There’s a big reunion in Geneseo! To celebrate the 50th-anniversary season of the Richmond Hill Barn Theatre, director John VanDeWoestyne got some of the 2008 Dearly Beloved gang back together for this summer’s sweetly nostalgic revival. The theatre’s audience voted to add the show to the season, and, along with over half the original production’s actors returning, the plot features its own reunion in the form of a family wedding. Dearly Beloved must have been remembered fondly because Thursday night’s opening was packed.

A legendary comic opera about a single day of madness in a Spanish palace, Mozart's classic The Marriage of Figaro will enjoy rare area performances at St. Ambrose University on June 8 and 10. But the presentation of this romantic, hilarious, and gloriously composed work is rarer still in being a community collaboration between Genesius Guild, Opera @ Augustana, the St. Ambrose music department, and Opera Quad Cities – the latter group making its large-scale public return for the first time this decade.

Performing June 8 through 10, company members of Ballet Quad Cities bring their annual, eagerly awaited presentations of Ballet Under the Stars vignettes back to Rock Island's Lincoln Park. But this year, as Artistic Director Courtney Lyon explains, the outdoor stage will also be filled with many additional area talents sharing the spotlight with her company's professional dancers.

One of the most legendary musicals by one of American theatre's most legendary composers arrives in Quad City Music Guild's Golden Age production of the Tony-winning Mame, a June 8 through 17 run that will treat family audiences to Jerry Herman's unforgettable score, memorable songs, sure-to-be-stunning costumes, and a leading role that made Angela Lansbury a Broadway star.

Fate and destiny: Are they real? Is love at first sight possible? So asks the Circa '21 Dinner Playhouse's The Bridges of Madison County, the romantic story of two strangers who, by chance, run into one another in rural Winterset, Iowa, in 1965. And the May 24 preview performance left me captivated, delivering beautiful ballads, impressive vocals, and stunning scenic design by Eric Luchen complete with a large backdrop screen that projected fantastic images of the Roseman covered bridge, simple farmhouses, and green pastures.

Called “witty and wacky” by the London Sunday Telegraph, “verbally dexterous and physically agile” by the Boston Globe, and “English class meets Monty Python” by the Washington Post, Moline's new Spotlight Theatre debuts the first of its stage productions with the June 1 through 10 run of All the Great Books (Abridged), a rollicking farce by the Reduced Shakespeare Company team of Reed Martin and Austin Tichenor.

Running in a rare eight-performance run at Davenport's Adler Theatre, the musical-comedy smash The Book of Mormon makes its local debut June 5 through 10, a show that, in its original incarnation, inspired this first paragraph of its New York Times review: “This is to all the doubters and deniers out there, the ones who say that heaven on Broadway does not exist, that it’s only some myth our ancestors dreamed up. I am here to report that a newborn, old-fashioned, pleasure-giving musical has arrived … the kind our grandparents told us left them walking on air if not on water. So hie thee hence, nonbelievers (and believers too), to The Book of Mormon, and feast upon its sweetness.”

Davenport's QC Theatre Workshop will conclude its 2017-18 season with high spirits, and spirited performers acting high, in the June 1 through 17 run of the camp-classic musical comedy Reefer Madness, a tune-filled blast that the Chicago Tribune's Chris Jones called “very fresh and funny” and “clever enough to get me giggling verily, merrily withough any external aids whatsoever.”

“Four cities, four past romances, four stories to be told (four nearly identical hotel rooms).” That's the premise behind the Playcrafters Barn Theatre's Barn Owl presentation of Neil LaBute's Some Girl(s), and alternating between the emotionally draining, bitingly funny, viciously cynical, and surprisingly engaging, the comedy/drama might best be described as a how-to manual on how not to make amends with your past relationships.

A Southern-fried slapstick comedy by the popular playwriting team of Jessie Jones, Nicholas Hope, and Jamie Wooten, the Richmond Hill Barn Theatre's Dearly Beloved, from May 31 through June 10, will serve as the second title in the venue's 50th-anniversary season of audience-favorite revivals, the show's 2008 presentation praised by the River Cities' Reader as “charming and funny and unfailingly likable,” as well as “a terrific amount of fun.”

Pages