Dan LevinsonHe's performed alongside such talents as Wynton Marsalis and Mel Tormé, and worked as personal assistant to jazz great Dick Hyman. He's toured nationally and internationally, landing everywhere from Paris' Bilboquet Jazz Club to Los Angeles' Playboy Mansion. He's been featured on Garrison Keillor's A Prairie Home Companion, and the soundtracks for The Aviator, Ghost World, and Boardwalk Empire.

But in the early 1980s, says jazz aficionado Dan Levinson, he couldn't even convince friends to listen to the music he loved.

"I was taking records out of a library in Santa Monica," says the 48-year-old Levinson, "and landed on a record that RCA Victor had put out called The Best of Dixieland, and the last track on it was the Original Dixieland Jazz Band's recording of 'Livery Stable Blues.' It was the first so-called 'jazz record' ever issued, in 1917, and I was absolutely blown away by it. I couldn't get enough of it. And I just assumed that when I played it for all my friends, they would feel the same way I did.

"So I played it. I said, 'Listen to them! Listen to that sound!' And I remember them saying, 'Oh, God, turn that off. What is that screeching noise?' And I said, 'That's the clarinet ... .'

"These were the same people who went to rock concerts and had music blasting in their ears, but they couldn't listen to 1917 jazz. They just looked at me. 'What happened to Dan?'"

Photos from the Grace Potter & the Nocturnals concert, July 13 at the Adler Theatre. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

Buzz Osborne said that some concepts for the Melvins' 30th-anniversary tour - which stops at RIBCO on July 18 - got nixed.

Photos from the 2013 Mississippi Valley Blues Festival, held July 4 through 6 in downtown Davenport.

Kenny Wayne Shepherd. Photo by Matt Erickson, MRE-Photography.com

Mighty Sam McClain. Photo by Matt Erickson, MRE-Photography.com

Photos from the Rock the District concert in the District of Rock Island on June 29, 2013, headlined by Theory of a Deadman and also featuring 3 Pill Morning, Candlelight Red, and 3 Years Hollow. For more work by Matt Erickson, visit MRE-Photography.com.

Photo by Matt Erickson, MRE-Photography.com

After the River Cities' Reader's official guide to the 2013 Mississippi Valley Blues Festival went to press, the Mississippi Valley Blues Society announced that the festival was being moved from LeClaire Park to Second Street in downtown Davenport because of flooding:

Mississippi Valley Blues Festival organizers have finalized the site for the July 4-6 event in downtown Davenport. The 29th Mississippi Valley Blues Festival will take place on Second Street. Bandshell acts will perform on an east-facing stage near Ripley Street. Tent Stage acts will perform in the courtyard area just east of the River Music Experience at Second and Main. BlueSKool will be held on the River Music Experience's Community Stage, and workshops and the photo exhibit will be held in the River Music Experience's upstairs Exhibit Hall.

If you're an amateur guitarist hoping to turn pro, particularly one with an affinity for blues rock, you could certainly choose lesser talents to emulate than Kenny Wayne Shepherd. The 37-year-old musician, after all, has been already nominated for five Grammy Awards, has won two Blues Music Awards and two Billboard Music Awards, and was once named the world's third-finest blues guitarist by Guitar World magazine, with only B.B. King and Eric Clapton ranking higher.

If, however, you're an amateur guitarist who feels that the world of professional music will forever be out of reach due to your inability to actually read music, don't let that dissuade you from following your dream. It turns out that Kenny Wayne Shepherd doesn't read music, either.

"Yeah, I still play by ear," says Shepherd, who unofficially began his career as a self-taught guitarist at the tender age of seven. "I used to have to sound songs out one note at a time until I got from the beginning to the end of it. It was kind of a tedious process in the beginning, but you know, it's gotten easier over the years. Modern technology is a big help now, because I can just record things on my iPhone, but yeah - I just play what sounds good, and then I just have to remember it."

"Anyway, that's just some of the stuff," the soul-blues singer Mighty Sam McClain said to me in a recent phone interview. "You're a good listener."

He'd been talking, nonstop, for 31 minutes, responding to the simplest of opening questions: "What have you been up to?" After the compliment he paid me, he chattered for another 39 minutes, with just a few questions to prompt him.

Admittedly, the man has a lot to talk about.

He left his home in Louisiana at age 13 to escape an abusive stepfather. "He hit me a couple times," McClain said. "He hit me in the head with a hammer. Once. Then he hit me with a walking stick. So I was getting ready to kill him. I really was. He was a hunter. And there were guns all over the house. ... I thought about doing it."

Instead, he said, "I crawled out the window, and I didn't look back."

He then hooked up with Little Melvin Underwood, initially as a roadie and by age 15 - in the late 1950s - as a singer.

As he's the son of the late Clifton Chenier - the Grammy Award-winning accordion legend commonly known as "The King of Zydeco" - it makes sense that C.J. Chenier would have a parent to thank for his initial entry into the world of professional music. And he does: his mom.

"I was, like, 20 years old," says the native of Port Arthur, Texas, "and I was playing piano in this funk band I put up in my hometown, and one day we were playing a bazaar at a Catholic Church. And my mother sent one of my friends to tell me I needed to come home, because my daddy called and said he wanted me to go on the road with him. And I was hesitant, because I had never been to too many places, and I knew that everybody in my daddy's band was way older than I was.

"But I got home and my mother told me, 'I tell you what: You're not working. You don't have nothin' to do. You'd better pack your bags and get on out of here!'" Laughing, Chenier adds, "And I just said, 'Yes, ma'am!' I mean, I was hesitant, but I was happy."

Mom's directive, as it turns out, has made a lot of people happy, because 25 years after taking over his late father's Red Hot Louisiana Band, C.J. Chenier performances continue to thrill zydeco and blues fans worldwide. Called "the heir to the zydeco throne" by Billboard magazine and "the crown prince of zydeco" by the Boston Globe, the singer/songwriter/accordionist is an undeniable master of his genre - though the man readily admits that, in the early stages of his career, he didn't fully understand what that genre was.

Toward the end of our recent phone interview, I ask Davina Sowers - the lead vocalist, pianist, and bandleader for her five-person outfit Davina & the Vagabonds - what her plans for the future are, say, five or 10 years down the road.

She answers with her own question: "You mean, aside from world domination?"

I'm fairly certain she's kidding. But considering Sowers' rise to professional and popular acclaim over the past eight years, there's plenty of evidence to the contrary.

A Pennsylvania native now residing in St. Paul, Minnesota, Sowers' career in music, as she tells it, began rather inconspicuously, when the singer/songwriter was performing as a street musician in Key West, Florida. Yet since relocating north in 2005, Sowers has not-so-slowly and surely emerged as one of Minnesota's - and the country's - most exciting and accomplished blues artists, touring extensively with her ensemble of Vagabonds and earning much critical praise in the process.

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