Ten-year-old me would've been woozy with excitement at the prospect of a Justice League movie. Having sat through Zack Snyder's deadening Man of Steel and Batman v Superman: Dawn of Justice, nearly-50 me was just praying that the Snyder-helmed Justice League wouldn't suck. And it doesn't. But I really should've been more specific, because I forgot to also pray for this superhero saga to be good.

If you saw Wonder over the weekend – and based on the film's unexpectedly massive box office, a bunch of you likely did – you may have seen it alongside a hefty number of elementary- and middle-school students. If so, I hope you experienced this family melodrama the way I did during my sold-old screening: hearing, with immense gratitude, a young crowd cheer and applaud a cineplex entertainment that wasn't a superhero epic, a Disney reboot, a Pixar animation, or anything that involved robots transforming into cars.

Operating Engineers Union Local 150 is making good on its threat to back a Republican primary opponent against House Republican Leader Jim Durkin.

Talk to anyone over 40, and most will tell you they think and feel as if they are still in their thirties. This is borne out every time the Night People announce a reunion concert in the Quad Cities and droves of fans turn out for the event.

Following the success of its 2015 family comedy Fancy Nancy: The Musical, Circa '21 presents another stage adventure with author Jane O'Connor's famed children's-book character in Fancy Nancy Splendiferous Christmas, a holiday-themed musical that inspired praise from the New York Times: “What makes Splendiferous Christmas winning is that it dares to be a little naughty as well as nice.”

Four critically acclaimed titles – among them an Academy Award winner and two additional nominees – will be shared in Augustana College's annual French Film Festival, with the subtitled works presented in free, weekly screenings in the college's Olin Center for Educational Technology auditorium.

Described by legendary A Prairie Home Companion host Garrison Keillor as “a force on the Minnesota roots music scene and beyond,” the five-piece roots and bluegrass ensemble Pert Near Sandstone plays Davenport's Redstone Room on November 30, with their most recent album Discovery of Honey lauded by CountryStandardTime.com as “a set of songs that's as rousing and robust as any countrified collective on a banner marquee.”

For the eighth Cinema at the Figge presentation, series programmers at Ford Photography will screen writer/director Chloé Zhao's Songs My Brothers Taught Me in a November 30 Figge Art Museum event, with the award-winning feature preceded by short films, live music, and complimentary beer samples from WAKE Brewing.

Arriving at the Richmond Hill Barn Theatre a mere two years after its world premiere, the comedy Doublewide, Texas is the latest Southern farce by the popular playwriting team of Jessie Jones, Nicholas Hope, and Jamie Wooten, whose numerous stage hits – all recently produced in the area – include The Dixie Swim Club, Mama Won't Fly, Always a Bridesmaid, and The Red Velvet Cake War.

Performing in support of their October 20 release SpiderBeetleBee, the alt-folk guitar duo of Bill MacKay and Ryler Walker will play a November 24 concert at Rozz-Tox, and consequently demonstrate why Paste magazine raved, “Walker and MacKay do nothing less than dazzle with interlocking melodies and modes that can carry your spirit away or stir up long-dormant memories.”

Winner of seven 1977 Tony Awards and one of the 25 longest-running musicals in Broadway history, the iconic comic-strip adaptation Annie will be brought to life by Quad City Music Guild November 29 through December 3, its pre-opening sales so strong that a rare matinée performance has been added for Saturday, December 2.

On November 25, the sounds of the season will blend with the sounds of 1950s pop when Maquoketa's Ohnward Fine Art Center presents The Four Preps Holiday Show – a yuletide-themed night with the vocal ensemble fronted by Bruce Belland, performing an incredible 61 years after his Four Preps debut.

Appearing through their U.S. tour that finds the Canadian relatives visiting six states in six days, the folk musicians of Kacy & Clayton perform a November 29 Moeller Nights concert in support of The Siren's Song, the recent album that led NoDepression.com to state, “Like something out of a dreamy folktale, second cousins Kacy & Clayton seem to have been beamed down to us from a hazy summer sky.”

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Written by Thomas Meehan and based on the 2003 film comedy, Elf: The Musical is filled with lively music by Matthew Sklar and lyrics by Chad Beguelin, and director/choreographer Ann Nieman made great use of an exceptionally talented cast that didn't have a weak link in the bunch.

As I sat in the audience for the Playcrafters Barn Theatre's opening-night performance of Miracle on 34th Street, I had to constantly remind myself that I was watching a Christmas show. Not because the production wasn’t festive, but because I couldn’t believe the holiday season is already here!

Each of the collective 11 scenes lasts mere minutes and usually employs no more than two actors on-stage at a time, with no more than three actors in any given scene. But the beauty of the script is its poignant, witty, heartbreaking, and hopeful look at the one thing that bonds these characters under the Northern Lights on a bitter Maine night: love.

Plenty of better movies have been released this year. But few of them, for my money, have been more delightful surprises than Branagh's Orient Express, a showcase for Christie's fastidious Belgian sleuth Hercule Poirot that initially seemed deeply unnecessary at best and tragically misguided at worst.

During the week between the two scheduled veto session weeks, the House held a committee hearing in Chicago designed to highlight Speaker Michael Madigan’s attempt to address the sexual-harassment issue. But the hearing’s substance was completely overshadowed by surprise testimony from crime victim advocate Denise Rotheimer, who claimed that Senator Ira Silverstein (D-Chicago) had used his position as the chief sponsor of her bill to sexually harass her for months.

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