On May 30, a 48-foot stretch of panels was set up on a row of easels for Kevin McQueen Lonergan II and Gary White to paint a graffiti-style aerosol-art mural on the Figge Art Museum's plaza. Interrupted daily by rain and wind over the course of the following week, the images and lettering of the mural were developed, painted out, rethought, and painted again in a roller coaster of creativity.

According to Lynn Gingras-Taylor, creative-arts coordinator for the Figge, "Kevin and Gary are recognized internationally as premier artists in their genre. They have been making aerosol art for more than 30 years."

She added: "The mural they have painted at the Figge is a wonderful, colorful mix of a painterly mural style and cutting-edge graffiti fonts. ... [W]e will exhibit it at the museum and will also display it at various Figge family events."

The artists continue to participate in street-art events across the nation; the next is Paint Louis on June 21 in St. Louis.

For the 37th-annual Rock Island Fine Arts Exhibition, the River Cities' Reader invited winning artists - selected by juror Pamela Blotner of California - to write about their work. Their statements follow.

The exhibit runs through April 21 at the Augustana College Art Gallery (inside Centennial Hall, 3703 Seventh Avenue in Rock Island). The gallery is open from noon to 4 p.m. Tuesdays through Sundays for the duration of the exhibit. A reception will be held on Friday, April 5; awards will be presented at 5:40 p.m.

First Prize: Pam Echeverria (Cedar Falls, Iowa), Qutang Gorge, acrylics.

Second Prize: Teresa Mesich (Rock Island, Illinois), Bird Circus, acrylic on canvas. "Color, movement, and figure are very important in my work. It all comes together in the idea of 'circus.' Bird Circus evolved over two years and is the first in a planned circus series. I love the swaying shapes of flags and tents, and the criss-crossing ropes that divide space, and the over-the-top colors and costumes of humans and animals.

"Technically, my paintings are additions and subtractions. After much over-painting and wiping out, I study what is left to re-create, all the time thinking 'circus.' People become animals, lions become ruffled birds. Shapes change. Colors change. This evolution leads to constant surprise and discovery, until finally I am satisfied that the work is finished."

The Quad Cities have two prominent, highly visible Civil War monuments: the Rock Island County Soldiers' Monument in Rock Island and the Scott County Soldier's Monument in Davenport. Both were completed in the years following the war. It was not until 2003, however, that a monument to the Confederate soldiers who died at the Rock Island Arsenal was built.

The Rock Island County monument, located on the county-courthouse grounds near the Centennial Bridge, was unveiled on April 9, 1869 - the fourth anniversary of General Robert E. Lee's surrender at Appomattox. The memorial was designed by Leonard Wells Volk (1828-1895), who briefly lived in Rock Island before opening his studio in Chicago in 1857. Volk had the distinction of being the only sculptor to model Abraham Lincoln's features from life; casts of the future president's face and hands were made by Volk in 1860.

The Scott County Soldier's Monument, located in the center of the 1100 block of Main Street near Central High School, was dedicated a dozen years later, on July 4, 1881. Rodney Forsyth Carter (1838-1912) is credited as the monument's designer.

If you're looking for excitement from Tim Schiffer - the Figge Art Museum executive director who started on August 1 - don't talk to him. Instead, just look at the walls.

In our interview on January 25, the soft-spoken Schiffer articulated a modest plan for the Figge, but one that visitors will be able to see for themselves in "clusters" of exhibits that play off each other.

Schiffer's predecessor, Sean O'Harrow - who left after three years at the Figge to head the University of Iowa Museum of Art in November 2010 - believed that the Figge needed to emphasize education above all else (including being an art museum) and that the endowment needed to be built from $5 million to somewhere between $20 million and $50 million.

Because the process of developing a strategic plan for the Figge is just getting underway, the new executive director didn't offer measurable goals in those areas. But Schiffer - who had been executive director of California's Museum of Ventura County since 1999 - has already put his stamp on the museum in a different way.