Race is an issue that, in daily life, can feel like a daunting one to approach. Yet Davenport's Putnam Museum & Science Center is addressing the subject head-on in its new, interactive, and accessible traveling exhibition RACE: Are We So Different? Open to museum guests from January 26 through June 23, RACE aims to help visitors of all ages better understand the origins and manifestations of race and racism in everyday life by investigating race and challenging its misconceptions through the framework of science. And as Putnam President and CEO Kim Findlay says, it's an exhibit designed “to explore race through history, science, and culture – which happen to be the three things the Putnam focuses on.”

Foxes in the henhouse. Elephants in the room. Cats in the cradle. And from January 26 through April 28, there will be Animals in the Museum, as Davenport's Figge Art Museum showcases works in all artistic mediums devoted to the world's furry, feathered, finned, and four-legged friends.

Two beloved children's-television programs will be brought to spectacular stage life this month in two eagerly awaited touring presentations: Daniel Tiger's Neighborhood Live! King for a Day, landing at Davenport's Adler Theatre on January 23, and PAW Patrol Live! The Great Pirate Adventure, docking at Moline's TaxSlayer Center on January 26 and 27.

Appearing locally with familiar traveling companions such as Peanut, José Jalapeño, Bubba J., Sweet Daddy Dee, and Achmed the Dead Terrorist, comedian and ventriloquist Jeff Dunham brings his national “Passively Aggressive” tour to Moline's TaxSlayer Center on January 23, the performer's comic talent and audience rapport establishing why he holds the Guinness World Record for “Most Tickets Sold for a Stand-Up Comedy Tour.”

Performing as a Moeller Nights headliner on January 25, Trevor Sensor’s full-length LP debut bears the title Andy Warhol’s Dream, which should instantly give you an idea of the palette he works within. Vaguely nostalgic garage rock? Check. Evocations of the heyday of the 1960s? Definitely. A tongue-in-cheek view of art across the generations as being locked in a state of constant regurgitation and self-consumption? Oh yeah.

Performing in support of their most recent album Odd Boat, a release that SoundRenaissance.net called “a gem of our time” for its “infusion of melodic punk and anthemic rock n’ roll,” the Chicago-based musicians of Flatfoot 56 perform at the Redstone Room on January 26, filling the Davenport venue with what IndieVisionMusic.com called “their rambunctious style that their fans have come to love.”

Pony Bradshaw touches down at the Triple Crown Whiskey Bar & Raccoon Motel for Moeller Nights on January 29 in conjunction with the release of his debut full-length album Sudden Opera.

Nashville’s The Medium brings its baroque strain of '60s-worshipping indie pop/rock to the Triple Crown Whiskey Bar & Raccoon Motel on January 30. Seemingly born in a basement closet full of dusty British Invasion LPs, The Medium apparently surveyed all of what the U.K. had to offer in the mid-20th Century and settled on a sound somewhere between the tracks that appear on the A-side of Magical Mystery Tour and, well, the tracks that appear on the B-side of Magical Mystery Tour.

Will a comic-book movie finally be nominated for Best Picture? (Probably!) Will a Grammy-winning pop star be nominated for Best Actress? (Almost certainly!) Will the ceremony ever find a host? (At this point, I couldn't care less!)

Regardless, it's prediction time, Oscar hounds! Nominations for the 91st Annual Academy Awards are scheduled to be announced at 7:22 a.m. CST on Tuesday, January 22, with me no doubt burying my face in prognostic embarrassment at roughly 7:40. The boldface names and titles below are my predicted nominees, non-boldface denotes runners-up, and predictions are in order of probability.

To download a PDF of the puzzle, click here.

Missed sound cues, incorrect light cues, and a play within a play – so goes the Playcrafters Barn Theatre’s schizophrenic comedy (a work in progress), whose opening-night performance was quirky and full of mayhem. Anyone who has ever been involved in the art of theatre knows the process can become a crazy one, and this presentation gives audiences a firsthand view of what happens behind the scenes with a close look at rehearsals, a diversity of actor personalities, and an infamous, erratically temperamental director.

Kevin Hart is probably in the mood for some good news right about now. So allow me to congratulate The Oscar Host Who Wasn't on his new buddy comedy The Upside landing at the top of this past weekend's box-office charts, officially ending the three-week dominance of Aquaman. As an added bonus, The Upside isn't as dispiritingly crummy as that superhero blockbuster. But it's close.

At first, it all seems too romantic – or maybe the word is “corny” – to be believed. As we listen to the melancholy, strings-heavy refrains of composer Nicholas Britell's score, a pair of beautiful young lovers stroll through their Harlem neighborhood on a warm, mid-autumn evening, and we can't help but notice that the blazing gold of the leaves matches the gold of the woman's jacket, which, in turn, matches the gold of the man's shirt. Is If Beale Street Could Talk's writer/director Barry Jenkins paying some kind of tribute to the boldly hued, fantasy-land charms of La La Land, the movie that almost made off with the Best Picture Oscar that (ya know, eventually) went to Jenkins' Moonlight?

I missed JB Pritzker’s impromptu speech to a gathering of Republicans last week by a few minutes. But the fact that Pritzker even stopped by the event, hosted by Senate Republican Leader Bill Brady and House Republican Leader Jim Durkin, was notable in and of itself.

Aaron Sullivan in Prenzie Players' "Macbeth"

As verse-theatre troupe the Prenzie Players continues with its plan to produce all of William Shakespeare's plays by 2023, one of the Bard's most famous tragedies enjoys a new staging at Davenport's QC Theatre Workshop January 18 through 26, with the legendary revenge thriller Macbeth presented by the Prenzies for the first time since the group tackled the masterwork in 2005.

Described by Variety magazine as “Disney's happiest outing since The Lion King” and by USA Today as a production of “easy infectuousness” and “youthful exuberance,” the Tony Award-winning Newsies: The Musical makes its area debut at the Circa '21 Dinner Playhouse January 16 through February, treating family audiences to an energetic work that the Hollywood Reporter said “adheres to a time-honored Disney tradition of inspirational storytelling in the best possible sense.”

Currently celebrating 40 years of bringing extreme rodeo excitement to fans nationwide, the CINCH World's Toughest Rodeo makes a return visit to Moline's TaxSlayer Center January 18 and 19, treating patrons to entertainment from touring favorites such as professional bull jumper Manu Lataste, barrel artists John Harrison and Justin “Rumpshaker” Rumford, Whiplash the Cowboy Monkey, and Sonny the 2,000-pound picture bull.

Sinuous plants, youthful maidens, venomous dragons, and other arresting sights will be on display from January 19 through June 16 at the Figge Art Museum in the Davenport venue's new exhibition Art Nouveau Amphora, a collection of magnificent works of artistic pottery from the late-19th and early-20th Centuries.

With the Grand Rapids Press hailing their “topnotch, instumental wizardry,” Alison Lynn and Diana Ladio serve as the latest Quad City Arts Visiting Artists with their Celtic/bluegrass outfit The Moxie Strings, whose January 24 public performance at the Bettendorf High School Performing Arts Center will demonstrate why Current magazine insists that “the future of music could not be in better hands.”

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