It has to be said, with a show titled The Man With Bogart’s Face, that I expected it to be primarily about someone who looked a bit like legendary film and theatre actor Humphrey Bogart. And yet, the reference to the lead character’s plastic surgery to resemble Bogart was just a throwaway moment at the beginning of the Black Box Theatre’s latest production.

As an offering in the Playcrafters Barn Theatre's Barn Owl Series comprised of newer shows with lower ticket prices, 4000 Miles runs for only three days, so you can't put off seeing it this weekend. You also can't put off seeing it because … . Well, you just can't. With its compelling script by Amy Herzog and the talents of director Jennifer Kingry and her crew and cast, this particular production has the pedigree to be a must-see show, and it proves its lineage.

A Tony Award-winning slapstick lauded by the New York Times' renowned theatre critic Frank Rich as “the funniest play written in my lifetime,” author Michael Frayn's Noises Off opens the 2019-2020 mainstage season at Augustana College, a rib-tickler that the New York Post called “the funniest farce ever written” and that Variety magazine praised for its “comedic brilliance” as “the kind of door-slamming, trouser-dropping, pratfall-prone, and utterly manic chaos that is pure farce.”

The winner of a staggering 10 Tony Awards that the New York Daily News deemed “vivid and smart” as it “brilliantly weaves plot, music, and dance together,” the stage sensation Billy Elliot: The Musical hoofs its way into Moline's Spotlight Theatre October 18 through 27, this joyous celebration of community and individuality leading Bloomberg News to rave that the show “really does have something for everyone – and that something is, gloriously, art.”

If Halloween is approaching, it must be time for that annual theatrical command: “Let's do the 'Time Warp' again!” Consequently, the Circa '21 Speakeasy will stage its fourth-annual presentation of the cult-musical smash The Rocky Horror Show from October 18 through 27, treating audiences to live performances of classic songs and, of course, prop bags to complete the nutty, interactive experience.

My Tuesday evening was disjointed and off-balance, and I spent a good chunk of time vacillating between being frantic, frustrated, and overcome with hysterical laughter. Which, as it turns out, is actually the perfect mindset in which to see the Richmond Hill Players' One Flew Over the Cuckoo's Nest.

A unique collaboration between stage artists and spouses Ryan Scott Oliver and Matthew Murphy serves as the first student-produced presentation in Augustana College's 2019-20 theatre season, with the October 10 through 13 run of 35mm: A Musical Exhibition blending songs and photographs to create an experience DC Metro Theatre Arts called “a thought-provoking, soul-searching exploration of two mediums fused together as one.”

Lauded by Time magazine as a “family drama that really sticks with you” and “easily the best play of the season,” 4000 Miles enjoys an October 11 through 13 run as the final production in the Playcrafters Barn Theatre's 2019 Barn Owl Series – a work whose off-Broadway run inspired the New York Times to rave, “Plays as truthful and touching and fine as Amy Herzog's 4000 Miles come along once or maybe twice a season, if we're lucky.”

Described by Variety magazine as “a fast-moving story with action and staccato dialogue that literally bring Bogart to life,” author Andrew J. Fenady's The Man with Bogart's Face will be staged in radio-play format at Moline's Black Box Theatre October 11 through 19, the mystery-comedy praised by The Hollywood Reporter as “a loving tribute to the genre of hard-boiled detectives of the 1940s and the Hollywood movies that glorified their derring-do.”

Based on novelist Ken Kesey's counterculture classic that inspired the legendary, Oscar-winning film starring Jack Nicholson, the exhilarating drama One Flew Over the Cuckoo's Nest enjoys an October 3 through 13 run at Geneseo's Richmond Hill Barn Theatre, a stage work described by the New York Daily News as “funny, touching, and exciting,” and one that WNYC Radio said “transforms the audience into one wild cheering section.”

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