Singer/songwriter John Paul Roney performs a January 26 Moeller Nights concert alongside Andrew Fraser and Aaron Simon in the musicians' experimental-folk outfit Boom Forest, a group whose recent album Post Knight Errant led MXDWN.com to write that Roney's “career should no doubt be watched with great interest,” adding, “No matter which direction Roney chooses to bring the listener, it’s impossible to be disappointed.”

A biting period comedy about sexual desire, motherhood, jealousy, and the early days of its parenthetical object, Sarah Ruhl's Tony-nominated In the Next Room (or The Vibrator Play) runs at Augustana College January 26 through February 4, treating audiences to a work the New York Times called “insightful, fresh, and funny” and “as rich in thought as it is in feeling.”

Appearing locally on a national wintertime tour that takes the band from Iowa to Pennsylvania to its headliner's home state of Florida, the blues, funk, soul, and rock artists of JJ Grey & Mofro play Davenport's Redstone Room on January 28, the musicians' most recent album Ol' Glory described by NoDepression.com as a work of “boundless compassion and honesty” and “Grey's finest outing yet.”

The most famed work by one of the most famed authors of stage mysteries will be presented at the Black Box Theatre January 27 through February 11, with the Moline venue housing Anthony Shaffer's mind-twisting Sleuth, which received the 1971 Tony Award for Best Play and was adapted into an Oscar-nominated film starring Michael Caine and Sir Laurence Olivier.

Featuring dozens of debuting works in a variety of artistic mediums, the 40th Rock Island Art Guild Fine Arts Exhibition will be on display at the Figge January 27 through March 20, showcasing paintings, sculptures, installations, and more by artists living within a 150-mile radius of the Quad Cities.

To download a PDF of the puzzle, click here.

Here are my official predictions for the 90th (!) Annual Academy Awards, scheduled to be announced on the morning of Tuesday, January 23. Boldface denotes predicted nominees, non-boldface denotes runners-up, predictions are in order of probability, and mild commentary is attached at no extra charge.

When the film's focus sticks to Graham's gradual transformation from kowtowed socialite to proud defender of print journalism, The Post is a smashing success. Where it's less successful, unfortunately, is in just about everything surrounding Graham's personal struggle, effective though the film frequently is.

Painful, wrenching, and, in my view, deeply empathetic toward its subject, this is one of the least funny “comedies” I've ever seen. I mean that as a compliment.

Director Craig Cohoon's production was such a ticklish and sustained creep-out that I chuckled and smiled in appreciation as much as amusement, even when I was silently begging one of our leads to not, not, open that scary-ass door.

Whenever a dramatic new element is introduced into a political campaign, it’s always instructive to watch how the targeted candidate responds. Did the candidate appear ready for the new turn of events, or was s/he caught flat-footed?

Everything that goes out of fashion seems to make a resurgence at some point or another. This trend is no different in the music scene. Record collectors have seen formats come and go. But most recently, the focus is on the comeback of vinyl records and cassette tapes.

Called “a delightfully spunky musical” by Variety magazine and “lively, agile, and full of fun, fun, fun” by DC Theatre Scene, the stage-musical adaptation of Disney's family favorite Freaky Friday runs at the Circa '21 Dinner Playhouse January 17 through 24, bringing to theatrical life the body-switching slapstick, generational laughs, and warm sentiment beloved from the 1976 film with Jodie Foster and Barbara Harris and the 2003 remake with Lindsay Lohan and Jamie Lee Curtis.

In its ninth-annual fundraiser for the venue's educational programming, the River Music Experience's January 20 Winter Wine Experience will treat patrons to live music by the Kellen Meyers Trio, a 50/50 raffle, a silent auction, hors d'oeuvres, and numerous wine samplings presented by Davenport's Dimitri Wine & Spirits and company owner Dimitri Papageorgiou.

With his studio debut Compadre lauded by the Fort Worth Weekly for being “an adventurous foray beyond the musical norms that constrain less adventurous Americana songsmiths,” Texas musician Matthew McNeal performs a January 16 Moeller Nights concert in conjunction with his latest live session at Daytrotter, where the country, rock, and folk singer/songwriter last recorded in June of 2015.

A landmark work by renowned painter Georgia O'Keefe will be on display in the Figge's American Scene Gallery beginning January 23, as the artist's 1924 Flower Abstraction arrives on generous loan from New York's Whitney Museum of American Art.

An award-winning orator and educator familiar from her appearances on BET, MSNBC, NBC, and numerous SiriusXM radio stations, Dr. Chandra Gill will serve as the keynote speaker for Augustana's annual Martin Luther King Jr. Celebration, with January 13's “The Time Is Now” event also featuring musical performances, a video presentation, and an opening ceremony boasting the Metropolitan Youth Program Drill Team.

Davenport's Rhythm City Casino Resort welcomes a legitimate heavy-metal superstar with the January 13 arrival of Vince Neil, the singer/songwriter who spent decades as lead vocalist for the multi-platinum-selling rock legends of Mötley Crüe.

Works by four Midwestern female artists will be on display at the Beréskin Gallery & Art Academy beginning January 23, with paintings by Evanny Angelene Henningsen featured in the exhibit Utah Colors, and pieces in various mediums by Ann Peters, Amy Whiteman and Olivia von Gries – all former students of gallery owner Pat Beréskin – in the fittingly titled exhibition Coming Home.

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