Here’s the thing: Any show that opens with a warning of “Please don’t shift your chair to avoid being trampled” is bound to be thrilling, even if, I admit, I was initially pretty hesitant about the idea of seeing the Prenzie Players’ Friday-night opening of Macbeth amidst the snow. But damn was this an exciting, emotional two hours in Scotland care of director Catherine Bodenbender.

Extra! Extra! Read all about it: The Circa '21 Dinner Playhouse is currently presenting Disney’s popular Broadway adaptation Newsies: The Musical! A high-energy entertainment loaded with incredible dancing and brilliant singing that packs a solid punch, the January 17 preview performance was already polished and didn't disappoint, and felt more like an opening-night performance as the cast delivered an exceptionally enjoyable show.

Described by The London Times as “original and riveting” and by New York magazine as a play that “hurts and exhilarates in just the right proportions,” the Tony-winning drama Lady Day at Emerson's Bar & Grill makes its area debut at Moline's Black Box Theatre January 26 through February 9, this stage biography of jazz legend Billie Holiday lauded by OnStage as “a searing portrait of a woman whose art was triumphant.”

Praised by the Bristol Evening Post as “a real winner” that earns “four stars out of four,” and by The Guardian for being a “slick, swashbuckling romp that cleverly updates the Dumas novel,” the literary classic The Three Musketeers enjoys a thrilling new stage presentation at Augustana College January 25 through February 3, with Tony Award nominee Ken Ludwig's 2007 adaptation delivering, according to The California Aggie, “two hours of pure awesomeness.”

Missed sound cues, incorrect light cues, and a play within a play – so goes the Playcrafters Barn Theatre’s schizophrenic comedy (a work in progress), whose opening-night performance was quirky and full of mayhem. Anyone who has ever been involved in the art of theatre knows the process can become a crazy one, and this presentation gives audiences a firsthand view of what happens behind the scenes with a close look at rehearsals, a diversity of actor personalities, and an infamous, erratically temperamental director.

Aaron Sullivan in Prenzie Players' "Macbeth"

As verse-theatre troupe the Prenzie Players continues with its plan to produce all of William Shakespeare's plays by 2023, one of the Bard's most famous tragedies enjoys a new staging at Davenport's QC Theatre Workshop January 18 through 26, with the legendary revenge thriller Macbeth presented by the Prenzies for the first time since the group tackled the masterwork in 2005.

Described by Variety magazine as “Disney's happiest outing since The Lion King” and by USA Today as a production of “easy infectuousness” and “youthful exuberance,” the Tony Award-winning Newsies: The Musical makes its area debut at the Circa '21 Dinner Playhouse January 16 through February, treating family audiences to an energetic work that the Hollywood Reporter said “adheres to a time-honored Disney tradition of inspirational storytelling in the best possible sense.”

The first show of the Playcrafters Barn Theatre's 2019 season, running January 11 through 20, is writer/director Alexander Richardson's (a work in progress) – a backstage/front-of-stage comedy Richardson originally wrote in 2015 and drastically re-wrote for its area debut. And the play serves as a fitting introduction to what may be the venerable venue's most ambitious season yet, with 11 wildly varied productions scheduled for the next 11 months. One might call it (an experiment in progress).

You asked for 'em! You're getting 'em!

Okay, fine, none of you officially asked for them. But 'tis the season of giving, so-o-o-o … .

Ladies and gentlemen, welcome to the Third-Annual Reader Tony Awards!

“God bless us, everyone!” is the heartwarming wish from the cast of writer/director Tristan Tapscott's and Countryside Community Theatre's A Christmas Carol musical, now playing at Princeton's charming Boll's Community Center along the banks of the Mississippi River. This delightful production is a pure and humble presentation of the classic tale of Ebenezer Scrooge (Doug Kutzli) and his struggle to find purpose and love in his life, and Saturday’s show was full of both joy and sadness. But most of all it felt cozy. From the scrumptious desserts by Susan Burda, carefully displayed in a small booth at the rear of the theatre, to members of the cast greeting patrons before the show in full character and costume, the atmosphere was exceptionally festive.

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