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Mike and the Bearable, Horrible, Not-Good, Fairly Bad Day – Notes on Another Quadruple Feature: "Planes: Fire & Rescue," "Persecuted," "Sex Tape," and "The Purge: Anarchy" PDF Print E-mail
Reviews
Written by Mike Schulz   
Sunday, 20 July 2014 07:44

Planes: Fire & RescueFriday, July 18, 10:30 a.m.-ish: My 3D glasses in place, I prepare to watch the animated sequel Planes: Fire & Rescue with surprisingly vivid memories of its precursor, probably because it was released a mere 11 months ago. I’m really hoping that, this time around, director Roberts Gannaway’s tale of anthropomorphic vehicles with bulging eyes and recognizable celebrity voices won’t remind me of Pixar’s Cars every three minutes, and happily, it doesn’t. Instead, I’m frequently reminded of the astronaut epic The Right Stuff, which is a much cooler movie to pilfer from.

 
Now Playing: Friday, July 18, through Thursday, July 24 PDF Print E-mail
Now Playing
Written by Mike Schulz   
Wednesday, 16 July 2014 14:30

Sex TapeFor show schedule information, visit:

Cinemark Davenport 53rd 18 + IMAX, Davenport

Putnam Museum, Davenport

Regal Moline Stadium 14, Moline

 

(Hyperlinked titles take you to Mike Schulz's full reviews; the IMDb hyperlinks take you to the films' Internet Movie Database pages.)

 
Optimus Primate: "Dawn of the Planet of the Apes" PDF Print E-mail
Reviews
Written by Mike Schulz   
Saturday, 12 July 2014 21:29

Andy Serkis in Dawn of the Planet of the ApesDAWN OF THE PLANET OF THE APES

Following a brief, artful prelude introducing us to the film’s post-viral, post-apocalyptic setting, Dawn of the Planet of the Apes opens with an extreme closeup on the eyes of Caesar, the highly evolved chimpanzee memorably portrayed (with CGI enhancement) by Andy Serkis in 2011’s Rise of the Planet of the Apes. An extreme closeup on Caesar’s eyes will also be the final image in director Matt Reeves’ sequel, yet the differences between these cinematic bookends are as wide and varied as the differences between Rise, a half-great, half-clumsy hit, and Dawn, which is, hands down, the most exciting, resonant, and humane Hollywood blockbuster of the summer, if not the millennium.

 
Four-of-July Weekday – Notes on a Quadruple Feature: "Deliver Us from Evil," "Tammy," "America," and "Earth to Echo" PDF Print E-mail
Reviews
Written by Mike Schulz   
Thursday, 03 July 2014 10:12

Eric Bana in Deliver Us from EvilJuly 2, 10:40 a.m.-ish: My screenings begin with the demonic-possession thriller Deliver Us from Evil, and I notice, during the “found footage” prelude, that the action begins on the Fourth of July. So, clearly, the film is being released at the right time. Ninety minutes later, I notice, during the climactic exorcism, that the action ends on 4/20. So, clearly, the filmmakers were high.

 
Dismayed in Hong Kong: "Transformers: Age of Extinction" PDF Print E-mail
Reviews
Written by Mike Schulz   
Sunday, 29 June 2014 12:55

Mark Wahlberg, Nicola Peltz, and Jack Reynor in Transformers: Age of ExtinctionTRANSFORMERS: AGE OF EXTINCTION

After the conclusion of its dialogue-free, if very noisy, prelude – one in which we discover that it was actually extraterrestrial robots, and not the Ice Age, that killed off the dinosaurs – the first words heard in Transformers: Age of Extinction are “Oh, shit!” I took that line as a metaphor for what we could expect over the next two and a half hours, but then, during my Friday-morning screening, it was immediately followed by another outburst: the sound of the little kid behind me laughing his ass off.

 
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