The familiar sounds of “Peggy Sue,” “Maybe Baby,” “Oh Boy,” “Everyday,” and many other iconic '50s-rock hits will fill the Circa '21 Dinner Playhouse on June 28 and 29, with the Rock Island venue presenting two performances of the exhilarating touring production That'll Be the Day: A Tribute to Buddy Holly & the Crickets with headliner Todd Meredith, the star of Circa '21's 2008 musical Buddy: The Buddy Holly Story.

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Every summer, the Quad Cities is blessed with an extensive live-theatre scene, and the months are crowded with show after show. Many of them are epic or extravagant productions such as Mame, The Marriage of Figaro, Beauty & the Beast, The Bridges of Madison Country, The Book of Mormon, Jesus Christ Superstar and those are just examples from the first half of June.

But then there are the smaller, more intimate ones. Presentations of works that you’ve maybe never heard of. Things that sound interesting but are overshadowed by bigger, more well-known titles. Shows such as the Black Box Theatre’s musical offering Baby – which may well prove to be the sweetest, most heartfelt, and most authentic musical you’ll see all season long.

At Friday night's final dress rehearsal of Genesius Guild's As You Like It, there were instances in which performers were forced to overcome numerous distractions from around the park. The distant sounds of children on the playground, a flock of birds singing their twilight song, an occasional motorcycle passing by … even the noise of a rushing freight train from the bottom of the hill.

One could make the case that these distractions would lessen the overall enjoyability of this Shakespeare production. But I found the opposite to be the case, for they reminded me that this is public theatre at its finest – an opportunity for all to come and enjoy classical theatre no matter the emptiness of their pockets (though donations are gratefully accepted), and even if performed in the sweltering mid-June heat, by actors with true love for and dedication to the art.

Life is tricky with Trixie, considering she’s a toddler who communicates only in gestures and gibberish. Such is the premise of the Circa '21 Dinner Playhouse’s absolutely delightful children’s show Knuffle Bunny: A Cautionary Musical.

Listening to the sustained, rolling laughter at my screening of Pixar's Incredibles 2, it became clear, even while it was happening, which individual scene was likely going to be the best-remembered and most-adored of the bunch: the one with the raccoon.

According to a recent Capitol Fax/We Ask America poll, Democrat JB Pritzker leads Republican Governor Bruce Rauner by nine points, 36-27, with 26 percent choosing an unnamed third-party candidate and 11 percent undecided. In other words, slightly more people said they preferred third party and/or were undecided than supported the frontrunner Pritzker.

Immigration in the U.S. has become one of the most emotionally charged issues of our time, due to precious little factual data informing it, regardless of whether you are sympathetic to illegal immigration or opposed to it.

Opening the company's second season with a Broadway hit that won seven Tony Awards and nine Drama Desk Awards, the Mississippi Bend Players bring life on the Mississippi to stage-musical life in the June 22 through July 1 presentation Big River, a Mark Twain adaptation praised by the Hollywood Reporter for its “tuneful score” and “episodic storyline that flows as smoothly as the Mississippi River.”

Performing a Moeller Nights concert on June 27, the Heligoats – what NPR called “a strange name for a guy strumming a guitar, but oddly befitting someone who stuffs his songs with so many sideways ideas and observations” – delivers acoustic indie rock courtesy of singer/songwriter Chris Otepka, whom NPR declared “writes songs that are brainy in the best way: clever without straining for cuteness, wry but never smug.”

Winner of the Grand Jury Prize for Documentaries at the 2011 Sundance Film Festival, and currently sitting with a “100-percent fresh” rating on Rotten Tomatoes, the informative, incisive, and moving How to Die in Oregon will be screened at the East Moline Public Library on June 23, a film the Hollywood Reporter called “an affecting profile of the patient aid-in-dying debate.”

Paintings and watercolors of richly beautiful nature images – and images found very close to home – will be on local display June 23 through July 26, as the Beréskin Gallery & Art Academy houses the recent works of a Fairfield, Iowa, artist in John Preston: Day by Day.

Magic City

Presenting what 24OurMusic.net called “artistic synergy done right, combining all the best elements of rock, funk, and hip-hop into something that is cool and enchanting,” the Miami-based musicians of Magic City Hippies will bring their luaded genre blend to Davenport's Redstone Room on June 28 – the latest stop in a June tour that finds the band visiting nine states over 13 days.

Lauded by Rolling Stone as “the first musical to truly rock” and the winner of four Tony Awards, the theatrical sensation Hedwig & the Angry Inch will be staged in a special three-performance run at the Circa '21 Speakeasy June 23 through 30, its electrifying glam-rock atmosphere inspiring Entertainment Weekly to call the show “groundbreaking and undoubtedly ahead of its time.”

Comic books, video and board games, tournaments, cosplay competitions, and loads of special guests will be on hand when Moline's TaxSlayer Center hosts the June 22 and 23 convention Planet Funk Con: Comic Con 2018, a weekend event housing entertainment and shopping opportunities for connoisseurs and collectors of all ages.

Joseph, June 27

Praised by Whatsup Magazine for music that delivers “the lyrics as spells, the melodies as enchantment, the rhythms as the primal beatings of the heart,” the folk artists of Joseph play a Moeller Nights concert at Maquoketa's Codfish Hollow Barn on June 27, sharing what the magazine lauded as “a harmonic alchemical transmutation of word and music into shimmering epiphanies of transcendent meaning.”

The late, great author and humorist Nora Ephron famously shared this piece of advice for women: “Above all, be the heroine of your life, not the victim.” That message will also be shared in New Ground Theatre's June 22 through 24 presentation of Nora and Delia Ephron's Love, Loss, & What I Wore, a stage serio-comedy that Variety magazine called “a bittersweet meditation on the joys and tribulations of women's lives” and that the Hollywood Reporter deemed “tender and insightful without being sentimental.”

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My kids grew up on Disney's Beauty & the Beast. I've seen the animated movies and TV specials. I've tripped over toys. I have faded photos of my daughter dressed in a brilliant ballroom gown. I've listened to Alan Menken’s soundtrack (with lyrics by Tim Rice and Howard Ashman) hundreds of times, seen the story performed on ice, and watched the live-action film earlier this year. But I’d never seen the Broadway-musical adaptation, and now that the Timber Lake Playhouse has opened its extravagant version of this classic tale, I can cross the live version off of my theatrical bucket list, too.

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