Mischa: The subtlety and quietness do mean that the tone is low-key throughout, possibly too low-key overall. Especially in certain scenes, I would have liked more overt tension and some louder raised voices.

Kitty: I actually thought the low-key quality was more of a strength than a drawback.

Rock of Ages was nominated for five Tony Awards, including Best Musical. “Wait – what?” I said when I read of these accomplishments after seeing the show. I eventually unearthed why.

Reviews by Rochelle Arnold, Jeff Ashcraft, Patricia Baugh-Riechers, Audra Beals, Pamela Briggs, Dee Canfield, Madeline Dudziak, Kim Eastland, Emily Heninger, Heather Herkelman, Kitty (née Israel) Hooker, Mischa Hooker, Paula Jolly, Victoria Navarro, Roger Pavey Jr., Alexander Richardson, Mark Ruebling, Mike Schulz, Joy Thompson, Oz Torres, Brent Tubbs, Jill Pearson Walsh, and Thom White.

It was interesting to see how this script written in 1987 was still thematically relevant nearly 40 years later. You’d think we’d be further along as a society, but from its concerns about the deportation of undocumented workers to the characters' strain in simply make ends meet, Josefina Lopez’s play speaks to issues that feel very current.

An unexpected detour can become a story of extraordinary kindness.

I can only imagine how honored Andy Bro would be to see his name attached to annual presentations of world premieres – shows boasting the exceptional talent, on- and off-stage, continually lured to his theatre in the woods. That being said, and having nothing but admiration and gratitude for Timber Lake's series, I think The Mermaids may have broken my brain.

Self-referential meta-theatre ploys wage stealth attacks on the audience like mosquitoes. By the time you notice the tiny, piercing strike, it’s gone.

There are some scripts that can be like pulling teeth when not done right. Thankfully, no orthodontist is needed for director Tristan Tapscott's powerful production of Arthur Miller’s Death of a Salesman.

Background characters essayed by day players. Casts of thousands. Movies are crawlin’ with ’em. Nobody much cared about the usually unnamed souls who were rarely part of the plot, and they still don’t. But Puffs, a boy-wizard spoof subtitled Seven Increasingly Eventful Years at a Certain School of Magic & Magic, shines a spotlight on them (without casting “lumos,” because that’s a proprietary spell).

Yes, there is a competition with eliminations and a winner to be determined. But the real fun comes from watching these kids interact. The show is carried by character moments, and this cast delivers plenty of them.

Pages