Does everything that happens to us happen by chance? Or could our reactions to life’s events change their outcomes in small or large ways? (I've heard it said before that what might break one person may actually strengthen another, and although we cannot control outside events or circumstances, we can choose how we react.) These thought-provoking questions came to mind as I finished watching Sunday’s matinée performance of playwright Nick Payne’s Constellations, now playing at the Clinton Area Showboat Theatre.

From August 13 through 22, the Playcrafters Barn Theatre's 2021 Barn Owl Series that began with the venue's June debut of Princeton's Rage continues with another world premiere: The Whistleblower's Dilemma, a dramatic comedy of chicanery, guile, and yoga written by Bettendorf playwright Jim Sederquist.

Lauded by The New Yorker as “a singular astonishment” and by Variety as “short and sweet and strangely haunting,” the critically acclaimed, Tony-nominated romance Constellations wraps up the 2021 season at the Clinton Area Showboat Theatre, its August 5 through 14 run demonstrating why the New York Times was inspired to ask, “Who knew that higher physics could be so sexy, so accessible – and so emotionally devastating?”

I had the pleasure of attending Friday’s performance of The Mountaintop at the Quad Cities’ newest live-theatre venue, the Mockingbird on Main. Penned by American playwright Katori Hall, this story is a fictional depiction of Dr. Martin Luther King Jr. and his last night on earth, the eve of his assassination. As as directed by Kira Rangel, with production design by Savannah Bay Strandin and Tristan Tapscott, this piece takes patrons into the unique inner struggles of one of the most influential civil-rights leaders of all time.