These days, one could rent just about anything when producing a theatrical production. Need a backdrop? Rent. Costumes? Rent. Props? Rent. Wigs? Rent. Lighting? Rent. The entire set? Rent. You can even rent the whole orchestra by licensing the use of a pre-recorded soundtrack. And there's nothing wrong with taking the rental path. I mean, why reinvent the wheel?! But that's why Quad City Music Guild’s latest – and determinedly non-rented – production of Shrek: The Musical is so ogre-ly impressive.

“Mazel tov!” to the Timber Lake Playhouse and its cast of Fiddler on the Roof for eloquently executing this enduring musical with great passion and precision. The full company of performers, directed by William Hayes, delivered a terrifically entertaining production filled with traditional Jewish-dance numbers that were very well done, and I found myself fully engaged during Saturday's matinée performance – not only with the original Broadway choreography reproduced by Jessica Chen, but with each characters’ precarious plight.

W.C. Fields was famously quoted as saying, “Never work with children or animals,” probably because they're scene-stealing and completely unpredictable. And they certainly were, in the best way, when Thursday's opening-night performance of composer Lionel Bart's Oliver! played to a sold-out crowd at the Clinton Area Showboat Theatre. At the show's start, dozens of exceptionally talented children, playing half-starved orphans, stormed the stage with empty bowls in their hands singing “Food, Glorious Food,” and this classic tale of struggle and hardship was immediately delivered with skilled, scene-stealing, completely unpredictable song-and-dance performances.

An intimidating green ogre, a feisty princess, a wisecracking donkey, a diminutive tyrant, an ambulatory gingerbread man, and other fantastical figures take over Moline's Prospect Park Auditorium when Quad City Music Guild presents its August 3 through 12 run of Shrek: The Musical, the Tony Award-winning fairytale slapstick based on the Oscar-winning animated smash, and a show USA Today called “a triumph of comic imagination with a heart as big and warm as Santa's.”