From January 21 through 30, the Center for Living Arts, the Penguin Project of the Quad Cities, and Augustana College's theatre department will team up to help turn kids into stage stars for the eagerly awaited family-musical presentation The Little Mermaid Jr. – a production based on Disney's Oscar-winning animated adventure, and a show that boasts a cast composed of talented youths with special needs.

An exploration of the valiant and courageous personalities behind one of the most critical chapters in the history of the Civil Rights movement, Mad River Theater Works' Freedom Riders will enjoy a special January 31 staging at the University of Dubuque's Heritage Center, the play delivering unforgettable heroes and facts essential to a full understanding of the Civil Rights era and American history.

One of the most enduring and harrowing of all classical Greek tragedies, Euripides' Medea serves as Augustana College's first student-directed production of 2022, the title character described, in the New York Times, as “one of the huge, ravenous roles of dramatic literature … it will take everything a performer can give, then ask for more.”

If you spend nearly two years working on your company's debut show, and it not only gets successfully produced but enjoys several sold-out performances during its run, what do you do for an encore? If you're the Haus of Ruckus' TJ Green and Calvin Vo, and your comedy “Jacques”alope turned into a hit for the Davenport venue the Mockingbird on Main, you return to the site of your previous triumph – and give yourself all of one day to stage something new.

With The Telegraph reviewer Tim Walker stating, “I have seldom, if ever, heard louder or more sustained laughter in a theatre,” the object of that praise – the Tony-winning slapstick farce The Play That Goes Wrong makes its area debut at the Circa '21 Dinner Playhouse, the show's January 19 through March 12 Rock Island run sure to demonstrate why the New York Times deemed it “a knockabout farce” whose audience “roared as loudly as the crowds at any wrestling match.”

With the fruits of our non-laborious labors landing in your laps (or on your laptops) just in time for gift-giving week, your intrepid theatre correspondents Rochelle Arnold, Pamela Briggs, Madeline Dudziak, and I officially welcome you to the sixth-annual Reader Tony Awards! Now returned to full fighting strength after 2020's truncated-by-necessity ceremony!

I know the holidays are busy and holiday weekends busier still, but make room in your calendar for this fast-paced, hilarious little show, because it's completely worth it. The energy that director Tristan Tapscott’s cast brought to a very nearly empty house was unbelievable, and I can only imagine what the show would amount to in a packed theatre.

A beloved holiday tradition that has captured the hearts of families worldwide will brought to life on December 18 in the touring production of The Elf on the Shelf: A Christmas Musical, its afternoon performance at Davenport's Adler Theatre a thrilling spectacle of music and dance that transports audiences directly to the North Pole.

Frankly, I was feeling a bit smug when I entered the Spotlight Theatre on Saturday night. Like many, I've seen The Sound of Music onstage, and the film several times. I know how the scripts and songs differ, and what to expect. Yet this production still astounded me: It's a grand, rich experience.

Every Christmas Story Ever Told (and then some) is a 2007 comedy by John K. Alvarez, Michael Carleton, and James FitzGerald, I saw it at the Richmond Hill Barn Theatre on Thursday's opening night, and it stars Jonathan Grafft as Jonathan, Nathan Johnson as Nathan, and Mike Kelly as Mike. These could be the parts they were born to play.

Pages