Cindy Ramos, Ana Ziegler Loes, Jordan Smith, Beau Gusaas, Kermit Thomas, Eric Reyes, and Kathryn Reyes in Water by the Spoonful

Quiara Alegria Hudes was awarded a 2012 Pulitzer for her play Water by the Spoonful, and it’s easy to understand some of the reason the work was recognized, considering that Hudes gives us so many different plays for the price of one. Part family drama, part wisecracking comedy, part PTSD exploration, and part cyberspace warning/celebration, Hudes’ tale is alternately tragic, funny, insightful, and even, at times, magical, and I’d love to see all those styles and qualities blended into a cohesive, thrilling production. In the meantime, we have New Ground Theatre’s Water by the Spoonful. We’re treated to a few sincere and effective portrayals, but unfortunately January 20’s premiere merely suggested the truly satisfying achievement the show could and should have been.

James McAvoy in Split

It’s long been a misconception that M. Night Shyamalan movies are dependent on The Big Twist, because there certainly weren’t any in his run of god-awful 2006-13 titles that included Lady in the Water, The Happening, The Last Airbender, and After Earth. But Shyamalan’s 2015 scare flick The Visit sure did have a doozy – the twist being “It’s actually pretty good!” – and the whopper of his new thriller Split is that it’s close to great: scary, funny, nerve-racking, and boasting no fewer than three outstanding performances. Many more if you include all of star James McAvoy’s personalities.

Adam Driver and Andrew Garfield in Silence

By now, we should be used to cinematic miracles from Martin Scorsese. But Silence, his 160-minute, decades-in-the-planning exploration of faith, is still something I don’t think I’ve ever seen before: a deeply redundant movie that isn’t at all boring. This sentiment was obviously not shared by the quartet of middle-aged patrons who exited the auditorium ahead of me complaining about the film’s length and dullness and their growling stomachs and the previews being “totally deceptive.” (Personally, I thought the trailers captured the haunting, enigmatic mood about as ideally as a three-minute spot, or a 30-second one on TV, ever could. Were these folks expecting Hacksaw Ridge 2: 17th-Century Gore?) Yet if you have the patience for it – and considering the many scenes of physical and emotional torture, the stomach for it – you may find the experience of Scorsese’s latest riveting. I may have been aware of the thematic and narrative repetition, but I never once yawned.

On a fairly regular basis back in the day, state Senator Barack Obama would walk up to the Senate press box and bum cigarettes off me. That was back when people could smoke in the Senate chambers, and back when both of us smoked. Now we both chew nicotine gum, and smoking on the Senate floor is forbidden.

Obama was mainly an OPC smoker, meaning “other peoples’ cigarettes.” I’d usually give him a little grief about how maybe he should buy his own pack once in a while, but I never denied his request unless I was almost out. He’d always take the cigarette to a room in the back of the chamber, never seeming to smoke at his desk like others did.

One day as I was wandering through the Statehouse near his office, Obama hollered out my name and asked me to join him. I presumed he wanted to bum yet another cigarette, and I was right. I tossed my pack on his desk, he took one out and lit it, and we made a little small talk.

Ellis Kell in early 2015. Photo by Joshua Ford (<a href="http://Ford-Photo.com" target="_blank">Ford-Photo.com

Ellis Kell died suddenly in December – after an October cancer diagnosis – and he was known to many as a stalwart part of the Quad Cities music scene and a longtime staff member of the River Music Experience. But these remembrances attest that Kell was loved far beyond those roles.

Peace, Love & the Joy of Music, a benefit concert for the Kell family, will be held on Saturday, January 21, from 4 to 11 p.m. at the RiverCenter (136 East Third Street, Davenport). The suggested donation for admission is $10. Scheduled performers include the Ellis Kell Band, The Whoozdads?, The Way Down Wanderers, David G. Smith, The Candymakers, Lojo Russo, The Velies, Rude Punch, The Curtis Hawkins Band with Ernie Peniston & Hal Reed, Quad Cities Blues Mafia, and RME Camp Kids Jam.

