The fascinating role of portraiture throughout art history will be the subject of a virtual Figge Art Museum presentation on February 25, with American Artists' Self-Portraits Then & Now serving as a companion event – one hosted by recently retired Chief Curator Emerita Brandon Brame Fortune of the National Portrait Gallery – to the Figge's eagerly awaited exhibition For America: 200 Years of Painting from the National Academy of Design.

Always an eagerly awaited series at the Figge Art Museum, the latest incarnation of Young Artists at the Figge will be on display through May 16, with the Davenport venue again celebrating the accomplishments of budding creative talents of local elementary art students whose works will be showcased in six individual exhibits and their accompanying Recognition Days.

Art aficionados are invited to celebrate the Figge Art Museum's highly anticipated For America: 200 Years of Painting from the National Academy of Design alongside Figge Director Michelle Hargrave, National Academy of Design Director Gregory Wessner, and American Federation of Arts Director Pauline Willis, with the Academy's Director of Collections Diana Thompson and Figge Assistant Curator Vanessa Sage - in a February 18 Virtual Opening Celebration - exploring parallels between their collections and the origins of this grand exhibition.

Described by TheatreMania.com as a drama that “has a lot to say about the agonizing process of political change,” playwright Lee Blessing's Two Rooms will be presented by St. Ambrose University in virtual performances running February 19 through 21, the student-produced offering a work that Variety magazine called “that rare political play that survives beyond its period not merely because it remains timely, but because its characters and conflict cut close to the bone.”