A quartet that, according to Vanyaland.com, “laces modern folk and Americana with an electronic jolt, waltzing along the grooved edges of dream-pop, synth-pop, and Brooklyn's mid-aughts guitar-rock revival,” the musicians of Kuinka perform an RME Member Appreciation Show on February 9, demonstrating why NPR raved about the ensemble's “joyful noise” and “joyous organic sound.”

Presented in celebration of America's oldest, largest civil-rights organization and its local members, the Figge Art Museum will house History of the Davenport NAACP February 10 through April 22, a new exhibition focusing on area contributions to this nationwide effort that boasts more than 2,200 branches and roughly half a million members worldwide.

After receiving dozens of national and local entries for its second-annual contest, the QC Theatre Workshop will present the six winners and finalists in the company's 2018 Susan Glaspell Playwriting Festival during a special two-part event, with readings of three different scripts performed on two successive nights.

Two sensational blues acts join forces for one stellar concert when the Mississippi Valley Blues Society hosts a February 10 event at the Moline Viking Club: a night of rock, reggae, and good-old-fashioned blues with Odds Lane and Reverend Raven & the Chain-Smoking Altar Boys.

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So much has been said about Pat Flaherty's performances over the years that I hesitate to add more here for fear of being accused of plagiarism. Suffice it to say Flaherty has brought a smile to my face in everything I have ever seen him act in, and his portrayal in Sleuth was certainly no exception.

Augustana College's production of In the Next Room (or The Vibrator Play) takes the audience back to the simpler time of the 1800s, when electricity was being discovered, doctors still worked out of their homes, and females were apparently so sexually repressed they were driving themselves insane.

If the news is true, and Paul Thomas Anderson's Phantom Thread does indeed mark Daniel Day-Lewis' retirement from acting, it's an occasion for remorse, if also delight that the legendary performer is at least going out on a high note. (The movie is deservedly nominated for six Academy Awards including Best Picture, Director, and Actor.) But woven into the sadness of “No more Daniel!” is a very specific kind of regret, because man is it a shame the guy didn't make more comedies.

For a while now, the book on Chris Kennedy has been that he may not be cut out for a career in politics, despite his famous last name and pedigree as the son of Bobby Kennedy and nephew of John F. Kennedy.

Even though many fans of The Sound of Music know this legendary Rodgers and Hammerstein musical by heart, audiences will be in for a thrilling treat on February 8 when the Adler Theatre's Broadway at the Adler series hosts the show in its nationally touring presentation directed by Jack O'Brien, the three-time Tony Award winner who directed Broadway's original production of Hairspray.

For its annual Woodrow Wilson Visiting Fellow Lecture, St. Ambrose University hosts the February 6 event Sharp Fights & Hard Lessons in the Global Race, a presentation on energy and the environment delivered by award-winning author Jeffrey Ball.

For the fourth performances of the Quad City Symphony Orchestra';s 2017-18 season, conductor Mark Russell Smith and his musicians take audiences on a figurative trek across the Atlantic in Postcards from Venice, a program of wit, charm, and musical mischief with a special performance by trumpet soloist Matthew Onstad.

A six-piece ensemble from Austin, Texas whose Mockingbird was cited by Rolling Stone as one of the year's best country albums, the honkytonk talents of Mike & the Moonpies play a February 4 Moeller Nights concert, treating audiences to a sound that NoDepresion.com praised for its “shining tautness” and “crisp precision that is marvellous.”

Written by award-winning author Jennifer Haley, the stage cyber-thriller The Nether opens New Ground Theatre's 2018 season in a production running February 2 through 11, with Haley's acclaimed play earning this rave from the New York Times: “As a parable for where we’re headed on that big old highway in the digital sky, The Nether exerts a viselike grip while taking you down avenues of thought you probably haven’t traveled yet.”

As NoDepression.com raved, “If James Brown and Otis Redding had a love child, it would be Josh Hoyer,” and the Nebraska-based musician and his Soul Colossal ensemble play RIBCO on February 2 in a show guaranteeing “a sound so big, so funky, so wring-the-sweat-out-of-you energetic that it reaches through the speakers and shakes you until you start moving to its groove.”

A fast-paced world requires a calming influence, and that's what Rock Island's Quad City Arts Center will provide in its new exhibitions of lovely, serene paintings by Brad Bisbey and Holly Kimball and beautiful wood sculptures and furniture by Jay Stratton, on display from February 2 through March 23.

Heading into this morning's announcement of nominees for the 90th Annual Academy Awards, there were loads of questions waiting to be answered. Would The Shape of Water set a new record for most nominations? Would the late release dates for The Post and Phantom Thread damage their Oscar chances? Would the announcement of James Franco's name result in spontaneous booing?

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This past Friday was freaky. Because at the opening night for the Circa '21 Dinner Playhouse’s Freaky Friday musical, the many stories of the evening – director Erin Thompson’s return to the theatre where she got her start in 1993’s Annie; her show being Thompson’s first professional directing credit – included the sheer splendor of the entire performance, from the acting to the dancing to the incredible singing. My wife and I definitely left the experience saying, “That was freaky good.”

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