For the third consecutive year, LGBTQ culture will be celebrated in a riverfront festival boasting live music, burlesque, belly dancing, drag shows, arts and crafts, food and beverages, children's activities, and even blazing batons courtesy of QC Sol Fire.

Performing folk, pop, and indie-rock numbers that inspired Acoustic Guitar magazine to call them “a band that packs a tremendous amount of artistry and talent into their compositions,” Katelyn and Laurie Shook return to the Redstone Room in a fall tour that will find the sisters also traveling to Chicago, Nashville, Philadelphia, and New York City.

Appearing in an event jointly sponsored by the Doctor of Business Administration Progam, Communication Department, Communication Center, College of Arts and Sciences, and Advancement and Alumni Engagement, international journalist and St. Ambrose alumnus Contreras will deliver a lecture as part of the school's Academic Project Series “Faces of Globalization.”

One of author Neil LaBute's most critically acclaimed yet controversial dark comedies makes its area debut with a two-performance run at Playcrafters – the third production in theatre's recently initiated “Barn Owl Series” of challenging and decidedly adult-themed presentations.

Performing in support of the band's ninth album After You've Gone, released just last month, the rockabilly, blues, and Southern Gothic musicians of the Legendary Shack Shakers will be making their first appearance at RIBCO since November of last year.

Twenty-four unique, artistically enhanced bodices are currently being showcased in Quad Cities galleries, venues, and businesses, and on September 23, these hand-crafted works will be auctioned off in a special event designed to raise funds for the NormaLeah Ovarian Cancer Initiative.

Agatha Christie’s And Then There Were None – the story of murder on a remote island – was published in 1939 and adapted into a play in 1943, and is one of the top-10 bestsellers of all time. If you like the game Clue, or just a good whodunnit, you will likely enjoy this mystery, as the audience is taken on a suspenseful ride that's filled with twists and turns until its last scene. And while the Playcrafters Barn Theatre's current presentation of the piece, under the direction of Cynthia Safford, has a straightforward approach and is less scary than some productions I’ve seen, it's still effective.

Muschietti's achievement is most assuredly a great time, and succeeds as well as it does primarily because the film pulls off a high-risk trick that precious few works in this genre ever do: It manages to be just as funny as it is scary. It may even be funnier than it is scary, and It is awfully freakin' scary.

Lost in much of the hoopla over the process of passing school-funding reform through the Illinois General Assembly is the fact that this is a pretty darned good and far-reaching bill.

Ellen Kempner of Palehound on: NPR Music's Tiny Desk Concert in April 2016

While Palehound frontperson Ellen Kempner started the project in 2013 as an outlet for her diaristic solo songwriting, the band has since expanded to a proper rock trio that packs a punch to match her emotionally devastating lyrics.

With the Phoenix Blues Society labeling her “one of the most distinctive and expressive vocalists to come around in a while,” Davina Lozier and her band of Vagabonds returns to Davenport's Redstone Room in a concert held in advance of the band's fall-tour stops between Jacksonville, Florida, and Minneapolis, Minnesota.

What do pretzel-necklaces, comedy, hops, cheese-tasting-areas, free Uber rides home, and usually the best weather all year round all have in common?

An annual outdoor celebration presented by the Celtic Cultures Alliance of the Quad Cities, this year's Celtic Festival & Highland Games will again boast dozens of demonstrations, exhibits, family activities, cultural workshops, and contests covering everything from dancing to feats of strength, with live music provided by more than a dozen national and local acts.

Credited for reviving the European genre of “Country and Irish” – an Irish musical form that blends North American country stylings with Celtic influences – Carter, at age 27, has released nine studio albums and three live albums to date, five of which reached number-one on the Irish Albums Chart.

Described by Downbeat magazine as “charismatic and immensely talented” and called a “jazz innovator” by Billboard, singer/saxophonist/composer Kelly not only headlines Polyrhythms' monthly “Third Sunday Jazz Workshop & Matinée Series” on September 17, but appears locally as the first scheduled performer in Quad City Arts' 2017-18 Visiting Artist Series.

Quality artworks by dozens of regional and national artists, children's art activities, a wine tasting, gourmet food, live music with the Barley House Band, and more will be on tap for the 30th-annual art festival hosted by MidCoast Fine Arts, with local artist Jeanne O'Melia this year's recipient of the Harley Award recognizing special contributions made to the area's visual-art landscape.

Created at the time of increased migration of Haitians to the United States, Duval-Carrié's multi-part alter-piece Endless Flight is accompanied by seven freestanding or floating assemblages referring both to the migration of colonists and slaves to Haiti, and to the migration of Haitians to the United States and other countries. The work will be showcased alongside a selection of recent paintings by Duval-Carrié that continue his dialogue on the history of colonialism in the Americas.

Swiss artist Loher, whose video installations combine performance art, music, and dance, returns to the Figge to discuss her latest work and its relation to current environmental issues, including a decline in pollinators.

This past Labor Day weekend might be the new standard-bearer in the annals of cinematic renunciation, because here were our only new – or rather, “new” – cineplex options: the 40th-anniversary release of Spielberg's Close Encounters of the Third Kind (a magnificent work, to be sure, but a 1977 one); Marvel's Inhumans (the pilot for a TV series); and Tulip Fever, a period drama shot in the summer of 2014 originally scheduled for release in November of 2015. Since then, the latter title – one boasting a quartet of Oscars winners in Alicia Vikander, Christoph Waltz, Judi Dench, and co-screenwriter Tom Stoppard – has had its release postponed an additional four times before being blithely tossed at the masses on Hollywood's least-favorite weekend of the year. You'd actually feel terrible for director Justin Chadwick's abused outing if the movie itself weren't quite so stupid.

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