Polyrhythms hosts a tribute to “The Jazz Professor” Bill Bell – the accomplished jazz musician, longtime educator, and former East Moline resident who passed away in March – with free weekend performances by local and national musicians and dancers, including the Sunday headliners of 2 Brown Sisters.

I am biased. Because as a former member (1985-86) of our area's performing wait staff of Bootleggers, I watched No Business Like Show Business feeling proud, and even blessed, to experience this stage retrospective – a celebration of the Circa '21 Dinner Playhouse's 40 years of producing live theatre in the Quad Cities.

The music by Andrew Lloyd Webber and book and lyrics by Don Black and Christopher Hampton elevate this story of a fading diva to an almost operatic level, and Quad City Music Guild is currently presenting the Sunset Boulevard musical with Broadway-worthy sets, costumes, and performances. Bravo!

I left Friday’s opening-night performance of Brighton Beach Memoirs – the final show in the Mississippi Bend Players' inaugural season – with several thoughts on my mind: (1) How do I review something of this caliber? (2) Everyone should go see this, so they, too, can realize how lucky we are to have such talent in the Quad Cities. (3) This show is so good I wish I was a part of it!

While I’m generally averse to movies whose only apparent goal is to make audiences feel like crap, I’d almost make an exception for Kathryn Bigelow’s Detroit, a relentless bummer so well-executed that I found myself riveted even when I was aching to flee.

The education-funding-reform bill that passed the House and Senate in May and was finally sent to Governor Bruce Rauner on July 31 was the product of four years of research, endless listening tours, and lots of hard bargaining.

But when Rauner issued his amendatory veto of Senate Bill 1 last week, he introduced a bunch of new ideas that had never been on the table, including during endless discussions among members of his own education-funding-reform commission.

Education funding is a complicated topic anyway, but it’s especially difficult to understand in Illinois given the heated rhetoric from both Democrats and Republicans.

The situation is actually pretty simple, however: Pretty much everybody agrees on the problem and the solution, and additional money has already been budgeted to start the process.

Jeff Sessions in 2016.

Amidst growing outcry against civil asset forfeiture, Attorney General Jeff Sessions announced the Justice Department’s new directive focused on increasing the practice.

To download a PDF of the puzzle, click here.

Frequently, these What’s Happenin’ articles end with quizzes. But in a cheeky change of pace, we’re gonna start with one: Who, or what, are Supersuckers? (A) Characters on an animated Nick Jr. series; (B) Multi-colored, discontinued Willy Wonka candies; (C) Popular rock and cowpunk musicians; or (D) My bosses for letting me run quizzes in lieu of actual editorial content?

The answer, as the band’s many fans know, is “C.” Unless this is the last week you see quizzes in these pages, in which case it’s “D,” and my bosses have clearly had enough.

At the start of Billy Wilder’s film noir classic Sunset Boulevard, Hollywood screenwriter Joe Gillis – the movie’s male lead and narrator – makes his first appearance floating face-down, dead, in an outdoor swimming pool.

Yet Kevin Pieper, the director and set designer for Quad City Music Guild’s new production of the Sunset Boulevard stage musical (running August 4 through 13), has some bad news. “I’ll let the cat out of the bag with you,” he says during our July 20 interview. “We don’t have a swimming pool. We thought about filling the orchestra pit, but that would kind of defeat the purpose.”

The battle plan to kill the Democrats’ education-funding-reform bill (Senate Bill 1) that was plotted before Governor Bruce Rauner’s infamous staff purge in early July – and which still appears to be mostly operative – actually anticipated low special-session turnout, because there likely wouldn’t be much of anything to vote on. Rauner’s folks figured that the Democrats would wait a while before lifting the parliamentary brick off the education-funding-reform bill – the better to foment a crisis atmosphere as the clock ticks down to schools reopening after summer break.

So legislators not showing up for session will likely only amplify the governor’s contention that the majority party isn’t interested in preventing a crisis and funding schools.

Domestic box office may be comparatively down and aging franchises (and franchise stars) may be showing their whiskers, but if 2017’s movie summer is remembered for anything else, it may be for its habit of turning showcase action sequences into retro music videos.

To download a PDF of the puzzle, click here.

Making a silk purse from a sow’s ear. That’s what director/ choreographer Ann Nieman and her talented cast and crew are doing in the Circa '21 Dinner Playhouse's Seven Brides for Seven Brothers, but why on Earth anyone would try to rehabilitate this porker is quite beyond me. Don’t get me wrong, though: At evening's end, I, along with seemingly every other patron in the house for the July 20 preview, heartily applauded during the curtain call. Even though I think the material is awful, the production itself is very good.

Last week, some friends and I got on the topic of uncomfortable theatre experiences in shows we were in, and I shared one from an opening-night performance in which our lead walked on-stage and uttered the play’s very first line, and an elderly voice in the audience demanded, “Speak up!!!” Regardless of that individual’s age and/or hearing, I considered it a rather rude bit of heckling. But on Sunday, I saw Genesius Guild’s production of Henry V, and ... . Well, let’s just say that I now have more sympathy for that clearly frustrated patron.

Have you ever watched an intense horror flick and felt complete frustration as the victim makes a really questionable choice and ends up in a formerly avoidable, now-inevitable and desperate situation, and you say to yourself, “No-o-o-o!!! Why did she do that?!”? If so, you’ll understand some of my experience on Friday night during the Mississippi Bend Players’ production of Wait Until Dark.

At an hour and 46 minutes, Christopher Nolan’s World War II thriller Dunkirk is the director’s shortest feature film since his 69-minute 1998 debut Following. It may also be his most wholly satisfying. I’d suggest that maybe there’s a lesson to be learned here, but who gives a damn about lessons when confronted with a work this masterful, powerful, and emotionally overwhelming?

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