British farce, when done well, is some of my favorite entertainment, and I personally enjoy the fact that the comedy series Fawlty Towers is set in the seaside town of Torquay, England, which happens to be my birthplace. Hoping for the best, on Friday night I attended the Richmond Hill Barn Theatre's production of authors Philip King's and Falkland L. Cary's Big ... Bad ... Mouse! I was a bit disappointed, however, to find that this 1964 show's overall pacing and tone were more representative of broad American comedy than illustrative of “proper” English farce.

The first gallery exhibition of the 2017-18 school year will feature three decades' worth of works by Crawford, who has concentrated on woodcuts and monotypes since earning a 1987 MA in Fine Art from Peoria's Bradley University.

Augustana College's first art exhibition of its 2017-18 school year finds dozens of contemporary artists and poets responding to the history of multiracial coalitions – including the Rainbow Coalition, the Young Patriots Organization, and the Black Panther Party – that have organized against racism, poverty, and oppression.

In the summer of 2013, Davenport’s QC Theatre Workshop and local playwright Aaron Randolph III presented the world premiere of his one-act drama A Green River, the story of a young solider suffering from post-traumatic stress disorder whose tale is largely told through memories and flashbacks, not all of them shown in chronological sequence.

This summer, beginning on August 25, the Workshop will debut another world-premiere production in author Randolph’s and director Tyson Danner’s one-act Broken, a human-trafficking drama whose protagonist’s journey is traced largely through memories and flashbacks, not all of them shown in chronological sequence.

“What I’ve thought of doing next,” says Randolph during my recent interview with Broken’s creators, “is writing a third play like this. Because then it’s a series, and it doesn’t seem like I’m just copying the same idea. It becomes a purposeful trilogy.”

He’s kidding. (Maybe.) But Randolph and Danner are absolutely serious about the challenge of their theatrical endeavor that opens the Workshop’s sixth season – a play designed to addresses important, heart-rending subject matter, but one that, for the sake of audiences, must also avoid the traps of seeming didactic, preachy, exploitative, and/or depressing as hell.

LIVE MUSIC

 

THURSDAY, AUGUST 17

Blood Oak – Freakabout – Meowcaholics – 6 Odd Rats – Gabe's, 330 E. Washington St., Iowa City IA

Bobby Ray Bunch – The J Bar, 4215 Elmore Ave., Davenport IA

Dennis Albee – Riverside Casino and Golf Resort, 3184 Highway 22, Riverside IA

An associate professor of painting and drawing and the director of graduate studies at the University of Arkansas, acclaimed visual artist Musgnug explores both nature and the painting process in her latest touring exhibition of works on paper.

Presented in the style of a radio play complete with live music, sound effects, and actors with scripts in hand, three new episodes of the locally produced podcast All You Care to Eat will be performed by the area troupe Comedy Thingy and taped in front of a live “studio” audience.

With current registration already having broken last year's record of 403 Corvettes, LeClaire's annual late-summer car show will again celebrate classic vehicles and America's servicemen, with 100 percent of the proceeds benefiting Vietman Veterans of America, Chapters 299, 776, and 669.

Produced by the local non-profit Heritage Documentaries, director Julie Wine Johnston's 51-minute documentary tells the story behind the bridge that first connected Rock Island to Davenport in 1856, with details including Abraham Lincoln's successful defense of railroad's right to cross the river in the trial that followed the bridge's completion.

The final area festival of 2017's summer will commence in this inaugural celebration of music, film, comedy, and visual art, with performances and activities scheduled at 14 downtown-Davenport venues.

Written by Philip King and Falkland L. Cary, 1964's farcical slapstick Big … Bad … Mouse! became a touring sensation when it became a vehicle for popular British comedians Jimmy Edward and Eric Skyles, and was a top-selling attraction during the three years the show played London's West End.

To download a PDF of the puzzle, click here.

David F. Sandberg's horror prequel isn't terrible. In truth, it's considerably better than the creepy-porcelain-doll antics of 2014's dreadful Annabelle. It's even an improvement over last summer's The Conjuring 2, whose 2013 precursor gave us our first look at the franchise's titular “character”: a house-dressed Chucky with dead eyes and blond braids. But while it would be easy to over-praise this genre outing merely for not sucking, Annabelle: Creation still emerges as only moderately effective at best – a late-summer chiller that finds a demonically possessed plaything the only truly believable thing about it.

Given its completely sold-out run, it’s hard to say that you should rush to get your tickets to see the Black Box Theatre’s production of Rock of Ages. But for those lucky enough to have tickets – or to find some way to get them – you're in for a good time.

Chicago has vast property wealth and the largest population by far in Illinois. But it also has a large amount of that property wealth locked up in Tax Increment Financing districts.

Retired Rock Island High School teacher Janet Moline leads an informal discussion on our area's most beautiful flying insects in a new Quad City Botanical Center presentation – offered on August 16 and 19 – in River Action's Riverine Walks series.

Hosted by LiveFit with Lupus, this fourth-annual outing will raise funds for those suffering from lupus and related autoimmune diseases through a four-person-scramble event followed by clubhouse drinks and dinner.

Performing from their repertoire of funk, soul, and hip-hop, the Nashville-based indie musicians of The Lonely Biscuits will perform in a Moeller Nights concert with opening sets by Okey Dokey and Hannah Aldridge.

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