout-out to Bill Sensenbrenner) to be our Bootlegger, and wanted to treat my wife to the thrill of seeing Circa '21 produce the musical Annie for the very first time. It was an elegant evening boasting a topnotch performance that we both remember to this day. Fast forward 35 years, and we found ourselves doing the exact same thing on November 9 by enjoying an elegant evening of food, friends, and Circa '21’s latest extraordinary production of – what else? – Annie!

Before I'm accused of being one myself, let me state up front that Dr. Seuss' The Grinch – the latest retelling of the good doctor's How the Grinch Stole Christmas – has quite a few things going for it (Happy Holidays!), even if they're eventually outweighed by the things going against it. (Bah, Humbug!)

Governor-elect JB Pritzker has taken the prospect of an immediate income-tax hike off the table, telling the Sun-Times that he won’t pursue an “artificial” progressive income tax during the coming spring legislative session.

Best known for their hit TruTV series Impractical Jokers – a reality/comedy program that the New York Post's Linda Stasi called “possibly the funniest, most ridiculous show I’ve seen in years” – the touring comedians of The Tenderloins bring their senses of humor and camaraderie to Moline's TaxSlayer Center on November 19, treating fans to the verbal wit, sketch comedy, and slapstic antics of “The Cranjis McBasketball World Comedy Tour.”

Independent musicians and stand-up comedians from across the country and the Quad Cities region will gather for the Village of East Davenport's autumnal Gas Feed & Seed Festival – a three-day, genre-hopping celebration hosted by Moeller Nights and featuring concert and comedy sets at Davenport venues The Stardust and the Triple Crown Whiskey Bar & Raccoon Motel.

Lauded by Elmore magazine as “particularly adept at a smooth, funky, groove-laden type of blues that requires a mastery of both musical timing and on-stage rapport,” the Texas-based Peterson Brothers Band plays a local concert co-presented by the Mississippi Valley Blues Society, their November 15 engagement at the Moline Viking Club sure to prove why The Examiner called them “the new rising stars on the Austin music scene.”

Touring in support of the band's sophomore album Lightning Round – an August release in which, according to Rolling Stone, its musicians “refine and polish the blend of indie-pop, folk, and rock that they introduced on their 2015 debut” – the Minnesota-based Bad Bad Hats play a Village Theatre concert on November 15, demonstrating the talents that NPR described as “programmed to fire all neural pathways associated with carefree indie rock fun.”

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