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“Mazel tov!” to the Timber Lake Playhouse and its cast of Fiddler on the Roof for eloquently executing this enduring musical with great passion and precision. The full company of performers, directed by William Hayes, delivered a terrifically entertaining production filled with traditional Jewish-dance numbers that were very well done, and I found myself fully engaged during Saturday's matinée performance – not only with the original Broadway choreography reproduced by Jessica Chen, but with each characters’ precarious plight.

When you see a show and your biggest “complaint” was that the wine was too purple, you know you’ve seen something special. The Mississippi Bend Players have brought their A-game to the stage with the world premiere of Beginner’s Luck, a comedy that's not afraid to ask the big question “What do you want from life?” and manages to be completely satisfying without actually delivering a resolution.

These days, one could rent just about anything when producing a theatrical production. Need a backdrop? Rent. Costumes? Rent. Props? Rent. Wigs? Rent. Lighting? Rent. The entire set? Rent. You can even rent the whole orchestra by licensing the use of a pre-recorded soundtrack. And there's nothing wrong with taking the rental path. I mean, why reinvent the wheel?! But that's why Quad City Music Guild’s latest – and determinedly non-rented – production of Shrek: The Musical is so ogre-ly impressive.

A question for those of you who saw Disney's Christopher Robin over the weekend: While watching Ewan McGregor's titular character interact with vocal actor Jim Cumming's eerily lifelike Winnie-the-Pooh, did any of you immediately flash to Mark Wahlberg trading profane quips with his Teddy-bear best friend in Ted? Another question: If so, did you find yourself, as I did, kind of wishing you were watching Ted instead?

Last month, Representative Christian Mitchell (D-Chicago) was interviewed by Chicago Public Radio about his new role as interim executive director of the Democratic Party of Illinois.

I do understand why museums intimidate us: We feel as if we won’t “get” what is meant to be gotten. But well-curated museums provide a broader experience than we often allow ourselves to have. What if we allowed our own interpretation to be the main goal? When there's nothing to “get” other than our own perspective, a museum visit can uncover a simple contentment, peace of mind, and happiness.

In 1992, the District of Rock Island hosted its very first outdoor festival with the debut of its Caribbean-themed celebration Ya Maka My Weekend. Twenty-six years later, the District's longest-running annual tradition will continue with the 2018 Ya Maka My Weekend on August 11, an event boasting a marketplace, arts and crafts vendors, ehtnic food of all flavors, and concert sets by four sizzling ensembles of musicians.

Performing blues, folk, country, and Americana music that, according to NPR, “evokes the old-timey spirit of a thousand crackling 78 RPM records” whose “energy makes them feel new and alive,” Midwestern singer/songwriter Pokey LaFarge plays an August 9 Moeller Nights concert at Maquoketa's Codfish Hollow Barn, the artist's most recent album Manic Revelations described by Paste magazine as “all sass and swagger, with plenty of juke-jump energy to spare.”

Winner of three 2009 Tony Awards and the 2010 Pulitzer Prize for Drama, the wildly acclaimed Broadway hit Next to Normal receives its debut staging at Moline's Black Box Theatre August 9 through 18, the New York Times raving that this pop/rock musical “throbs with an emotional intensity” and “is steeped in an inescapable, aching compassion for people crippled by pain.”

From August 9 through 11, an eagerly awaited summertime tradition will take place both on and in between the LeClaire and Port Byron Levees, as the 32nd Annual Great River Tug Fest delivers outdoor family fun with carnival attractions, live music, arts and crafts vendors, fireworks displays, and the hotly anticipated tug-of-war over the Mississippi River.

Those who love dinosaurs and all things Mesozoic will be in Putnam Museum paradise when the venue welcomes families to the August 10 through 12 celebration Dino Days – three afternoons of dinosaur-related information and entertainment that are sure to delight even those who can't distinguish a triceratops from a T. rex.

Presented as part of the venue's examination of Mexican artists during the display of its Rufino Tamayo exhibition, the Figge Art Museum hosts a lecture on Mexican modernist photography with noted scholar Dr. Monica Bravo, an assistant professor in History and Theory of Photographic Media at California College of the Arts and a lecturer in History of Art and Ethnicity, Race, and Migration at Yale University.

Delivering what Glide magazine called “a night of superb musicianship capable of time travel and otherworldliness,” acclaimed drummer Kofi Baker, son of legendary Cream drummer Ginger Baker, brings his three-man ensemble to the Redstone Room on August 10, his Kofi Baker's Psychedelic Trip trio reinventing the music of Cream and inspiring MusicEnthusiast.net to rave, “Across the board, these guys nail the sound and the feel without – and this is important – seeming like some Las Vegas tribute band. They're the real deal.”

A two-time winner of Nashville Scene's citation for “Best Local Album,” pop singer/songwriter Tristen serves as the latest visiting artist in the Moeller Nights series, her most recent album Sneaker Waves described by NPR as a work that “abounds in toothsome melodies and glistening layers of guitar and synth” as the artist herself “bears quietly lacerating witness to vulnerability.”

Headlining a two-day music festival at the Codfish Hollow Barn, the South Carolina-based ensemble SUSTO brings its Americana and alt-country stylings to Maquoketa on August 10 and 11, the artists' Fine 2Day Fest demonstrating the skills that led SoundingBoardBlog.com to rave, “The band brings a level of passion and thoughtfulness to their performance, and the way they play engulfs your attention and resonates a sense of authenticity. You can see how this is one of those bands who truly love to play music.”

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Saturday night's performance of Thesmophoriazusae was a bit like the talent show at the end of summer camp. Featuring a lot of inside jokes, jabs at society as a whole, and many familiar faces, director Bob Hanske’s production serves as the wacky capstone to Genesius Guild’s summer of entertainment in Lincoln Park.

W.C. Fields was famously quoted as saying, “Never work with children or animals,” probably because they're scene-stealing and completely unpredictable. And they certainly were, in the best way, when Thursday's opening-night performance of composer Lionel Bart's Oliver! played to a sold-out crowd at the Clinton Area Showboat Theatre. At the show's start, dozens of exceptionally talented children, playing half-starved orphans, stormed the stage with empty bowls in their hands singing “Food, Glorious Food,” and this classic tale of struggle and hardship was immediately delivered with skilled, scene-stealing, completely unpredictable song-and-dance performances.

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