A legendary cult comedy that wound up grossing more than 100 times its reported $400,000 budget and ranks as number 14 on Bravo's list of history's 100 funniest movies, 2004's deliriously deadpan riot Napoleon Dynamite enjoys its long-awaited screening at Davenport's Adler Theatre on September 25, the evening highlighted by a special in-person conversation with three of the film's stars: Jon Heder, Efren Ramirez, and Jon Cries.

Lauded by TV Guide as “passionate” and by Awards Daily as “groundbreaking,” the documentary hit Kiss the Ground serves as the latest presentation in River Action's annual QC Environmental Film Series, the movie's September 12 screening at Davenport's Figge Art Museum sure to demonstrate why the New York Times raved that the work “inspires a rare feeling of hope.”

Candyman is only director Nia DaCosta's second full-length feature, and it may not be entirely coincidental that the last sophomore effort I enjoyed in so similar a way was Jordan Peele's Us.

I wish I could say that writer/director Lisa Joy's futuristic noir gave Hugh Jackman opportunities to access the performer's lighthearted, effortlessly winning side that we rarely get to see outside of him playing The Greatest Showman on-screen or at awards shows. Alas, it doesn't. But at least this intricately plotted, visually arresting crime thriller gives its audiences a few legitimate reasons to grin.