La La Land has 14 Oscar nominations. It won seven Golden Globe Awards – a new record – out of seven nominations. It won the Producers Guild and Directors Guild awards, both of which have led to Best Picture wins eight times out of the past 10 years. The movie is still in the box-office top 10 more than a month after its wide release, has grossed more than $125 million domestically, and is such a pop-culture touchstone that Saturday Night Live recently aired a skit in which two cops attacked a perp for the cardinal sin of insufficient admiration for the movie. The guy liked it; he just didn’t love it.

This year’s Academy Awards air on the evening of February 26, a night likely be dominated by a certain musical that’s set in Hollywood. Earlier in the day, though, you can enjoy a completely different batch of tunes from California talents with the Quad City Arts Visiting Artists of Quinteto Latino, who perform at Davenport’s First Presbyterian Church that Sunday at 4 p.m. Based in the San Francisco area, this five-person ensemble is dedicated to showcasing the energetic rhythms of Latin American music through works both traditional and modern, and will no doubt deliver an electrifying performance in the hours before the inevitable love thrown toward La La Land. Which, if memory serves, translates into English as The The Land. (That faraway sound you hear is my collegiate Spanish professor cursing my name.)

Brand-happy though Hollywood is, it’s still rare when three high-profile franchise extenders all debut on the same weekend. Personally speaking, it’s even rarer when all three are follow-ups to movies I liked. (One of which, to be accurate, I only kinda liked.)

In its blatant attempt to revive a scare-flick “franchise” that couldn’t even produce a second sequel, director F. Javier Gutiérrez’s Rings probably won’t make 2002’s The Ring and its 2005 follow-up relevant again, but the results are better than I expected – by which I mean the first 10 minutes are actually pretty good.

Over the span of six days, the Quad Cities will welcome the arrival of touring performers who collectively specialize in pop, rock, country, blues, folk, jazz, reggae, Americana, bluegrass, roots, contemporary-Christian, and dance-club music – and who, if they wanted, could conceivably arrive together in one mid-size van. The artists in question are country-pop chanteuse Sara Evans, Texas-based genre-hoppers The Band of Heathens, and multi-instrumentalist Keller Williams, so let’s learn a bit about these acclaimed, prolific talents – there’s gonna be a quiz at the end!

Murderers is author Jeffrey Hatcher’s blanket title for his trio of monologues suggesting Twilight Zone episodes written by O. Henry, and in its current presentation at Moline’s new Black Box Theatre, our first sight is of monologuists Brent Tubbs, Nancy Teerlinck, and Lora Adams standing in a row, each in turn stating, “I am a murderer.” So give director Adams’ production honesty points right off the bat, because for 100 minutes on January 28, these three actors positively killed.

With apologies to my parents’ house cat Sam, who I’m crazy about, I’ve always been more of a dog person, and was totally anticipating a good cry at A Dog’s Purpose even in light of that notorious, upsetting footage of a German shepherd seemingly forced into a scary-looking aquatic stunt. Yet while its trailer never failed to slay me, I actually watched director Lasse Hallström’s family weepie completely dry-eyed, given how tough it is to get misty when your primary emotions are confusion, irritation, and offense.

Emma Stone and Ryan Gosling in La La Land

Nominees for the 89th Annual Academy Awards were announced this morning.

Well, that’s not exactly true.

It turns out they weren’t announced so much as revealed, because for the first time since the yearly nominations became an early-morning PR event several decades ago, contenders weren’t recognized in front of a gathered crowd of journalists and publicists. Instead, the news was delivered in a slick, 20-minute online presentation that also featured reminiscences from former Oscar nominees and winners such as Brie Larson, Glenn Close, and Terrence Howard, with Gabourey Sidibe wisely suggesting that when this morning's nominees eventually attend the ceremony, they should be sure to sneak in a flask. (That’s good advice for those watching from home, too.)

Cindy Ramos, Ana Ziegler Loes, Jordan Smith, Beau Gusaas, Kermit Thomas, Eric Reyes, and Kathryn Reyes in Water by the Spoonful

Quiara Alegria Hudes was awarded a 2012 Pulitzer for her play Water by the Spoonful, and it’s easy to understand some of the reason the work was recognized, considering that Hudes gives us so many different plays for the price of one. Part family drama, part wisecracking comedy, part PTSD exploration, and part cyberspace warning/celebration, Hudes’ tale is alternately tragic, funny, insightful, and even, at times, magical, and I’d love to see all those styles and qualities blended into a cohesive, thrilling production. In the meantime, we have New Ground Theatre’s Water by the Spoonful. We’re treated to a few sincere and effective portrayals, but unfortunately January 20’s premiere merely suggested the truly satisfying achievement the show could and should have been.

James McAvoy in Split

It’s long been a misconception that M. Night Shyamalan movies are dependent on The Big Twist, because there certainly weren’t any in his run of god-awful 2006-13 titles that included Lady in the Water, The Happening, The Last Airbender, and After Earth. But Shyamalan’s 2015 scare flick The Visit sure did have a doozy – the twist being “It’s actually pretty good!” – and the whopper of his new thriller Split is that it’s close to great: scary, funny, nerve-racking, and boasting no fewer than three outstanding performances. Many more if you include all of star James McAvoy’s personalities.

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