An annual holiday-music tradition returns to the area as the professional vocal ensemble the Nova Singers presents its latest A Nova Christmas concerts, with exciting and moving arrangements of non-secular, classical, traditional, and contemporary holiday favorites performed December 13 at Davenport's St. Paul Lutheran Church and December 14 at Galesburg's First Lutheran Church.

The stunning repertoire of a hugely respected yet only moderated celebrated jazz artist will be the focus of the latest offering in Polyrhythms' Third Sunday Jazz Workshop and Matinée Series, with the December 15 concert at Davenport's Redstone Room a celebration of American jazz singer Johnny Hartman as presented by the gifted jazz artists of the Tony Sconyers Sextet.

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You don’t want to be late for the Circa '21 Dinner Playhouse's latest presentation Mr. Scrooge! A Musical Christmas Carol. About 15 minutes before the November 30 performance, actor Brad Hauskins appeared, clanging a bell and wandering about the house announcing that the show would begin shortly. With his proclamation, the production's merry band of actors appeared in a flurry of revelry – some delegated to bring props and costume pieces on stage, others to interact with young audience members through amusing games and activities – and immediately lifted the audience energy from unremarkable to “Wow!”

Knives Out, the star-studded comic whodunit by writer/director Rian Johnson, debuted the day before Thanksgiving, and for just over two hours, the film is what every Thanksgiving spread strives to be: loaded with familiar elements (some presented in delectable new ways), utterly delicious, and enormously satisfying.

Considering that I was able to watch Martin Scorsese's new gangster epic from the comfort of my couch – and after a full plate of Thanksgiving leftovers, no less – the personal astonishment of Netflix's The Irishman wasn't that I made it through all three-and-a-half hours in one sitting. It was that, with only a couple hours' break, I then proceeded to watch all three-and-a-half hours again.

Another relic of Tim Mapes' days as House Speaker Michael Madigan's chief of staff has passed into history.

Praised by the Orlando Sentinel as “full of upbeat tunes” and a “winning addition to the holiday canon that manages to also touch the heart,” the stage adaptation The Best Chistmas Pageant Ever: The Musical serves as the final presentation in Quad City Music Guild's 2020 season, its December 5 through 8 run sure to demonstrate why the Charlotte Observer's Lawrence Toppman called it “the first play written for kids that would inspire me to buy the original cast album.”

A hilarious, cheeky, and thoughtful one-woman show making its Quad Cities debut, Iowa City playwright/actor Janet Story Schlapkohl's Invisible but Dangerous enjoys a special limited run at Davenport's QC Theatre Workshop December 6 and 7, treating audience to fraught, funny tales of everything from Midwestern politeness to mansplaining to those containers of spices that stay in your kitchen, unused, for decades.

A celebrated seasonal event described by DC Metro Theater Arts as “an exhilarating must-see” and “a pulse-pounding pageant full of talent and praise,” Langston Hughes' iconic Black Nativity enjoys a December 6 through 8 run at Moline's Playcrafters Barn Theatre, its presentation by Breath of Encouragement Productions sure to prove why the Maryland Theatre Guide deemed it “a celebration of life and spirit that is at once essential and timely.”

Daniel Rairdin-Hale directs The Little Prince at St. Ambrose University -- December 7.

After its successful run at Davenport's QC Theatre Workshop this past spring, author Aaron Randolph III's new adaptation of the literary classic The Little Prince lands at St. Ambrose University for two performances on December 7 in a presentation boasting an expanded cast, plus direction and original puppet creations by the original production's “Little Prince” himself, SAU's theatre-department associate professor and chair Daniel Rairdin-Hale.

Seasonal activities, song and dance performances, Christmas displays, and much more can be found at the Family Museum on December 8 when the venue hosts its annual celebration Winterfest, with this year's event-filled afternoon treating guests to displays, photos, and even visits from Santa, Mrs. Claus, and a real live reindeer.

Performing under the direction of Curtis Fischer-Oelschlaeger and accompanied by pianist Marcia Renaud, two dozen of the area's premier vocalists will blend their skills in December 6 and 7 Christmas with the Quad City Singers concerts at Colona's Lavender Crest Winery, with the seasonal repertoire boasting classic and contemporary arrangements for soloists, specific vocal groupings, and the ensemble as a whole.

Performing in support of their most recent album Odd Boat, a release that Sound Renaissance called “a gem of our time” for its “infusion of melodic punk and anthemic rock n’ roll,” the Chicago-based musicians of Flatfoot 56 return to the Redstone Room on December 7, their last engagement sure to fill the Davenport venue with what IndieVisionMusic.com called “their rambunctious style that their fans have come to love.”

With the third concert events in the Quad City Symphony Orchestra's 2019-20 Masterworks season, audiences at the respective December 7 and 8 presentations at the Adler Theatre and Augustana College will be among the first Americans to view director Peter Mumford's celebrated multimedia production of Richard Wagner's Die Walküre, the first act of which will serve as the full program for Masterworks III: Passion.

Lauded by Blues Revue as a “world-champion piano player” and “a world-class entertainer and vocalist,” the multiple Blues Music Award winner Victor Wainwright brings his significant skills and gifted ensemble to Davenport's Redstone Room on December 11, demonstrating why American Blues Scene said of the artist, “Wainwright's playing is simply beautiful madness.”

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The Chicago Tribune recently reported that Mike McClain, the most prominent insider connected to House Speaker Michael Madigan, sent a blind-copied e-mail to what he called the "Most Trusted of the Trusted" asking for help raising money in the closing weeks of the 2018 campaign.

Thanks to the Roman numeral helpfully attached to its title, audiences should have a fair idea of what to expect from Disney's latest animated musical: It's Frozen, but ya know … twice! Twice the peril! Twice the naïveté from sentient snowman Olaf! Twice the number of screamy power ballads for Idina Menzel to perform at the Oscars! But for all of its considerable pleasures, Frozen II is also more often Frozen Too – as in too formulaic, too unnecessary, and, for its target kiddie crowd and at least one grown-up, perhaps too confusing.

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