Director Matthew Vaughn's action thriller Kingsman: The Golden Circle opens with a high-speed taxicab melee underscored by Prince's “Let's Go Crazy,” and I initially presumed it to be par for the Kingsman course – more hyper-edited, ultra-violent nonsense involving cartoonish CGI and an iconic pop tune. But it turns out that this particular scene, with this particular song, is actually serving as the film's mission statement, because for 140 minutes, Vaughn's follow-up to 2015's Kingsman: The Secret Service is undeniably crazy. Not good, not even half-good, but certifiable nonetheless.

With his excitability, thinned-out physique, heavy regional dialect, and seemingly lid-less popping eyes – plus a makeup job (or computer touch-up in post-production) making him look a good decade younger than his actual 36 years – Jake Gyllenhaal starts this inspirational drama acting up a storm. To Green's and the actor's immense credit, though, it winds up downgraded to a persistent yet subtle rainfall, with the occasional gusts, when they hit, feeling intensely earned. It's an Oscar Bait role, but Gyllenhaal doesn't give an Oscar Bait performance – merely an exceptional, Oscar-deserving one.

At the opening night for the Circa '21 Dinner Playhouse's Ring of Fire, the show began with its eight-person cast, one by one, declaring, “I am Johnny Cash.” Throughout the performance, they all at some point embodied the spirit of “The Man in Black.” And while the production boasts a 34-song set list covering much of Cash’s long songwriting career, I use the phrase “set list” intentionally, because the production does feel more like a concert than a traditional musical.

Brady has an idea in mind. But one person who was briefed last week said it wasn’t so much a plan as “A magical mystery tour looking for someone to love it.”

Buzz Osbourne of Melvins @ RIBCO 2013 photo by Matt Erickson

After thirty years in the game, one might imagine Melvins would slow down, burn out, or fade away. Having pioneered the grunge rock and sludge metal styles of the early nineties, and inspiring a wide-eyed young Kurt Cobain and his contemporaries to follow in their footsteps, the Washington-based trio (sometimes quartet) led by guitarist/singer Buzz Osbourne and drummer Dale Crover still show no signs of fatigue in 2017.

Presented as part of the Bettendorf Public Library's “Global Gathering: Korea” series, gifted members of the Minnesota dance ensemble will entertain and educate family audiences with examples of Korean folk, court, and ritual dance and music traditions.

A two-time winner of the Nashville Scene's citation for “Best Local Album,” the latest visiting artist in the Moeller Nights series will perform highlights from the pop singer/songwriter's 10-year professional repertoire.

Hosted by Mandala Integrative Medicine, this one-day event is designed to inspire the improvement of work-life balance, growth and success, productivity, and well-being, and includes presentations by nationally recognized speakers Dr. Sayed A. Shah and Andy Core.

Playing their distinct blend of funk rock, reggae, surf rock, disco, and traditional Russian stylings, Igor & the Red Elvises makes a return appearance at RIBCO – the latest tour stop in the Los Angeles-based band's twenty-third year of performance.

Called “an intuitive, remarkably personal love letter” by ArtForum magazine, the latest presentation in Ford Photography's Cinema at the Figge series celebrates the life and career of one of American music's most experimental and creative artists.

A trio of professional standup comedians, all of them Iowa natives, bring their fall tour to Davenport in a Triple Crown Whiskey Bar & Raccoon Motel event showcasing the stylings of Davenport's Gideon Hambright, Glenwood's Patrick Hastie, and Marshalltown's James Doyle.

The Miami-based Magic City Hippies will bring their indie-funk stylings to the Redstone Room on September 30 – the latest engagement in a busy year that has already seen the musicians opening for Hippo Campus's two-month national tour and enjoying summer-festival sets at SunFest and Bonnaroo.

Described by the Minneapolis Star-Tribune as “a powerful, animated blues-rock singer” and “a writer of praiseworthy originals,” singer/songwriter/guitarist Parker performs locally in a special concert event presented by the Mississippi Valley Blues Society.

Boasting more than 40 paintings produced over the course of 70 years, the Figge's latest exhibition will showcase the artistic journey of Rock Island native Koen – one of the most distinguished artists of the 20th Century.

As the advance publicity and trailers for mother! were deliberately vague, it was impossible to know quite what to expect from Aronofsky's follow-up to his Ark-etypal epic Noah, and I presume that a lot of people, like myself, imagined it was going to be some kind of updated Rosemary's Baby with Jennifer Lawrence doing a Mia Farrow and Michelle Pfeiffer in the Ruth Gordon role. And I'd still pay big bucks to see that movie.

Back in 1979, when Currie started her first term, Chicago's House delegation was packed with very conservative white men. But now, "I don't feel as if I'm leaving a void" by retiring, the liberal legislator from Chicago’s liberal Hyde Park neighborhood told me Thursday night. The city's delegation these days is filled with "fresh, bright, able, progressive people," Currie said.

Two signature forces in the 1990s' alternative-rock scene headline a special concert event at the River City Casino, performing both their early-'90s hits and numbers from the bands' past two decades of recording.

Called “a lively jukebox revue” by the Chicago Tribune and “a warm, straightforward pleasure” by the Denver Post, Broadway's musical celebration of Johnny Cash returns to the area for the first time since its engagement at Circa '21 in early 2009.

Award-winning entertainer, nationally recognized speaker, and illusionist par excellence Karges brings his comedy-magic stylings to Augustana in the latest performance in a career that has found him performing in more than 5,000 venues worldwide, including in 22 countries on four continents, and in all 50 United States.

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