Delivering what The Big Takeover describes as “muscular, meat-and-potatoes-style blues rock” and what The Dead Hub calls “old souls making incredible new music,” the Minneapolis-based rockers of The 4onthefloor enjoy a February 2 engagement as local Moeller Nights headliners, treating Davenport audiences to what MusicInMinnesota.com deemed “an exciting, drums-driven show with much-promised dancing, howling, and fun.”

Performing in support of their most recent album Odd Boat, a release that SoundRenaissance.net called “a gem of our time” for its “infusion of melodic punk and anthemic rock n’ roll,” the Chicago-based musicians of Flatfoot 56 perform at the Redstone Room on January 26, filling the Davenport venue with what IndieVisionMusic.com called “their rambunctious style that their fans have come to love.”

Nashville’s The Medium brings its baroque strain of '60s-worshipping indie pop/rock to the Triple Crown Whiskey Bar & Raccoon Motel on January 30. Seemingly born in a basement closet full of dusty British Invasion LPs, The Medium apparently surveyed all of what the U.K. had to offer in the mid-20th Century and settled on a sound somewhere between the tracks that appear on the A-side of Magical Mystery Tour and, well, the tracks that appear on the B-side of Magical Mystery Tour.

Singer/songwriter Lillie West helms the Chicago-based grunge-rock/dream-pop project Lala Lala (playing Rozz-Tox on January 21) from the persona of the disaffected slacker youth who is quite capable – perhaps secretly, and to her own chagrin – of putting in some serious work to untangle her life’s problems.