You know ABBA, right? The 1970s pop group, beloved worldwide, wrote and recorded the catchiest tunes this side of Lennon and McCartney? The Swedish foursome were all over the airwaves, and still are, and their body of work was the springboard that launched the musical Mamma Mia! The Timber Lake Playhouse is running its spectacular production of the show now. Grab a seat before they're gone.

At about the 90-minute mark of director Jon Favreau's two-hour remake of The Lion King, we're finally (finally!) treated to a sequence that's visually rapturous, narratively transfixing, slyly touching and funny, and thematically transcendent all at once – everything that you wish Disney's new CGI behemoth was, and isn't, on a scene-by-scene basis.

The 34th annual Mississippi Valley Blues Festival was held Friday and Saturday July 5th and 6th at Murphy Park at The Bend in East Moline, Illinois. If one went looking to a Blues festival for some sin, one would found little here that could be considered sinful, even in sentiment.

One of the most political of ancient-Greek comedies – and, in adapter Don Wooten's hands, one of the most nuttily satisfying – serves as Genesius Guild's traditional season-ending slapstick when the company presents Ecclesiazusae from July 27 through August 4, Aristophanes' one-act farce delivering laughs, commentary, and a madcap, Mack Sennett chase around Rock Island's Lincoln Park stage.

Named “Best Musical of the Year” by Time magazine, Newsweek, and the Outer Critics Circle Awards, the tuneful, tap-dancing entertainment Dames at Sea serves as the season-ending production for the Mississippi Bend Players at Augustana College's Brunner Theatre Center, the show's July 26 through August 4 run demonstrating why the New York Times called it “a gem of a musical” and United Press International deemed it “an instant hit.”

Two eagerly awaited outdoor events are set to take place in downtown Davenport July 26 and 27, with the 48th Annual Street Fest energizing crowds on Friday and Saturday, and Saturday morning bringing with it the 45th Annual Quad-City Times Bix 7, the challenging summertime foot race that has captivated runners from all over the world.

Chart-toppers, multi-platinum sellers, multiple-award winners, and more are set to electrify crowds as the grandstand entertainment for the July 30 through August 4 Mississippi Valley Fair, the eagerly awaited six-day festival boasting games, competitions, vendors, and concert sets by more than two dozen national and local acts.

Described by The Huffington Post as “a heart-warming tale of human dignity and innovation,” and by the Hollywood Reporter as a work that “transcends the artist-doc format and has a broad emotional appeal,” the Oscar-nominated documentary Waste Land enjoys a special screening at Davenport's Figge Art Museum on August 1, serving as a companion event to the venue's current exhibition Vik Muniz: Hand Remade.

With New Noise magazine deeming it “a band that keeps getting better” whose members “seemingly have no problem pushing the boundaries of their unique creativeness,” the Indiana-based musicians of Murder by Death perform as Moeller Nights headliners on July 26, their concert at Maquoketa's Codfish Hollow Barn sure to prove why Americana Highways calls the group's most recent album The Other Shore “indie-rock meets Gothic-Americana at its finest.”

Cited as “Best Songwriter of 2008” by Rolling Stone and lauded as one of the millennium's premier indie-rock and Americana talents, former Bright Eyes musician Conor Oberst takes over Maquoketa's Codfish Hollow Barn stage as a Moeller Nights headliner on July 27, performing from an extensive repertoire that includes 2014's Upside Down Mountain, 2016's Ruminations, and its 2017 companion album Salutations.

Hex Girls bring their brash, combinatory rock-pop jams to Davenport's Triple Crown Whiskey Bar & Raccoon Motel on July 30.

Music lovers wouldn't necessarily consider the styles an ideal match. But on August 1, Blues Beatles will wow Rhythm City Casino Resort visitors by instilling the songs of John, Paul, George, and Ringo will distinct blues rhythms and phrasing – a blend that had On Stage Magazine raving that the group's Brazilian musicians “seamlessly and successfully melded classic Beatles tunes with deep-down Southern blues. These reinventions of familiar Beatles music lead a listener to wonder what would have happened if the Beatles had signed with Motown through some crazy twist of fate.”

To download a PDF of the puzzle, click here.

For the second time this year, House Republican Leader Jim Durkin has stripped one of his Party members’ access to a House communications staffer.

It's magical to enter the theatre at Prospect Park and take in the huge, overarching proscenium studded with large round bulbs and that dark-red velvety curtain. Before Thursday's preview performance, I took a deep, happy breath as I absorbed this classic-American-theatre ambiance and anticipated a dazzling musical spectacle – and Quad City Music Guild gave me what I wanted.

Sure, it’s cliché. But of all the Shakespeare tragedies, Hamlet is my favorite, so I was excited to take in director Alaina Pascarella’s version in Lincoln Park on Saturday night. And Genesius Guild took this classic, trimmed it down, and kept it enjoyable for enthusiastic William Shakespeare fans and newcomers both.

I won't be coy: The Playcrafters Barn Theatre's Something Intangible, by Bruce Graham, is an imagining of the relationship between brothers Walt and Roy Disney, but with the names changed. They co-founded the Disney Bros. Studios, with Walt the visionary and Roy the money man.

Whenever I visit Geneseo's Richmond Hill Barn Theatre, I'm reminded of how wholesome, welcoming, and beautiful this location in the Midwest is, and how this unique venue is truly a lovely place to take in a show. The players’ latest production, author Jack Sharkey's Missing Link, is a marital comedy full of all kinds of twists and turns, mistaken identities, and romantic conundrums, and it gives patrons a lighthearted look at the things we do for love.

If there's any rule-of-thumb regarding high-concept movies, it's that their appeal – and, oftentimes, their plots – can be succinctly described on the fingers of one hand: “violent Nanjiani/Bautista action comedy,” for example, or “killer alligators in a hurricane.” In effect, those respective precis tell you everything you need to know about Michael Dowse's Stuber and Alexandre Aja's Crawl – except, perhaps, that both films are even more entertaining than those grabby five-word descriptions might suggest. Not a lot more, mind you … but entertaining enough, during my recent double-feature, to make me not regret the collective three hours spent in their high-concept company.

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