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Friday’s opening night of Tuesdays with Morrie found the Playcrafters Barn Theatre housing the largest audience I’ve ever seen there. It was almost unbelievable, then, that the intimacy of this two-man show directed by Jeff Ashcraft made me feel like the only person in the room – and I feel fortunate to have been a part of this production's history.

Even though Hollywood's summer tends to begin in the last days of April and end a couple weekends before Labor Day, it is, you know, still technically summer. Consequently, I feel completely within my rights to decree The Predator perhaps the happiest summer-movie surprise of 2018 – a thrillingly funny, nasty, unpretentious good time that's leagues more entertaining than any deeply unnecessary sequel/reboot of its type should ever be.

Few likely remember it, but back in 1985, Susan Sarandon starred in a movie titled Compromising Positions, an utterly charming mystery-comedy in which a suburban homemaker becomes an amateur sleuth investigating the murder of her dentist. Director Frank Perry's film is a sharp, funny trifle with an astounding supporting cast of Broadway talents – Raul Julia, Judith Ivey, Joe Mantegna, Joan Allen, Edward Herrmann, Mary Beth Hurt – and totally worth a watch on YouTube. (It's easier to sit through if you can ignore the film's rather blatant mid-'80s misogyny.) But I hadn't thought about that movie in years, if not decades – not until director Paul Feig's irresistible mystery-comedy A Simple Favor kept bringing it to mind.

Governor Bruce Rauner’s campaign-reset speech last week has been described as “contrite,” a “mea culpa,” and even an “apology.”

In 2017, the last three days of September and the first of October brought an unexpected surprise. The All Senses Festival debuted its multi-media enterprise last year with more than 20 artistic performances and was held at Rozz-Tox, the Rock Island Brewing Company (RIBCO), and the Figge Art Museum. Though smaller in scale compared to other regional festivals, in particular Iowa City’s Mission Creek, All Senses had, judging by the number of the acts, its own Homeric air to it.

Beautiful, hand-made, and functional works of art will be both celebrated and sold when the Mississippi Valley Quilters Guild hosts its 2018 Great River Quilt Show at the Mississippi Valley Fairgrounds, the September 21 and 22 weekend event boasting demonstrations, auctions, appraisals, and raffles, with more than 400 locally crafted quilts on display.

From September 22 through December 30, one of the 20th Century's most accomplished artists will enjoy a career retrospective as the Figge Art Museum houses the touring William L. Hawkins: An Imaginative Geography, the first major exhibition in more than a decade to showcase Hawkins' varied work and important examples from his favorite artistic subjects.

Having enjoyed a sold-out sensation with its production of the ABBA musical Mamma Mia!, the Circa '21 Dinner Playhouse wraps up its 2017-18 season, from September 19 through November 3, with another stage hit boasting a mother in the title: Mama Won't Fly, a delightful road-trip comedy by the playwriting team of Jessie Jones, Nicholas Hope, and Jamie Wooten that Broadway World decreed “moves quickly and never lets up on the laughs.”

With Time Out NY calling the show “Broadway's funniest, splashiest, slap-happiest musical comedy in at least 400 years,” Davenport's Adler Theatre opens its 2018-19 season of Broadway at the Adler performances with the September 22 touring production Something Rotten!, the zany, Tony-winning farce that the Hollywood Reporter called “a big, brash, meta-musical studiously fashioned in the mold of Monty Python's Spamalot.”

Unexpected, dark, and even horrific sides of Scott County history are currently being explored in a 2018 book by John Brassard Jr., and on September 23, the Eastern Iowa author will visit Davenport's German American Heritage Center in order to share real-life tales from his historical offering Murder & Mayhem in Scott County, Iowa.

An eagerly awaited autumnal tradition will get the blood pumping on September 22 and 23, as the weekend brings with it the Moline TaxSlayer Center's Active Endeavors Health & Fitness Expo on September 22 followed by the annual Quad Cities Marathon, presented by TBK Bank, on September 23, the latter a Boston Marathon qualifier and the only such event in the country to incorporate five races, four cities, three brides, two states, and one island.

Touring in support of his 2018 recording Encore – an album the New York Times called a “lustrous revisiting of raucous Southern soul, rousingly delivered and pinpoint precise” – the chart-topping roots rocker Anderson East plays a September 18 concert at Maquoketa's Codfish Hollow Barn, displaying the musical gifts that led NPR to deem him “a perceptive record-maker and proven captivator of live crowds.”

Described by Rolling Stone as blending “highbrow smarts with down-home stomp,” the Denver-based rockers of The Yawpers perform a September 19 Moeller Nights concert in support of the band's 2017 release Boy in a Well, a concept record ConsequenceOfSound.net praised for its “complex and ambitious tale” and “muscular, unpredictable rockabilly tracks.”

An artist who, according to American Blues Scene magazine, “plays a head-spinning variety of styles … never failing to excite the listener,” the Florida-based JP Soars and his band The Red Hots play a September 19 concert presented by the Mississippi Valley Blues Society, their engagement at Kavanaugh's Hilltop Bar & Grill demonstrating why BluesSource.com wrote, “Soars can stroke, persuade, bend, and stretch notes from places other guitarists haven't even heard of.”

Lauded by BluesRockReview.com for his “harmonica gymnastics with vocal theatrics” and the frontman for the Grammy-winning outfit Blues Traveler for more than 30 years, John Popper plays a special September 24 concert at Davenport's Redstone Room, sharing the musical gifts that led Alternative Revolution to deem the 51-year-old “an elder statesman of the jam scene … and he certainly earned the title at a young age.”

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With the sentiment of the late Aretha Franklin and her famous song lyric, I extend R-E-S-P-E-C-T to the cast and crew of the Timber Lake Playhouse for delivering a most entertaining production of Larry Gallagher’s Beehive: The '60s Musical. The show's six posed, and composed, young actresses grabbed your attention from the start of Saturday's matinée performance, with each diva poised upon their platforms ready to explode with talent from the opening scene.

Follow along if you can: Director Corin Hardy's new horror film The Nun is the prequel to last fall's Annabelle: Creation, which was the prequel to 2014's Annabelle, which was the prequel to 2013's The Conjuring. This is what, in franchise terms, is called “universe building.” And if the popular series continues in this chronologically backward vein, I'm pretty sure that several hundred years from now, the final movie in the cycle will be titled Genesis, or perhaps The Mind of God. If only The Nun were similarly divine.

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