Two press conferences held after Governor JB Pritzker’s budget address last week didn’t receive much news-media attention. As the saying goes, coverage follows conflict, and the two pressers were far more subtle and polite in their criticisms of the governor’s plan than those held by Republicans, so they were mostly overlooked. But clear undercurrents were visible during both events, one held by the Legislative Black Caucus and the other by the Legislative Latino Caucus. And unlike the Republicans, those two caucuses actually have considerable sway over the state’s lawmaking process.

Spaceworms, now playing at the St. Ambrose University Studio Theatre, is Haus of Ruckus’s latest foray into exotic locales, obscure pop culture references, and puppetry. Directed by T. Green, the Haus’s newest is a delight for those obsessed with sci-fi pop culture and unfamiliar with the oeuvre of the company.

A collection of arresting ceramics by a talent who grew up along the Mississippi River will be on display at Black Hawk College's ArtSpace Gallery through March 29, with Laura Vincent-Arnold's Wallflower revealing its artist's continued interest in, as she says, "creating in multiple mediums, exploring where my mind takes me, solitude, and nature … always a nod to nature."

Man’s best friend, barnyard creatures, playful kittens, circus animals, and bucking broncos are among the creatures portrayed in the Muscatine Art Center's exhibition Animals in Art, with paintings, prints, drawings, and sculptures from the venue's permanent collection – alongside selections of art pottery on loan from Mark and Marie Latta – on display through June 16.

With his works a testament to the belief that there is no distinct beginning, middle, or end when exploring the boundless nature of creativity, a noted painter will be showcased in the Voices Studio exhibition beyond the boundaries: Paintings of John C. Badger – Abstract Expressionist, its housing at the Dubuque venue, through April 27, a retrospective celebration of life, art, and evolution of pieces that defy convention.

Day 2 of 2 Day Hearing to Allow Julian Assange to Move Forward with His Appeal in the UK Courts

During a hearing at the British High Court of Justice, the United States government responded to WikiLeaks founder Julian Assange’s request for an appeal by explicitly and forcefully arguing that Assange was no “ordinary journalist” who deserved human rights protections.

Lawyers supporting extradition repeated the questionable assertion that the extradition treaty between the U.S. and the United Kingdom does not protect anyone from being extradited to America for “political offenses,” like “espionage.”

You're invisible to the characters; there's no interaction between performers and audience, and no talking between spectators. But you can prowl and eavesdrop at will. Everyone witnesses the happenings differently.

Julian Assange Protestors Photo by Mohamed Elmaazi

Regarding Julian Assange's adjudication status for U.S. alleged crimes related to Wikileak's publishing U.S. government whistleblower's disclosures of U.S. government war crimes, it's been over three years since U.K.'s District Judge Vanessa Baraitser’s extradition decision was issued in January 2021. Baraitser actually rejected the U.S. government's demand for Assange's extradition on the basis that there was a “substantial risk” of suicide if Assange was subjected to U.S. jail or prison conditions. However, in 2021 Baraister also rejected all of Assange’s other arguments against extradition. 

February 20, 2024 Assange's legal defense team Barristers Mark Summers KC and Edward Fitzgerald KC presented in the U.K. appeals court seven grounds for challenging the ruling.

If the High Court accepts some or all of the appeal grounds as being at least “arguable” they will set a future date for Assange’s appeal to be heard. But if the High Court judges reject the defense arguments, Assange will have exhausted all of his domestic avenues of appeal.

Crimes exposed by the WikiLeaks publications that are central to this case include “torture,” “[extraordinary] rendition,” and “drone strikes” that killed scores of civilians.

Performing locally in the band's official farewell tour, one of the most enduring and successful rock outfits in music history makes a long-awaited appearance at the Vibrant Arena at the MARK with the Moline venue's March 3 hosting of Foreigner, the chart-topping, multi-platinum-selling musicians responsible for such iconic hits as “Waiting for a Girl Like You,” “Hot Blooded,” "Feels Like the First Time," and the number-one smash “I Want to Know What Love Is.”

