A world-premiere workshop production being staged at Davenport's Mockingbird on Main from March 24 through April 1, Anywhere but Here tells of a young man from a big city forced, by the advent of the 2020 pandemic, to move back into his parents' rural Midwestern home. It's a situation likely familiar to many. It's certainly familiar to the show's playwright and director Bradley Robert Jensen, who fashioned his own experiences into what he describes as “a family dramedy centered around people choosing each other over each other's differences.”

It’s been almost a decade since I attended a show at Augustana College. Since I was there last, Augie has built the gorgeous Brunner Theatre Center, where a dear friend and I were fortunate enough to attend Tuesday night’s dress rehearsal of playwright Bess Wohl’s Small Mouth Sounds.

The beginning of spring will also be a season of love at Moline's Prospect Park Auditorium when Quad City Music Guild opens its 2023 lineup with the modern classic Rent, creator Jonathan Larson's unforgettable rock opera that earned four Tony Awards, the Pulitzer Prize, and the hearts of countless millions of stage fans the world over.

With the New York Times calling it "an enchanting play" that is also "a model of ingenuity," playwright Bess Wohl's dramatic comedy Small Mouth Sounds enjoys a March 16 through 19 area debut at Augustana College, the show lauded by Variety as a "minimalist piece of experimental theatre that casts the audience as voyeurs in an entertaining adventure that gradually darkens into tragedy."

Snow in March?! More likely than you’d think, and Haus of Ruckus’ newest comedy offering has bouts of snow, cryptids, and Colorado mountaineers.

Described by Broadway World as “a great evening of theatre” that “hits the mark right from the start,” the Rock Island return of the stage smash Grumpy Old Men: The Musical enjoys a March 15 through May 6 engagement at the Circa '21 Dinner Playhouse, an adaptation of the hit film comedy that the Journal Tribune deemed “sometimes touching, sometimes raucous, and at all times enticing.”

Lauded by the San Francisco Chronicle as “audacious,” “ambitious,” and “welcoming, playful, and imaginative,” the thrillingly experimental, all-female dramatic comedy Fefu & Her Friends enjoys a rare area staging at Iowa City's Riverside Theatre from March 10 through April 2, with the works of its playwright Mariá Irene Fornés described by Vulture as “so glittering and various and powerful that it deserves cases of books.”

A sparse set is on the Village Theatre stage for the New Athens Players' debut of Spotlight on Susan Glaspell, and this minimalistic choice is to be lauded, as letting the words and stories take the forefront was an excellent decision; there’s a lot of meat that doesn’t require extensive visual splendor to make a point.

Lauded by Entertainment Weekly as “a sumptuous new production of the most perfect musical of all time,” Lincoln Center Theater's and director Bartlett's Sher's touring presentation of My Fair Lady takes to the Adler Theatre stage on March 8, this comedy romance by the legendary composing team of Alan Jay Lerner & Frederick Loewe also hailed by the New York Times as “thrilling, glorious, and better than it ever was.”

One of the most popular and beloved storybook characters of all time will be given a delightful showcase at the University of Dubuque's Heritage on Center with the arrival of the touring off-Broadway smash Paddington Gets in a Jam, this tale of the charming, accident-prone talking bear lauded by by the New York Times as “hilarious,” “captivating,” and “charming,” and by Broadway World as “the hottest family show in town.”

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