The rate at which prolific musicians in the Bandcamp era can churn out new material on a short notice will never cease to amaze me. The idea of an “album cycle” in which an artist drops one album a year, or even less frequently, and spends the time between proper releases promoting and performing based around one album’s material still exists in the upper echelons of the music industry.

Well, I, for one, am glad that groups of plucky young musicians get together and decide to make jazz fusion in the year 2021. As an avowed devotee of late-'60s through -'70s fusion as pioneered by the likes of Miles Davis, Herbie Hancock, and Mahavishnu Orchestra, I can’t help but smile when a contemporary band can hit with horn voices, electronics, and funk rhythms all at once. Iowa City’s four-piece band Wave Cage get there.

Rock Island-based black-metal band Everlasting Light has been a favorite Quad Cities project of mine since the release of Heavy Sanctuary back in 2019. A project that revels in the extra layer of obfuscating scuzz that comes from a more informal approach to recording, they still always manage to hit a sweet spot between the high fidelity detail of a “proper” studio take and the more room-tone-soaked final product of a DIY demo tape.

Delivering a live performance of iconic country and folk favorites, Los Angeles musician Rick Schuler brings his John Denver tribute A Rocky Mountain High Experience to Davenport's Adler Theatre on April 16, presenting a salute to the Grammy-winning legend that will boast such unforgettable songs as “Sunshine on My Shoulders,” “Take Me Home, Country Roads,” “You Fill Up My Senses,” and “Thank God I’m a Country Boy.”

Hosting a virtual performance in celebration of the artist's 22nd studio album Revolutionary Love, Iowa City's Englert Theatre brings folk- and alternative-rock icon Ani DiFranco into fans' homes with the April 18 concert event 'Revolutionary Love' Live, which will find DiFranco, Terence Higgins, and Ivan Neville reminiscing about touring and performing energetic live versions from the January release along with classics from the Little Folksinger canon.

Chart-topping Scottish musicians whom Broadway Baby praised for producing “music that upholds heritage while still sounding unmistakably current,” the Celtic rockers of Skerryvore are showcased in the latest virtual performance in the Quad City Arts Center's annual PASS (Performing Arts Signature Series) program, delivering an eclectic fusion of rock, pop, and folk music with an emphatic thundering of drums and bagpipes.

Described by NPR as an artist who “explores pop songwriting with playful magnetism” and by SavingCountryMusic.com as someone “fearless in both what he's willing to say and how he's willing to say it,” alt-country and Americana performer Parker Millsap plays a virtual concert on April 9, the Englert Theatre presentation showcasing a musician whose compositions, according to Pop Matters, “ring with authenticity through his expressive twang.”

A tribute to the diversity of American music inspired by the Figge Art Museum’s current exhibition For America: 200 Years of Painting from the National Academy of Design, the Quad City Symphony Orchestra's final Masterworks concert of the 2020-21 season – For America, being performed live at the Adler Theatre on April 10 – is a symphonic tapestry weaving together many different musical traditions, and boasting the musical talents of the Sphinx Quartet: violinists Jannina Norpoth and Ruben Rengel, viola player Paul Laraia, and cellist Thomas Mesa.

On April 2 and 3, the long-awaited return of live music at the Rock Island Brewing Company will be celebrated with concert sets by venue favorites The Schwag, who, in the band's 30th year as professional Grateful Dead tribute artists, will perform from a repertoire that includes such classics as “Uncle John's Band,” “Truckin,” “Alabama Getaway,” and the chart-topping “Touch of Grey.”

Described by The New Yorker as “legendary,” and hailed as “gospel titans” by Rolling Stone, the internationally touring musicians known as The Blind Boys of Alabama will deliver a special, virtual Easter-weekend concert on April 2, the Englert Theatre presentation giving viewers an at-home audience with a group that, according to the New York Times, performs “a livelier breed of gospel music” they made “zestier still by adding jazz and blues idioms and turning up the volume, creating a sound like the rock 'n' roll that grew out of it.”

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