Performing in support of his new album Flickering Light, singer/songwriter Benjamin Cartel headlines a December 30 Rozz-Tox concert with songs from his latest release, his acclaimed EP Money & Love, and his 2015 album Gothenburg, which Rust magazine deemed “a great collection of contemporary Americana-style songs with subtle songwriting and very personal instrumentation.”

Hailing from Champaign, Illinois, the ever-popular, time-traveling tribute musicians of The Brat Pack return to the Rock Island Brewing Company for a December 23 concert event that finds their “almost totally '80s music” playlist updated with a smattering of modern hits.

The Iowa-based indie rockers of The Penny Serfs will play a Moeller Nights concert on December 18, treating audiences to the genre-hopping sound that lead vocalist Michael Loy described to the Prelude Press thusly: “Take The Beatles out for a drink or five; introduce them to Kurt Cobain (preferably under the influence); give them a few topics to discuss (i.e. politics, fear, past, present, and future); convince Paul and John to let Kurt sit in for a few sessions; hit the record button.”

With the 100-year anniversary of Nat King Cole's birth less than two years away, Polyrhythms' Third Sunday Jazz Series and the Redstone Room will celebrate the legendary artist's life in a December 17 tribute featuring Tony Sconyers & the Ron Tegeler Quartet – the second in a trio of Polyrhythms performances dedicated to the jazz and swing legend.

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Composer William Flynn's music and lyrics and Rachel Sheinkin's book (with additional material by Jay Reiss) are so full of wit, heart, and humor that I think even a “C”-average delivery would still please. Director Becca Johnson, however, has created a wonderfully paced and creatively performed production, featuring terrific talent that includes the five-member pit orchestra of Peter Letendre, Becky Holland, Sandra Blom, Kyle Jacklin, and music director Kyle Schneider. This show gets an A+ in my book, as there was hardly a moment in which I wasn’t under its, ahem, spell.

Friends have asked me whether you need to have seen The Room in order to enjoy The Disaster Artist. I'd say no, though it'd most certainly help. It'd help further if you haven't also read the book. But movies and books, as we all know, are vastly different things. And as a movie – with this opinion coming from an unbridled champion of The Room – The Disaster Artist is a more-than-frequent hoot.

Durkin has brought in the highly capable Mike Zolnierowicz to handle things on his campaign. Mike Z, as he’s known in political circles, was Governor Rauner’s deputy campaign manager, then his first chief of staff, then ran Rauner’s massive campaign apparatus until this past July, when Z resigned during Rauner’s Great Summer Staff Purge (and eventual re-purge) of 2017 and joined Xpress Professional Services as its political director.

An annual holiday-music tradition returns to the area this month as the professional vocal ensemble the Nova Singers present their latest A Nova Christmas concerts, with exciting and moving arrangements of non-secular, classical, and traditional holiday favorites performed December 15 at Davenport's St. Paul Lutheran Church and December 16 at Galesburg's First Lutheran Church.

Composed of keyboardist Mike Maimone, guitarist Bob Buckstaff, and drummer Chris Pagnani, the Chicago-based rockers of Mutts play a Moeller Nights concert on December 15, showcasing the high-energy talents that earned this MusicExistence.com rave for their EP Fuel Yer Delusion: Vol. 4: “I seriously don't see who wouldn't go crazy for this band as they press the 'play' button.”

Performing thrilling four-part arrangements of such seasonal favorites as “Run, Run Rudolph,” “Ave Maria,” and “I'll Be Home for Christmas,” the do-wop vocal ensemble Under the Streetlamp visits Moline's TaxSlayer Center with their touring production “Hip to the Holidays!”, which features a collection of tunes from the group's live PBS specials and 2012 album Every Day's a Holiday.

Works by two Davenport-based artists will soon be on display in one Rock Island exhibit, as the Quad City Arts Center's Con/In-Fluence showcases prints, paintings, mixed media, and more by Steve Banks and Philip Laber.

Performing from a repertoire that includes such classics as “Uncle John's Band,” “Truckin,” “Alabama Getaway,” and the chart-topping “Touch of Grey,” the rockers of The Schwag return to the Rock Island Brewing Company on December 15, appearing locally in their 26th year as professional Grateful Dead tribute artists.

Described by Blues Blast magazine as “an excellent guitarist who uses the instrument to serve the music, not overpower it,” and praised for his “expressive, passionate voice,” Davy Knowles plays a December 15 Redstone Room concert as the latest stop on the Celtic rocker's cross-country tour.

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Despite its a cappella rendition of “The Yellow Rose of Texas” and repeated employment of the clever, catchy Unknown Hinson song “I Cleaned Out a Room (in My Trailer for You)” during scene changes, no one could mistake the Richmond Hill Barn Theatre's season-ending presentation for a musical. But in director John VanDeWoestyne's Doublewide, Texas, the character attire designed and gathered by costumer Suzanne DeReu is so eye-catching, and so abundant, that it's almost as though this lightweight Southern comedy were instead a lavish Broadway spectacle boasting a cast of 90 and special appearance by the Rockettes. And the Rockettes wouldn't have been funny.

Martin McDonagh's latest genre hybrid, the comedy/tragedy/mystery/procedural Three Billboards Outside Ebbing, Missouri, is a mess. As messes go, though, it's one of 2017's most confident and entertaining, and might easily reward repeat viewings more than many other far-better movies.

When a politician refuses to divulge something, particularly after criticizing others for not doing so, you gotta wonder what that person is hiding.

I’m no Brainiac, but I do know this about musicals: When you put together a group of 13 adorable and talented little girls led by a plucky redhead who can sing her heart out, add a rags-to-riches tale enhanced with memorable tunes and dance numbers, and then throw in a scruffy dog that takes stage direction, you’ve got a crowd-pleaser on your hands!

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