On Wednesday night, I attended a preview of the Black Box Theatre’s latest presentation The Guys, written by Anne Nelson. Based on a true story, the play follows an editor named Joan (Jennifer Cook Gregory), who receives an unexpected phone call from Nick (Jim Harris), a fire captain who has lost most of his men in the 9/11 attacks. Directed and designed by Lora Adams, The Guys is a poignant and conversational piece that brought forth, to me, many horrific and sad images from that devastating day.

Over the past decade-plus, theatre audiences have seen her in such area productions as A Streetcar Named Desire, Oedipus Rex, The Gift of the Magi, and this past June's Hate Mail. They've heard her sing in such musicals as Thoroughly Modern Millie, Monty Python's Spamalot, The Drowsy Chaperone, and Assassins. But until now – or rather, until its September 16 through 18 run at Davenport venue The Mockingbird on Main – stage fans haven't spent a full 75 minutes in her solo (albeit piano-accompanied) theatrical company until the debut of her one-act cabaret Wishes: An Evening with Wendy Czekalski.

Described by the New York Times as “a girls'-night-out retro rebellion” and praised by DC Metro Theater Arts for its “knowingly cheeky attitude” and “witty, often rapid-fire lyrics,” the Disney-princess musical-comedy spoof Disenchanted! enjoys a September 15 through November 6 run at Rock Island's Circa '21 Dinner Playhouse, with this new stage work, according to Chicago Critic, full of “fun music and even funnier characters [that] will have you laughing all the way to the palace.”

Described by the New York Times as a musical that delivers “an affirming blast” and “the high that only live theatre can induce when everything clicks,” the jukebox sensation Buddy: The Buddy Holly Story enjoys a September 9 through 19 run at Mt. Carroll's Timber Lake Playhouse, a show that inspired Broadway World to state, “Whether you grew up bopping along to his music or this is your first Buddy experience, there's something to enjoy for everyone.”

Lauded by CurtainUp.com as a “straight-from-the-gut, beautifully written two-hander” in which “laughter is heard as often as sobs,” playwright Anne Nelson's The Guys makes its area debut at Moline's Black Box Theatre September 9 through 12, this work presented in honor of the heroism of first responders described by the Christian Science Monitor as “a play that tackles the horror of September 11th with an intimacy that's both unsettling and healing.”

Spending Friday night at the Black Box Theatre was like joining a master class in manipulation with the venue's latest production Murder in Green Meadows. While I wish director Jacqueline Isaacson had been slightly less specific about the number of gunshots in the production during her pre-show announcement, as it became a bit of a spoiler as the night progressed, the evening overall was enjoyable.

The joint was really jumping at the Timber Lake Playhouse on Friday as the company presented its rendition of Ain’t Misbehavin', an energetic tribute to the songs of Thomas “Fats” Waller.

A tribute to the compositions of jazz legend Fats Waller that received three Tony Awards including Best Musical, the musical revue Ain't Misbehavin' enjoys an August 19 through 29 engagement at Mt. Carroll's Timber Lake Playhouse, this exhilarating collection of classic songs described by the New York Times as a show that "moves with the zing and sparkle of a Waller recording filled with bright melodies and asides.”

Any time you have the chance to catch a brand-new script in performance, it’s bound to be interesting. Local playwright Jim Sederquist kicked us back to 2013 with his new dramedy The Whistleblower’s Dilemma, and, under the direction of Mike Turczynski, Saturday’s presentation at the Playcrafters Barn Theatre definitely lived up to “interesting.”

Described by the Windy City Times as “an archly manipulative psycho-thriller” that “holds your attention like a leash,” author Douglas Post's fiendishly witty thriller Murder in Green Meadows enjoys an August 19 through 28 run at Moline's Black Box Theatre, the show a recipient of six Emmy nominations when performed on television by Chicago's legendary Steppenwolf Theatre Company.

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