Well, there’s at least some good news regarding the TV-to-film reboot Baywatch: It’s only about 40 minutes long. The bad news, however, is that its maniacally employed slow-motion stretches those already-empty minutes to almost two full hours. Of course, it wouldn’t be Baywatch without slow-mo, and in a couple of instances – with the arrival of the movie’s title and the climactic cameo by a series favorite that’s spoiled for us in the opening credits – the effect is even handled with tongue appropriately in cheek. Mostly, though, its use just serves to elongate what is already a pretty endless affair. Bad is bad; this thing is bad cubed.