Did you hear the energetic trumpeting coming from Rock Island this past weekend? Because Elephant & Piggie’s “We Are in a Play!” debuted on the Circa ‘21 Dinner Playhouse stage and was chock full of trumpets, both of the elephantine and brass-instrumental variety. Director Kim Kurtenbach kept the energy in this production high and the overall experience was a joy – a veritable celebration of friendship.

Returning to the presentation of classical theatre in Rock Island's Lincoln Park for the first time since 2019, the venerated stage company Genesius Guild – which originated in 1957 – opens its 2021 season with the June 19 through 27 run of William Shakespeare's Measure for Measure (abridged), a 90-minute rendition of the timeless comedy that led River Cities' Reader reviewer Thom White to state, “I ended up laughing harder … than I've ever laughed while watching a Shakespeare performance.”

Described by the New York Times as “intense and exciting” and by The New Yorker as “smart, eloquent entertainment,” author John Logan's two-character Red returns the Mississippi Bend Players to Augustana College's Brunner Theatre Center, the company's summer-season premiere and June 17 through 20 run delivering an explosive celebration of humanity and art, as well as an acclaimed stage drama that received six 2010 Tony Awards including Best Play.

Davenport Junior Theatre wraps up its 69th season of theatre “for kids, by kids” with the organization's first in-person production in 15 months: the premiere of playwright Aaron Randolph III’s The True Tale of Robin Hood, a funny and exciting outdoor production, running June 11 through 20, that will be free for patrons and held outside on the Great Lawn of the Annie Wittenmyer Complex.

There’s an adage “hurt people hurt people.” It's a cliché, certainly, but it sums up the experience currently on the Playcrafters Barn Theatre stage. Friday was the opening night for Princeton’s Rage, written by local playwright Don Faust, and under the direction of Madison Duling, the evening was full of emotions and pain, but also well-needed healing.

Friday was opening night for You’re a Good Man Charlie Brown at the Spotlight Theatre, and it was a crazy, fun evening filled with lighthearted comedy and loaded with some of my favorite area talent. I really enjoyed the simple, childlike playfulness that the entire cast exuded, as it was evident that everyone was having a great time and glad to be back on stage.

Drama is conflict, and the Black Box Theatre's current production, titled Hate Mail, reveals its conflict within the first two minutes. As the battle slowly escalated, I wondered how playwrights Bill Corbett and Kira Obolensky could sustain the animosity and keep it building for an entire play. How dark could it get and

The Showboat's former producing artistic director Matthew Teague Miller directed Always ... Patsy Cline, while Kory Danielson is music director and conductor, also playing piano during the performances. Much thought and work no doubt went into staging this production, but Miller, Danielson, and their crew make it seem like it came together spontaneously and organically.

A beloved and riotous Broadway smash that won three Tony Awards, ran for 1,575 performances, and was even commemorated on a British Royal Mail stamp, Monty Python's Spamalot will be presented June 11 through 13 in a virtual performance by Quad City Music Guild, this modern classic a stage farce that the New York Times called “resplendently silly” and that, according to the UK's Independent, “leaves you high and weak with laughter.”

Presenting its first live family musical in more than a year, Rock Island's Circa '21 Dinner Playhouse accompanies its current mainstage production Beehive: The '60s Musical with the winning stage entertainment Elephant & Piggie's "We Are in a Play!", a charming treat, running June 11 through July 2, based on author Mo Willems' beloved, award-winning, best-selling children's books.

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