Those who love dinosaurs and all things Mesozoic will be in Putnam Museum paradise when the venue welcomes families to the August 10 through 12 celebration Dino Days – three afternoons of dinosaur-related information and entertainment that are sure to delight even those who can't distinguish a triceratops from a T. rex.

Presented as part of the venue's examination of Mexican artists during the display of its Rufino Tamayo exhibition, the Figge Art Museum hosts a lecture on Mexican modernist photography with noted scholar Dr. Monica Bravo, an assistant professor in History and Theory of Photographic Media at California College of the Arts and a lecturer in History of Art and Ethnicity, Race, and Migration at Yale University.

Delivering what Glide magazine called “a night of superb musicianship capable of time travel and otherworldliness,” acclaimed drummer Kofi Baker, son of legendary Cream drummer Ginger Baker, brings his three-man ensemble to the Redstone Room on August 10, his Kofi Baker's Psychedelic Trip trio reinventing the music of Cream and inspiring MusicEnthusiast.net to rave, “Across the board, these guys nail the sound and the feel without – and this is important – seeming like some Las Vegas tribute band. They're the real deal.”

A two-time winner of Nashville Scene's citation for “Best Local Album,” pop singer/songwriter Tristen serves as the latest visiting artist in the Moeller Nights series, her most recent album Sneaker Waves described by NPR as a work that “abounds in toothsome melodies and glistening layers of guitar and synth” as the artist herself “bears quietly lacerating witness to vulnerability.”

Headlining a two-day music festival at the Codfish Hollow Barn, the South Carolina-based ensemble SUSTO brings its Americana and alt-country stylings to Maquoketa on August 10 and 11, the artists' Fine 2Day Fest demonstrating the skills that led SoundingBoardBlog.com to rave, “The band brings a level of passion and thoughtfulness to their performance, and the way they play engulfs your attention and resonates a sense of authenticity. You can see how this is one of those bands who truly love to play music.”

To download a PDF of the puzzle, click here.

Saturday night's performance of Thesmophoriazusae was a bit like the talent show at the end of summer camp. Featuring a lot of inside jokes, jabs at society as a whole, and many familiar faces, director Bob Hanske’s production serves as the wacky capstone to Genesius Guild’s summer of entertainment in Lincoln Park.

W.C. Fields was famously quoted as saying, “Never work with children or animals,” probably because they're scene-stealing and completely unpredictable. And they certainly were, in the best way, when Thursday's opening-night performance of composer Lionel Bart's Oliver! played to a sold-out crowd at the Clinton Area Showboat Theatre. At the show's start, dozens of exceptionally talented children, playing half-starved orphans, stormed the stage with empty bowls in their hands singing “Food, Glorious Food,” and this classic tale of struggle and hardship was immediately delivered with skilled, scene-stealing, completely unpredictable song-and-dance performances.

Lord knows we don't need any more awards for movies and the people who make them. But after watching the latest sequel to Mission: Impossible – hell, after watching its first 10 minutes – I was actively wishing that someone would at least fashion an oversize blue ribbon, or maybe an Edible Arrangements bouquet of some sort, in recognition of “Best Pre-Opening-Credits Sequence.” Because the one that writer/director Christopher McQuarrie and company have devised for Mission: Impossible – Fallout is practically a movie of its own, and an awfully good one.

President Donald Trump visited an Illinois county last week which was once considered a Democratic-party bastion, but has been slipping away to the Republicans throughout this decade.

An intimidating green ogre, a feisty princess, a wisecracking donkey, a diminutive tyrant, an ambulatory gingerbread man, and other fantastical figures take over Moline's Prospect Park Auditorium when Quad City Music Guild presents its August 3 through 12 run of Shrek: The Musical, the Tony Award-winning fairytale slapstick based on the Oscar-winning animated smash, and a show USA Today called “a triumph of comic imagination with a heart as big and warm as Santa's.”

Concluding their 2018 season with a world premiere at Augustana College, the Mississippi Bend Players will, from August 3 through 12, stage a collaboration between an Emmy-nominated writer/producer and a Broadway-veteran director: the pitfalls-of-show-business comedy Beginner's Luck, written by noted sitcom scribe P.J. Lasker (The Golden Girls, Barney Miller) and directed by the Great White Way's Philip Wm. McKinley (Spider-Man: Turn Off the Dark, The Boy from Oz).

Described by Broadway World as “a very unique and original concept devised by a very creative imagination,” YouTube sensation Miranda Sings – the fictional creation of actor/comedian Colleen Balinger – strides upon the Adler Theatre stage in the August 4 touring presentation Miranda Sings Live, a blend of gut-busting comedy and intentionally terrible singing that Real Detroit Weekly called “delightfully hilarious” and that the Irish Independent praised for its “endearing sweetness.”

On display from August 4 through September 17, a very special summertime exhibition will showcase the collaborative efforts of the Figge Art Museum, the nationwide program Students Rebuild, and Davenport Community Schools' Creative Arts Academy in Students Rebuild: Facing Difference, a beautiful and moving collection of student self-portraits from around the globe and here in the Quad Cities.

Held in annual celebration of the legendary cornet player and Davenport native, the Bix Beiderbecke Memorial Jazz Festival will, for the first time, find the majority of its concert sets taking place at the Rhythm City Casino Resort Event Center, with the venue, from August 2 through 4, hosting no less than 26 individual sets by seven assemblages of thrilling jazz artists.

Led by rock legend Buzz Osborne, who has been touring with his band for 35 years, the sludge-metal and hardcore-punk musicians of The Melvins make a return appearance at the Rock Island Brewing Company on August 6, with AllMusic.com writing of the iconic group, “Their ability to combine punk with a strong Black Sabbath influence had a major impact on everything from grunge to alternative metal to doom metal and stoner rock.”

With the band having opened for the likes of Lyle Lovett, Emmylou Harris, the Zac Brown Band, and the Goo Goo Dolls, Davenport's Redstone Room hosts an August 8 concert with the Celtic-rock talents of Gaelic Storm, an assemblage of vocalists and multi-instrumentalists lauded by the Examiner for their “high energy, consistent interaction with the audience, and exceptional musical performance.”

Lauded by Living Blues magazine as “21st Century Blues at its best,” the Memphis-based artists of the Ghost Town Blues Band perform an August 4 Harley Corin's concert presented by the Mississippi Valley Blues Society, treating audiences to the soulful, electrifying effects of, as Living Blues stated, “what can happen when the past is distilled through young sensibilities, voices, and instruments.”

Touring in support of his new album Lifted that LouderThanWar.com called “suffused with summer sunshine and bursting with optimism in the face of global fear and loathing,” indie-rock and Americana musician Israel Nash performs as the Moeller Nights headliner on August 4, the artist recently praised by Rolling Stone as a “singer-songwriter who mixes folk, rock, and psychedelia” who “is proving a master of sonic textures.”

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