Governor Bruce Rauner was asked last month by a Chicago TV reporter if he planned to run for re-election. Rauner said he wasn’t focused on such things.

Three days later, Rauner contributed $50-million to his own campaign fund.

On the Friday before Christmas – the kind of time politicians pick to do things they hope you won’t notice – U.S. president Barack Obama signed the 2017 National Defense Authorization Act (NDAA).

Along with the usual terrible, horrible, no good, very bad NDAA stuff (all the little mandates involved in continuing to operate the most irresponsibly bloated and expensive military machine on the planet), this NDAA included an ugly little Christmas gift for incoming President Donald Trump: The Countering Foreign Disinformation & Propaganda Act.

Photo courtesy of The Guerrilla Girls (<a href="http://GuerrillaGirls.com" target="_blank">GuerrillaGirls.com</a>)

The most-famous work by the Guerrilla Girls is simple and direct, asking: “Do women have to be naked to get into the Met. Museum?”

The pointed text of the 1989 poster continues: “Less than 5% of the artists in the Modern Art Sections are women, but 85% of the nudes are female.”

That work is more than a quarter-century old, but the Guerrilla Girls have updated it over the years – with the results just as discouraging. The 2011 version states that women represent 4 percent of the artists in the modern-art sections of the Metropolitan Museum of Art but 76 percent of the nudes.

The work gets more complex as one considers it.

Composer Cheryl Leonard

Claire Kovacs is in her third year as director of the Augustana Teaching Museum of Art, and she said that from the outset she needed to answer one question.

“One of the things that I’ve been thinking about since the moment that I even considered coming to Augustana,” she said, “was ‘What is the purpose of an art museum when the Figge is across the river?’”

The answer can be seen this month in a pair of free public events: the Guerrilla Girls’ January 18 lecture in Centennial Hall, and the January 11 performance collaboration of visual artist Oona Stern and composer Cheryl Leonard in Wallenberg Hall.

Russian Federation President Vladimir Putin

In early 2003, U.S. Secretary of State Colin Powell took the stage at the United Nations “to share with you what the United States knows about Iraq’s weapons of mass destruction.” Powell justified the impending U.S. invasion of Iraq on the claim that Saddam Hussein’s regime continued to produce and stockpile chemical and biological weapons in violation of UN resolutions. He dazzled his audience with audio recordings and surveillance photographs that he claimed constituted evidence of Iraq’s perfidy.

Two years later, Powell called the presentation a “blot” on his record, admitting that he had deceived the UN. The “weapons of mass destruction” didn’t exist. All the Saddam-era chemical weapons recovered in Iraq since 2003 are of pre-1991 manufacture with no evidence linking them to the regime since the 1991 war.

How long can we expect to wait for the National Cybersecurity & Communications Integration Center to admit that its report “GRIZZLY STEPPE – Russian Malicious Cyber Activity” – pre- hyped as providing “evidence” of Russian government interference in the 2016 U.S. presidential election – is a reprise of Powell’s UN speech?

Mike Schulz’s review of Manchester by the Sea prompts me to write this congratulatory note that’s been my intention for years. Recognizing, analyzing while not spoiling great films for potential viewers in a review is hard enough. Scolding those responsible for lame efforts, filmic messes, and acting disasters is easier but still hard to do without unnecessary snark.

To download a PDF of the puzzle, click here.

Ted Rall: For Now

Let’s take a look at headlines from just one day in December.

To download a PDF of the puzzle, click here.

If you want to see how Governor Bruce Rauner's mind works, you should skim through the vast trove of e-mails from Chicago Mayor Rahm Emanuel's private account that a Better Government Association lawsuit finally forced into public view last week. 

Ten years ago, you could’ve called Passengers a “Sandra Bullock in space” flick, before Bullock went and ruined the gag by starring in Gravity.

Sean Moeller Illustration by Dave Leiberg for the Time &amp; The Mystery Podcast

I’m a glutton for these year-end wrap ups. They’re fascinating and ultimately demoralizing because as you’re reading all of them – taking that finger down the rankings – it doesn’t take you very long at all to see a pattern, and you wonder why everyone’s lying. You know damned well that there can be no consensus for this activity – especially across so many publications and outlets. But there is almost always a consensus, and I call BS on it. Don’t fall for these lists. Each one should be startlingly different and ranging. They should be the result of tightening the beautiful shambles that music does to you and your daily life.

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