Spike Lee's latest is woke but also thunderously awake – so alive with ideas and homages and both presentational and emotional grandeur that it's nearly overwhelming.

In a sea of carbon-copied hits that sound like they were genetically engineered in a lab, alchemized into being with the same few ingredients and signifiers that topped the charts a couple weeks before, the best pop music to emerge from any given era stands out by surveying recent musical trends and streaking off in the completely opposite direction. More than a process of picking a sub-genre no one has heard in five years or so and hopping into it just for the sake of a novel juxtaposition, to shock fans for a moment before they keep scrolling down the feed, the artists who succeed at bucking trends and emerging with something unique do so by embracing the weirder or potentially more “uncool” aspects of their own musical interests.

If you find yourself missing sitting in stadiums and arenas, or even in front of the TV, with your best friends and some nachos and a cold beer or six (or is that just me … ?), consider turning or returning to one of these five – make that six – outstanding, inspiring sports films from 1981 to 1996. Advance apologies to those looking for golf movies. Might I suggest that you instead get outdoors and golf?

Makes don't work to protect people from Covid19.

There have been extensive randomized controlled trial (RCT) studies, and meta-analysis reviews of RCT studies, which all show that masks and respirators do not work to prevent respiratory influenza-like illnesses, or respiratory illnesses believed to be transmitted by droplets and aerosol particles.

The present paper about masks illustrates the degree to which governments, the mainstream media, and institutional propagandists can decide to operate in a science vacuum, or select only incomplete science that serves their interests. Such recklessness is also certainly the case with the current global lockdown of over 1 billion people, an unprecedented experiment in medical and political history.

I am well aware of the stigma associated with questioning the status quo when it comes to matters of health and well being. You may have noticed the Reader has not had any local health-care advertisers for many years. Nor have we ever had any pharmaceutical advertisers, something all mainstream media rely heavily on to stay afloat.

Longtime readers of this publication are well aware that one of the Reader's primary directives is to question authority. There are troves of documentation worldwide that prove our leaders got COVID-19 deadly wrong in numerous areas. If you have not read Reader editor Kathleen McCarthy's extensive analysis of the COVID-19 science and punditry over the last three months, you can get caught up at the following short links: RCReader.com/y/covid19 and RCReader.com/y/covidmay.

It turns out that Derek Chauvin, the former Minneapolis police officer who was filmed killing George Floyd last week, has had 17 different complaints of serious misconduct during his career. That puts him among the 10-percent-worst offenders in the Minneapolis police department.

The complaints vary from being named in a brutality lawsuit, to using demeaning, unprofessional language in public, to aiming his weapon at children. But Chauvin never got into any serious trouble.

Prior to the venue's official re-opening presently scheduled for June 23, Davenport's German American Heritage Center (GAHC) will treat patrons to a live virtual guided tour on June 14, with the museum's assistant director Samantha Turner walking online guests through artifacts, photos, biographies and more in the special exhibitions Power Frauen: German Women Who Dared to Dream and The History We Hold: Highlights from the GAHC Collection.

An award-winning, bestselling author will take part in three special June 13 presentations hosted by the Davenport Public Library, with noted illustrator and picture-book creator LeUyen Pham appearing via Zoom to share her experiences and offer insights on her contributions to works ranging from the graphic-novel memoir Real Friends to Oscar winner Julianne Moore's children's-book sensation Freckleface Strawberry.

A. Riggen, half of Quad Cities doom metal duo Murnau, has released Sugarcane, an album of indie-rock/dream-pop compositions under the moniker Wilhelm. Though the yearning, reverb-heavy vocal style he employs in Murnau remains intact here, his arrangements in the context of this project have shifted to the world of a more conventional “rock” band built around more relatively straightforward piano, guitar, bass, and organ lines.

To download a PDF of the puzzle, click here.

The following are 10 answers to the (currently) frequently asked question “What're you watching these days?” – some brand-new, some new-ish, all of them hugely enjoyed during our stay-at-home period, and a few of them almost more fun than preparing for a new play for live audiences. Almost. Sigh.

Organizers of a Black Lives Matter protest in Anna, Illinois, figured 10 people might show up for their event on June 4. The organizers endured threats of violence for days leading up to the rally.

Hey, this is Anna we're talking about here. Excuse my bluntness, but they don't call Anna "Ain't No N------ Allowed" for nothing. Anyone who knows even a tiny bit about southern Illinois and race history knows that Anna is Illinois' most infamous "sundown town." To this day, some residents still wear that moniker as a badge of honor.

Rock Island-based composer Terry Skaggs, a.k.a. dead lizard grin, released an album of layered, atmospheric ambient/drone works in mid-April called Notes from a Temporary World. The artist describes the album as: “A collection of pieces arrived at during COVID-19 isolation, March & April 2020.”

As a change of pace from recent articles showcasing five similarly-themed offerings that debuted when I was between three and 26, allow me to present a compromise of 77 winners from the period of 1995-99: my official-in-print 10-favorites lists from the ends of those years, and what those lists would now look like after 20-plus years of consideration and reconsideration.

Focusing on the artist's earlier works that employ found objects as inspiration, the Figge Art Museum's exhibition George Olson: The Found Object, on display June 9 (the day of the museum's re-opening) through 28, finds its creator using a range of mediums – among them woodcut relief, ink wash, charcoal, and assemblage – to move beyond the objects he is referencing in order to create bold graphic abstractions that simulate the intriguing surface textures of his source material.

With its showcased talent acclaimed for his mixed-media paintings and prints that utilize a variety of techniques including woodcarving and collage, the exhibition Didier William: Lakou graces Davenport's Figge Art Museum from June 9 (the day of the museum's re-opening) through August 23, its artist drawing on Haitian history, mythology, and personal experience to explore significant themes of cultural identity.

With the Bettendorf venue again open to the public and welcoming children of all ages, the Family Museum will house the interactive touring exhibition Curious George: Let's Get Curious! from June 6 through September 13, leading visitors on a fun math-, science-, and engineering-based adventure while emphasizing the central roles played by parents and caregivers.

For those seeking outdoor education and entertainment after many months spent indoors, topics such as Mississippi River history, hydropower, native bird species, and more will be explored when River Action begins its annual presentations of Channel Cat Talks and Riverine Walks – “Explore the River Series” celebrations of the Quad Cities' unique culture and landscape taking place several times weekly from June 4 through 27.

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