Photo illustration.

It’s admittedly difficult to get your head around Illinois’ recently passed Future Energy Jobs Bill – a massive, long-gestating piece of legislation that touches on many aspects of energy policy.

Yet the legislation is worth exploring. It will be a major change in Illinois energy policy when it takes effect on June 1. And it’s an instructive study of the give-and-take of the legislative process – a case that was absolutely green and utility-friendly, but one that might not be nearly as kind to consumers as has been promised.

U.S. Representative Tulsi Gabbard in 2013. Photo by the American Federation of Government Employees.

There were several noteworthy pieces of legislation passed in the 11th hour of President Barack Obama’s administration that flew almost entirely under the radar. The most alarming concerns controlling how information will be filtered then disseminated to the public.

Readers are urged to familiarize themselves with the National Defense Authorization Act of 2017 (NDAA), signed December 23, as it relates to your personal security (RCReader.com/y/radar1). It includes a most disturbing new provision with the Countering Foreign Propaganda & Disinformation Act of 2016 (RCReader.com/y/radar2) that was slipped into the NDAA bill as a matter of political convenience.

U.S. President Donald Trump’s nominee for Secretary of Education, Betsy DeVos, faces a great deal of opposition to her confirmation. Most of that opposition comes from Democratic politicians and Democratic organizations. But if both parties stuck to their stated principles and goals, the Senate would vote 100-0 against her nomination.

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Over the span of six days, the Quad Cities will welcome the arrival of touring performers who collectively specialize in pop, rock, country, blues, folk, jazz, reggae, Americana, bluegrass, roots, contemporary-Christian, and dance-club music – and who, if they wanted, could conceivably arrive together in one mid-size van. The artists in question are country-pop chanteuse Sara Evans, Texas-based genre-hoppers The Band of Heathens, and multi-instrumentalist Keller Williams, so let’s learn a bit about these acclaimed, prolific talents – there’s gonna be a quiz at the end!

Murderers is author Jeffrey Hatcher’s blanket title for his trio of monologues suggesting Twilight Zone episodes written by O. Henry, and in its current presentation at Moline’s new Black Box Theatre, our first sight is of monologuists Brent Tubbs, Nancy Teerlinck, and Lora Adams standing in a row, each in turn stating, “I am a murderer.” So give director Adams’ production honesty points right off the bat, because for 100 minutes on January 28, these three actors positively killed.

Sarah Baker, Lauren Clapp, and Elise Campbell in Crimes of the Heart

Southern Gothic is a genre dear to my heart, having been introduced years ago to the stories of Eudora Welty. In that vein, playwright Beth Henley blended dark humor and quirky characters in 1981's Pulitzer-winning Crimes of the Heart, the current Augustana College production. I attended the January 28 performance, and director Jennifer Popple and her crew provided a fearless rendition with some creative twists. In her program notes, Popple shares childhood memories of family reunions with almost 500 attendees in Greenwood, Mississippi, and her deep connection with this Mississippi-based play is evident in the nuances that helped me better understand the production's characters, their motivations, and the many themes presented.

With apologies to my parents’ house cat Sam, who I’m crazy about, I’ve always been more of a dog person, and was totally anticipating a good cry at A Dog’s Purpose even in light of that notorious, upsetting footage of a German shepherd seemingly forced into a scary-looking aquatic stunt. Yet while its trailer never failed to slay me, I actually watched director Lasse Hallström’s family weepie completely dry-eyed, given how tough it is to get misty when your primary emotions are confusion, irritation, and offense.

Question the timing all you want, but last week’s legal filing by Attorney General Lisa Madigan to stop paying state-employee wages without an official appropriation is long overdue and is completely consistent with a 2016 Illinois Supreme Court ruling and with her (and the governor’s) opposition to a lawsuit brought by social-service providers.

Donald Trump. Photo by Michael Vadon.

“In addition to winning the Electoral College in a landslide,” U.S. President-Elect Donald Trump tweeted in late November, “I won the popular vote if you deduct the millions of people who voted illegally.” Kind of a sore winner. And now that he’s no longer just president-elect but actually president, he’s doubling down and says he “will be asking for a major investigation into VOTER FRAUD ... .”

That’s dumb. And dangerous.

Emma Stone and Ryan Gosling in La La Land

Nominees for the 89th Annual Academy Awards were announced this morning.

Well, that’s not exactly true.

It turns out they weren’t announced so much as revealed, because for the first time since the yearly nominations became an early-morning PR event several decades ago, contenders weren’t recognized in front of a gathered crowd of journalists and publicists. Instead, the news was delivered in a slick, 20-minute online presentation that also featured reminiscences from former Oscar nominees and winners such as Brie Larson, Glenn Close, and Terrence Howard, with Gabourey Sidibe wisely suggesting that when this morning's nominees eventually attend the ceremony, they should be sure to sneak in a flask. (That’s good advice for those watching from home, too.)

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Cindy Ramos, Ana Ziegler Loes, Jordan Smith, Beau Gusaas, Kermit Thomas, Eric Reyes, and Kathryn Reyes in Water by the Spoonful

Quiara Alegria Hudes was awarded a 2012 Pulitzer for her play Water by the Spoonful, and it’s easy to understand some of the reason the work was recognized, considering that Hudes gives us so many different plays for the price of one. Part family drama, part wisecracking comedy, part PTSD exploration, and part cyberspace warning/celebration, Hudes’ tale is alternately tragic, funny, insightful, and even, at times, magical, and I’d love to see all those styles and qualities blended into a cohesive, thrilling production. In the meantime, we have New Ground Theatre’s Water by the Spoonful. We’re treated to a few sincere and effective portrayals, but unfortunately January 20’s premiere merely suggested the truly satisfying achievement the show could and should have been.

James McAvoy in Split

It’s long been a misconception that M. Night Shyamalan movies are dependent on The Big Twist, because there certainly weren’t any in his run of god-awful 2006-13 titles that included Lady in the Water, The Happening, The Last Airbender, and After Earth. But Shyamalan’s 2015 scare flick The Visit sure did have a doozy – the twist being “It’s actually pretty good!” – and the whopper of his new thriller Split is that it’s close to great: scary, funny, nerve-racking, and boasting no fewer than three outstanding performances. Many more if you include all of star James McAvoy’s personalities.

Adam Driver and Andrew Garfield in Silence

By now, we should be used to cinematic miracles from Martin Scorsese. But Silence, his 160-minute, decades-in-the-planning exploration of faith, is still something I don’t think I’ve ever seen before: a deeply redundant movie that isn’t at all boring. This sentiment was obviously not shared by the quartet of middle-aged patrons who exited the auditorium ahead of me complaining about the film’s length and dullness and their growling stomachs and the previews being “totally deceptive.” (Personally, I thought the trailers captured the haunting, enigmatic mood about as ideally as a three-minute spot, or a 30-second one on TV, ever could. Were these folks expecting Hacksaw Ridge 2: 17th-Century Gore?) Yet if you have the patience for it – and considering the many scenes of physical and emotional torture, the stomach for it – you may find the experience of Scorsese’s latest riveting. I may have been aware of the thematic and narrative repetition, but I never once yawned.

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