With the popularity of television series such as Downton Abbey and The Crown, contemporary audiences have become intrigued by, even addicted to, European aristocracy. I can’t help but think that in comparison to the many works of William Shakespeare, our obsession with binge-worthy TV must be like attending live theatre over 400 years ago. Take, for example, the twisted path of dysfunction, poor leadership, and random acts of stupidity as illustrated in Shakespeare’s tug-of-war tale King John.

Does sex sell? That question is dissected by every Marketing 101 class every semester on virtually every college campus. Professors will have students review magazine ads, Web-site pop-ups, and television commercials. They study the branding of perfume, women's-underwear slogans, and the sensuality of eating a luscious cheeseburger. I think most can agree that sex does sell. And if theatre is any indication, the older the targeted market, the better it sells! Just check out the Richmond Hill Barn Theatre's Sex Please, We're 60, and you'll know exactly what I mean.

Clue: The Musical is the latest production to open in this wonderfully intimate venue in downtown Moline, and speaking candidly, I was blown away by the packed house as audience members loudly chattered away before the opening curtain. It was as if they all had been cooped up in their homes for the last 24 hours, but needed to venture out just to see a classic board game brought to life via a Broadway-esque style musical.

Saturday night’s performance of Venus in Fur at the QC Theatre Workshop was … steamy. Not only in terms of the material, but in the talent on-stage, as real-life married couple Thomas Alan Taylor and Jessica Taylor set the stage ablaze in a two-person show about a young actress who all but forces her way into an audition and proves, over the course of 100 minutes, to be far more then she claims to be.