Karen Meat’s Arin Eaton

“I want to barf on you,” sings Arin Eaton on “Sad,” the most stripped-down song on the 2016 Karen Meat EP She’s Drunk Like the Rest of Us. “I hate what you’ve put me through.”

While vomit is nowhere near unexpected from a Karen Meat & the Computer track (see puking references in songs such as “I Wrote You a Card” and “Pizza & Beer”), Eaton is coming from a more-personal place on this solo EP.

Lyndon B. Johnson

Let’s talk about fake news stories.

There’s the garden-variety fake news that is not really “news” so much as it is titillating, tabloid-worthy material peddled by anyone with a Twitter account, a Facebook page, and an active imagination. These stories run the gamut from the ridiculous and the obviously click-baity to the satirical and politically manipulative.

Then there’s the more-devious kind of news stories circulated by one of the biggest propagators of fake news: the U.S. government.

Ted Rall: Evidence?

To download a PDF of the puzzle, click here.

Leslie Munson, Susan Perrin-Sallak, Jaclyn Marta, Chris Sanders-Ring, and Patti Flaherty in Steel Magnolias

What really goes on in a beauty salon? As someone follicly challenged, I have wondered what happens behind all the glamour posters, hair products, and Hollywood-scandal magazines: Certainly there's more than stereotypical gossip between the customers and their stylists – right? Well, the truth is out. The Playcrafters Barn Theatre production of Steel Magnolias lifts the veil and exposes the beauty-shop mystique, and at least in this particular shop, Southern ladies come to share their fears, secrets, joys, and love with their very best friends – all while getting the perfect shampoos, colorings, and styles.

Before the lights went down on January 13's opening night of the Circa '21 Dinner Playhouse's Ghost: The Musical, producer Denny Hitchcock informed the audience of the show's background, telling us that although it was originally produced on Broadway with a cast of 22, this version was scaled down to a cast of 10. But even though this minimized presentation is the story of a ghost, director Jerry Jay Cranford's show is anything but transparent and weightless.

If I had to choose a word to describe the Democrats’ nominating speeches for House Speaker Michael Madigan’s re-election last week, it would be either “defensive” or “joyless.”

The speeches seemed directly aimed at Madigan’s toughest critics – and there are plenty of those out there. The nominators at times angrily justified their own votes for Madigan and their continued willingness to support him while under siege by a hostile kabillionaire governor and much of the state’s media. They literally cannot go anywhere without being asked about why they continue to back Madigan.

Kyle Chandler and Casey Affleck in Manchester by the Sea

Looking over my list of favorites from the recently ended movie year, I was trying to find something – anything – that connected them beyond my admittedly eclectic tastes. I mean, seriously: low-budget drama next to Disney animation next to indie horror next to teen comedy next to musical romance next to cops and robbers next to sci-fi next to a woman being transformed into a Shetland pony ... . What the hell kind of cinematic Top 10 is this?

The neon sign at Bowlmor. Photo by Bruce Walters.

Downtown Davenport was once bathed in the bright glow of neon signs. In a photo taken from the intersection of Main and Second streets in the 1940s, the Hansen’s Hardware neon sign in the foreground rises several stories over the street below. So does a nearby Kaybee sign. There are, seemingly, a dozen or more smaller neon signs in the block.

Today from the same vantage point, we see U.S. Bank, the Figge Art Museum plaza, and the Charles J. Wright Ground Transportation Center. The prominent Hansen neon sign? Long gone. So are all of the other large neon signs in the photo: Kaybee, The Hub, Three Sisters, Baker’s Shoes. Also gone are the even-more-impressive neon signs rising high above the downtown theatre marquees.

Neon signs from this past era, fortunately, can still be found elsewhere in the Quad Cities.

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