With the title of the Quad City Symphony Orchestra's fifth Masterworks concerts of the 2023-24 season coming from the program's final, thrilling composition, The Fauré Requiem will be presented at Davenport's Adler Theatre and Rock Island's Augustana College on March 2 and 3, the ensemble and guest vocalists Sarah Shafer and Quad City native Nathaniel Sullivan performing beloved works by Johann Sebastian Bach and Gabriel Fauré.

With the country singer/songwriter praised by Holler Country for its sound that "feels uber-modern while never straying too far from the timeless, fiddle-driven folk music of his rural upbringing," 30-year-old sensation Ian Munsick headlines a March 1 concert event at Davenport's Capitol Theatre, his most recent album White Buffalo also hailed by Entertainment Focus as a work that “juxtaposes the old, cinematic stories of country music with modern sounds and massive choruses.”

With the Capitol Theatre's March 2 headliner lauded by AllMusic.com as a "Nashville county artist who mixes gritty songwriting with modern, beat-driven production," Chase Matthew makes his Davenport debut on March 2, the 26-year-old artist known for his passionate vocal performances and his eclectic mix of musical influences that blends country with classic soul, contemporary R&B, and a dash of funk.

Composed by James Romig and performed by Matt Sargent, the stunning, hour-long composition for solo guitar The Fragility of Time will be presented at Davenport's Figge Art Museum on March 3, the afternoon performance marking the first time that Romig’s new and engaging work will be presented in a museum environment.

Lauded by NPR as a group that "skillfully combines Southern gospel funk, soul, and Texas blues," which added that its bandleader's "raw and emotional vocals are reminiscent of James Brown," the touring artists of Black Joe Lewis & the Honeybears headline a March 5 concert event at Davenport's Redstone Room, the musicians also praised by Medium as an outfit that "does an excellent job getting the crowd to dance."

Held in honor of the 1810 birth (on March 1) of the legendary Polish composer and virtuoso pianist of the Romantic period, the concert event F. Chopin: A Birthday Celebration Performance will be held at Moline's The Sound Conservatory on March 6, this unforgettable evening filled with mesmerizing piano performances and enchanting melodies played by the venue's musician/instructors Alex Gilson, Clara Nielsen, Paul Mizzi, and Andrzej Kozlowski.

Lauded by Rolling Stone, in 2019, as "#1 of 10 New Artists You Need to Know," and currently touring in support of their most recent album More Like Tomorrow, the Americana musicians of The Way Down Wanderers return to Davenport's Redstone Room for the first time in nearly two years, their soulful March 3 set sure to demonstrate why Rolling Stone Country raved about their “intricate, hypnotic rhythms,” and why BestNewBands.com wrote, “Their live show is full of energy and just a damn good time.”

Held as part of the unique concert series held in Davenport's intimate and cozy Redstone Room, the March 1 Songwriter Sessions event will find fans of Bob Dylan, Tom Petty, Neil Young, Joni Mitchell, Johnny Cash, Elton John, and other singing/songwriting greats treated to a seated evening of tunes hosted David G. Smith, with additionally winning performances delivered by local talents Amber Sweeney, Jason Carl, and Chloe Finch.

Performing pieces from their recent release titled prairie transmissions, experimental musicians Mykel Boyd and seah (Chelsea Heikes) bring their outfit post doom romance to Rock Island venue Rozz-Tox on March 2, the artists, as stated in their online biography, "feeling their way through life. Inspired by the writings of Carl Jung and a shared love of sound, plants, water, quiet beauty, books and travel."

On March 7, area art lovers are invited to celebrate the recent opening of the 43rd Rock Island Art Guild Fine Arts Exhibition at Davenport's Figge Art Museum alongside some of the exhibition's featured regional artists, with guests able to share in the excitement as this year's prize winners are announced.

Lauded by the Alliance of Women Journalists as a "must-see" that is "fascinating and eye-opening," director Matthew Mishory's Who Are the Marcuses? enjoys a March 3 screening at Davenport's Figge Art Museum as the sixth and final presentation in River Action's 2024 QC Environmental Film Series, this special showing hosted by the Jewish Federation of the Quad Cities described by the Jewish Journal as "a story about wealth, generosity, innovation, and Israeli pragmatism."

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