Serving as the final public presentation in Riverside Theatre's month-long “Sonnet Project,” the Iowa City company and its neighboring Big Swing Brewery will host an outdoor screening of the iconic Shakespeare-comedy-turned-Hollywood-smash 10 Things I Hate About You, with portions of the night's sales of Easy Eddy pints benefiting both Riverside and downtown Iowa City's FilmScene venues.

While Voyagers' PG-13 rating is already a hint that Neil Burger's futuristic thriller won't emerge as the daring, nasty good time it keeps threatening to be, the problem isn't so much the movie's rating as it is its blandness. Thanks to Alien, we know the deal with screams. But as it turns out, in space, no one can hear you yawn, either.

What better way to conclude one of the strangest movie seasons in history – hell, one of the strangest years in history – than with a free-for-all ceremony that will, I venture, see 18 different movies awarded over 23 categories, and the night's only mortal lock a female Chinese-American director winning a category that men, most of them white men, have won 90 times out of 91?

Screening locally as the fourth cinematic presentation in Fathom Events' seventh-annual TCM Big Screen Classics series, the beloved 1987 hit La Bamba will enjoy a two-day cineplex return at Rave Cinemas Davenport 53rd 18 + IMAX, its April 18 through 22 engagement exploring the artistry of rock icon Ritchie Valens in a film that, according to Rotten Tomatoes, “distills its subject's creative energy and reflects his music's enduring appeal.”

Near as I can recall, the last cineplex release that caused me to accidentally fall asleep was 2019's Godzilla: King of the Monsters, and I'm on-record as having nodded off not once, but twice, during 2014's Godzilla. I wish I could say those were the only two mutant-lizard flicks over the years to make me conk out, but alas, we're now confronted with Godzilla vs. Kong both on the big screen and via HBO Max. At least this time, my snoring was confined to my apartment.

Teaming up for the new series Kinogarten that will screen German films on the first Friday of every month through September, Rock Island's Rozz-Tox and Davenport's German American Heritage Center present the venues' season-opener with an outdoor April 2 showing of The Edukators, the award-winning 2004 release that the Los Angeles Times called a “sweet, funny, and gripping romantic adventure.”

In a nutshell, Nobody is more brutal than you expect it to be, and, in its dementedly over-the-top way, a lot wittier than it has any right to be.

Two new cineplex releases this past weekend opened with words that frequently inspire ennui in moviegoers everywhere: “Based on a true story.” Yet while both dramatic thrillers – The Courier and City of Lies are overly earnest and expository in ways those five-word preambles usually imply, their true (or more precisely true-ish) tales are gripping nonetheless, and the performers carry you through the occasional dead spots. One of those films is mostly tight and polished. The other is mostly sprawling and messy. And I mostly enjoyed them both … but kinda preferred the messy one.

Enjoying a local presentation as the third cinematic presentation in Fathom Events' seventh-annual TCM Big Screen Classics series, the legendary biblical epic The Ten Commandments celebrates its 65th anniversary with March 28 and March 31 screenings at Rave Cinemas Davenport 53rd 18 + IMAX, this 1956 masterwork famed for its scale, cope, and unforgettable sights including Moses' iconic parting of the Red Sea.

It was a light morning for shockers but a great morning for representation when nominations for the 93rd Annual Academy Awards were announced earlier today – and such a great morning that it's easy to applaud the Oscars' historic showing of diversity without being hugely embarrassed by the Best Picture omissions of the widely predicted One Night in Miami … and Ma Rainey's Black Bottom.

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